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Alois Priechenfried
(German, 1867-1953)
"Mother and Child"
Signed ‘Apriechenfried’ upper left
Oil on canvas
20 ¾ x 16 ¾ in. (52.7 x 42.2 cm)
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Arnulf De Bouche
(German, b.1872)
Haystacks
Signed and dated ‘Abouche.1901’ lower left
Oil on canvas
13x 18 in. (33 x 45.8 cm)
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Charles Robert Leslie
(English, 1794-1859)
Landscape
Oil on canvas
12 x 24 in.
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J. Fleming,
circa 18
‘Scottish Seascape'
Plaque on fra
Oil on wo
14¾ x 20
John Fleming (1792-1845) was a Scottish landscape painter who lived and worked in Greenock. He is best known for the series of views he painted for Swan's Lakes of Scotland, published at Glasgow in 1834. Fleming was born in about 1792, and apprenticed to a housepainter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there.
As a landscapist, Fleming specialized in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed. Fleming and Swan followed this with Select Views on the Clyde (1830) and Select Views of the Lakes of Scotland (1834). The last of these, consisting of a total of 48 plates, issued in 16 parts, proved popular enough to justify the publication of further editions in 1836 and 1839.
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Charles Sillem Lidderdale
(British, 1830-1895)
"A Young Beauty"
Signed with monogram and dated ‘82’ lower left
Oil on canvas
24 x 20 in. (61x50.8cm)
Property from The Estate of Jane Edwards Champlin
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Pierre Emmanuel Damoye
(French,1847-1916)
‘A Wintery Day’
signed ‘E.Damoye’ lower left
oil on canvas
15x 24 in. (38 x 61 cm)
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Artist Unknown,
19th Century
Figure and Animals Scene
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Continental School,
19th Century
"The Cathedral"
Dated 1874, Oil on canvas
26 x 18 1/4 inches (66 x 46.4 cm)
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Artist Unknown
19th Century
10 ½ x 8 in.
"This painting hung in the study of Oliver Wendell Holmes for many years." -
plaque text at bottom center on frame.
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William Holyoake
(British, 1834-1893)
"A Day at the Races"
Oil on canvas
24 x 20 inches (61 x 51cm)
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Dog Painting
Portrait of a Dog
Artist Unknown
10½ x 12 in.
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Charles Felix Edouard Deshayes
(French, 1831-1895)
Windmill Near Paris
Signed and dated ‘Ch Deshayes 1874
Paris’
Oil on canvas
26x 32 in. (66 x 81.2 cm)
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Henry Lee McFee
‘Still Life with Bottle’
Oil on canvas
24 x 20 inches
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After Heinrich Fuseli
(Swiss, 1741-1825)
‘The Furies’
Oil on canvas
19 x 24 ½ in. (48.3 x 62.2 cm)
Provenance:
Mr. & Mrs. Peter P. Williams, Raleigh.
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Circle of Alfred Elmore, R.A.
‘Una and The Lion’
oil on canvas.
36 x 28 in. (91.4 x 71.1 cm
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Henry Alken Jr.
(British, 1810-1894)
Beginning the Hunt
Signed and dated ‘ALKEN 1873’ lower
left. Oil on panel.
11x16 ½ in. (28 x 42 cm)
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Artist Unknown,
19th Century
Landscape
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Unknown Artist
19th Century
“Girl with Yarn”
10 x 8 ½ in.
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Georges William Thornley
(British, b. 1857-1935)
‘The Watermill’
signed, watercolor on paper
11 x 15 ½ in. (27.9 x 39.4 cm)
Georges William Thornley (1857–1935) was a French painter and printmaker. A student of the French landscape painter Eugène Ciceri and Edmond Yon, Thornley became a successful artist remembered for his seascapes from Normandy and his landscapes from the French and Italian Rivieras. He was the son of a Welsh immigrant Morgan Thornley. He also was a talented watercolorist, engraver, and lithographer. His lithographs after the works of Corot, Pissarro, Degas and Puvis de Chavannes were acclaimed by his peers and awarded at the Salon de Paris.
His paintings were exhibited beginning in 1878. He won the Mention of Honor in 1881 and a Third Class medal in 1888. Thornley embraced the Impressionist movement early in his career, which brought him much success. His style characteristically has bold brushwork and thick "impasto." It recreates the "impression of a panorama", capturing the fleeting moment in its inner light and color. This open landscape is an example of what the artist excelled at: successful color effects which are highly decorative but stay true to nature.
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Unknown Artist
19th Century
“A Gathering”
15 x 19 in.
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John Ferneley Jr.
(British, 1815-1862)
In Search of the Hunt
Signed and dated ‘John Fernely Jr./
1849’ lower right.
Oil on canvas.
17 x 22 in. (43.2 x 56 cm)
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Aleksei Mikhailovich Korin
(Russian, 1865-1923
The bread seller
oil on canvas
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Georges Bonnemaison
(French, d. 1885)
‘Harvesters In A Landscape’
oil on canvas
13.5 x 12 in.
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James Clark
(British, 1858-1943)
"Black Horse in a Stable"
Oil on canvas
17 x 21 inches (43.2 x 53.3 cm)
Signed