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JaquesNatoire with indistinct signature, ‘F Boucher’
“Zephyr Flora”
Laid down on canvas
10 ½ x 8 inches
(26.7 x 20.3 cm)
CL102794-137
451003-2
@NB-1040
#62
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Jean A. Watteau (French, 1684-1821)
Women in Nature
Oil on canvas
12 ¾ x 9 ½ inches
S71791-173
142001-3
@AL 7/13
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Antonio Allegri, il Coreggio
“Venus, Cupid and a Satyr”
Oil on Canvas
32” x 21 ½” (81.3 x 54.7 cm)
CL102794-126
564601-2
@Albertson
(5/19/03)
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Carlo (Vavaliere) Maratta (Italian, 1625-1713)
“Time Revealing Truth and Justice”
Oil on canvas
53 x 43 ½ inches
(134.6 x 110.5 cm)
CL102794-128
3108801-2
NB-1040
#49
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Giovanni Antonio Pellegrini (Italian, 1675-1741)
“The Young Bacchus”
Oil on panel
11 x 7 ½ inches
(27.9 x 19.2 cm)
Giovanni Antonio Pellegrini (29 April 1675 – 2 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano. He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France. He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini. Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works.
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Bartoloméo Estenban Murillo
1618-1682, Spanish
“The Virgin with the Infant Christ Standing”
Oil on canvas
62” x 42”
157.5 x 106.7 cm
CL102794-63
9115603-2
@AC-NB
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Antonio Allegri, il Correggio
“The Virgin Adoring the Christ Child”
Oil on Canvas
31 ½” x 26 ½’’
80 x 67.3 cm
CL102794-79
761203-2
@AC-GN
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Lodewyck de Vadder
‘The Temptation in the Wilderness’
oil on canvas
17 ¾ x 44 in.
(45 x 111.8 cm)
CL102794-177
351003-2
@AC-NB
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David Teniers
‘The Palm Reader’
oil on panel
6 7/8 x 4 5/8 in.
(17.5 x 11.7 cm)
CL102794-253
39520-2
@AC-NB
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Francesco Solimena (Italian, 1657-1747)
“The Mystic Marriage of Saint Catherine”
Oil on canvas, Oval
12 7/8 x 9 5/8 inches
(31.8 x 24.7 cm)
CL102794-97
430602-2
@NB-1040
#61
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Antonio Allegri da Correggio
“The Mystic Marriage of Saint Catherine”
Oil on canvas
10 ½” x 9”
(26.7 x 22.8 cm)
Antonio Allegri da Correggio (August 1489 – March 5, 1534), usually known as Correggio (Italian), was the foremost painter of the Parma school of the Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Rococo art of the 18th century. He is considered a master of chiaroscuro.
In 1503 he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the classicism of artists like Lorenzo Costa and Francesco Francia, evidence of which can be found in his first works. After a trip to Mantua in 1506, he returned to Correggio, where he stayed until 1510.
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Antonio Allegri da Correggio
“The Mystic Marriage of Saint Catherine”
Oil on canvas
32 x 28 inches
(81.3 x 71.2 cm)
CL102794-78
3108802-2
@NB-1040
#68