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Sale!
School of Thomas Gainsborough (1727 - 1788)
‘Portrait of Alice & Martha Andrews, in a Landscape’
Oil on canvas
59 ½ x 44¾ in. (151 x 113.6 cm.)
Thomas Gainsborough (14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. He surpassed his rival Sir Joshua Reynolds to become the dominant British portraitist of the second half of the 18th century. He painted quickly, and the works of his maturity are characterized by a light palette and easy strokes. He preferred landscapes to portraits, and is credited (with Richard Wilson) as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
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Sale!
Scandinavia school
‘Portrait of a Young person'
oil on canvas
39 x 31 in.
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Charles Felix Edouard Deshayes
(French, 1831-1895)
Windmill Near Paris
Signed and dated ‘Ch Deshayes 1874
Paris’
Oil on canvas
26x 32 in. (66 x 81.2 cm)
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Circle of Alfred Elmore, R.A.
‘Una and The Lion’
oil on canvas.
36 x 28 in. (91.4 x 71.1 cm
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Artist Unknown
19th Century
10 ½ x 8 in.
"This painting hung in the study of Oliver Wendell Holmes for many years." -
plaque text at bottom center on frame.
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Georges William Thornley
(British, b. 1857-1935)
‘The Watermill’
signed, watercolor on paper
11 x 15 ½ in. (27.9 x 39.4 cm)
Georges William Thornley (1857–1935) was a French painter and printmaker. A student of the French landscape painter Eugène Ciceri and Edmond Yon, Thornley became a successful artist remembered for his seascapes from Normandy and his landscapes from the French and Italian Rivieras. He was the son of a Welsh immigrant Morgan Thornley. He also was a talented watercolorist, engraver, and lithographer. His lithographs after the works of Corot, Pissarro, Degas and Puvis de Chavannes were acclaimed by his peers and awarded at the Salon de Paris.
His paintings were exhibited beginning in 1878. He won the Mention of Honor in 1881 and a Third Class medal in 1888. Thornley embraced the Impressionist movement early in his career, which brought him much success. His style characteristically has bold brushwork and thick "impasto." It recreates the "impression of a panorama", capturing the fleeting moment in its inner light and color. This open landscape is an example of what the artist excelled at: successful color effects which are highly decorative but stay true to nature.
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Sale!
Gustave Wappers
(Belgian, 1803-74)
‘The Reading’
signed, oil on panel
19 ½ x 15 ¼ in. (49.5 x 38.7 cm)
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Sale!
Constantin Stoitzner
(Austrian, 1863-1934)
‘The Moonlit Muse’
signed, oil on canvas
50 x 31 in. (127 x 78.7 cm)
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Sale!
George Goodwin Kilburne
(British, 1839-1924)
‘The Love Token’
Signed, oil on canvas.
40 x 30 in. (101.6 x 76.2 cm)
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After Heinrich Fuseli
(Swiss, 1741-1825)
‘The Furies’
Oil on canvas
19 x 24 ½ in. (48.3 x 62.2 cm)
Provenance:
Mr. & Mrs. Peter P. Williams, Raleigh.
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Heinz Pinggera
(Italian, b.1900)
‘The Concert’
Oil on canvas
Signed ‘H Pinggera’ lower left
29 x 39 in (73.7 x 99.1 cm)
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Continental School,
19th Century
"The Cathedral"
Dated 1874, Oil on canvas
26 x 18 1/4 inches (66 x 46.4 cm)
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Aleksei Mikhailovich Korin
(Russian, 1865-1923
The bread seller
oil on canvas
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Aleksei Mikhailovich Korin
(Russian,1865-1923)
‘Street Musicians’
oil on canvas
20½” x 14 ½”
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Henry Lee McFee
‘Still Life with Bottle’
Oil on canvas
24 x 20 inches
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Henry George Todd
(British, 1846-1898)
‘Still Life of Game,Copper Urn and Cabbage on a Wooden Ledge’
signed and dated ‘H.G. Todd/1875’ lower right
oil on canvas
20x 17 in. (50.9 x 43.2 cm)
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Koch
(German, 19/20th Century)
‘Still Life in Vase and Still Life with Flowers in A Basket’
(A pair of paintings)
each signed, oil on canvas
25 5/8 x 21 ¼ in. (65.1 x 54 cm)
Please contact gallery for higher resolution photographs
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After Jean Leon Gerome
(French, 1824-1904)
Sortie du Bal Masque
Oil on panel.
9 x 13 ¼ in. (23 x 32.5 cm)
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Sale!
Benjamin Rutherford Fitz
Shopkeeper
Signed and Dated 1888
Oil on Canvas
29 x 36 in.
Sotheby’s LA 10-5-81, Lot# 161
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Attributed to Paul Chabas
(French, 1869-1937)
September Morning
Oil on canvas
15 x 20 in. (38 x 51 cm)
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J. Fleming,
circa 18
‘Scottish Seascape'
Plaque on fra
Oil on wo
14¾ x 20
John Fleming (1792-1845) was a Scottish landscape painter who lived and worked in Greenock. He is best known for the series of views he painted for Swan's Lakes of Scotland, published at Glasgow in 1834. Fleming was born in about 1792, and apprenticed to a housepainter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there.
As a landscapist, Fleming specialized in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed. Fleming and Swan followed this with Select Views on the Clyde (1830) and Select Views of the Lakes of Scotland (1834). The last of these, consisting of a total of 48 plates, issued in 16 parts, proved popular enough to justify the publication of further editions in 1836 and 1839.
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Artist Unknown
19th Century
Scolding of a School Boy
8 ½ x 11 in.
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C Kleemann
(19th/20th Century)
Salome
signed,
23 x 17 5/8 in.
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Sale!
W J Scott
(American, 19th Century)
‘Raven Crag Burn, Haltwhistle’
signed and dated 1886, oil on board.
14 ½ x 19 ¾ in. (36.8 x 50.2 cm)