• George Peter Alexander Healy Portrait Oil on canvas 23” x 17 ½” @AC-NB
  • A Louis XVI Style Ormolu and White Marble Mantel Clock, circa 1880. The enameled dial with twin-train movement, within a square marble case surmounted by Cupid and flanked by Venus and a cherub, above a relief-inset marble plinth and toupee feet, on a marble base. Height: 19 inches Width: 19 ½ inches A pair of Louis XVI style ormolu and white marble figural six-light candelabra. Late 19th century. Each modeled as aputto supporting a floral-garlanded vase issuing acanthus-sheathed scrolled branches, on laurel-cast base, shaped plinth and tapering foliate-cast feet, now mounted as lamps. 26 ¾ in. (67.8cm) high, excluding fitting. CEMAR2701-100 AC15040 F-760 Candelabra: CEMAR2701-124 AC11280 F-763
  • Henri Martin (French, 1860-1943) “Orphee” Oil on canvas 21 ¼” x 32” Signed lower right COA by David Roy Henri-Jean Guillaume Martin (5 August 1860 – 12 November 1943) was a renowned French impressionist painter.  Born in Toulouse to a French cabinet maker and a mother of Italian descent, Martin successfully persuaded his father to permit him to become an artist. He began his career in 1877 at the Toulouse School of the Fine Arts, where he was under the tutelage of Jules Garipuy (he was also a pupil of Henry-Eugéne Delacroix). In 1879, Martin relocated to Paris and with the help of a scholarship, was able to study in Jean-Paul Laurens' studio. Four years later, he received his first medal at the Paris Salon, where he would hold his first exhibition three years later in 1886. The year after he won his first medal, Martin was awarded a scholarship for a tour in Italy, where he studied the work of veterans such as Giotto and Masaccio. His 1889 canvas submission to the Salon earned him the gold medal for work that has been described as Pointillist. That same year he became a member of the Legion of Honour. At the 1900 World Fair, he was awarded the Grand Prize for his work. During this period, he became friends with Auguste Rodin.  Although Martin's work as a neo-impressionist is not considered groundbreaking, his work was rather well-received, and has been associated with world-class symbolist painter, Puvis de Chavannes. Due to his introverted temperament, Martin decided to move away from Paris. After a decade of searching for an ideal home, Martin bought Marquayrol, a mansion overlooking La Bastide du Vert, near Cahors. He performed his best work in the new tranquil environment, and died there in 1943. Martin also taught; among his pupils was the American painter Nellie Ellen Shepherd.
  • Armand Guillaumin (French, 1841-1927) “Agay, les roches rouges” Oil on canvas 21 5/8” x 25 ¾” Painted circa 1918 Signed lower right PROVENANCE: Dr. G. Pautet, Paris Galerie Visconti, Paris Yvonne Rocchia, New York Parke-Bernet Galeries NY David Borowitz EXHIBITED: NY HammerGalleries, Guillaumin, 1961, # 23
  • Jean Dufy (French, 1888-1964) “Le port” Oil on canvas 18 1/8” x 15” Painted in 1934 Signed lower right COA by L. Quesnel PROVENANCE: Max Bodner, NY Estate of Lena Wershaw, NY
  • André Derain (French, 1880-1954) “Nu assis de dos” Red chalk on paper mounted on board 25” x 18 ½” Signed bottom right COA by M. Kellermann PROVENANCE: D.G. Kelekian, NY Estate of Elizabeth Norcott Exhibited Paris, Le Petit Palais, 1937 Chicago, the art institute, 18th International exhibition of watercolors, pastels, drawings and monotypes, March-May, 1939, no. 119 Minneapolis, Art Institute, 1940
  • Hippolyte Petitjean (French, 1854-1929) “Femmes dans le foret” Oil on canvas 39 ½” x 25 7/8” Signed and dated bottom left Painted in 1897 PROVENANCE: Estate of D. Gensburg, LA
  • Théodore van Rysselberghe (Belgian, 1862-1926) “Auto-Portrait a la palette” Oil on paper laid on board 23 5/8” x 18 ½”
  • André Derain (French, 1880-1954) “Portrait de la cortessa di Fraso” Oil on canvas 11” x 9” Signed lower right COA by M. Kellermann PROVENANCE: D. G. Kelekian, Paris Elizabeth Norcott Exhibited: San Francisco, Museum of Art, 1938 (on loan)
  • Hippolyte Petitjean (French, 1854-1929) “Le bois de bruxellex” Oil on canvas 15” x 21 5/8” Signed lower left PROVENANCE: Hammer Galleries New York
  • Maximilien Luce (French, 1858–1941) “Le chenal a mare basse, honfleur” Oil on paper laid down on canvas 10 ¼” x 13 ½” Painted in 1928 COA by Jean Luce
  • Gustave Loiseau (French, 1865-1935) “La poupee” Oil on canvas 21 ½”x 17 ½” Signed lower right Titled on reverse Painted circa 1919 COA by Didier Imbert