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  • Sale!
    School of Thomas Gainsborough (1727 - 1788) ‘Portrait of Alice & Martha Andrews, in a Landscape’ Oil on canvas 59 ½ x 44¾ in. (151 x 113.6 cm.) Thomas Gainsborough (14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. He surpassed his rival Sir Joshua Reynolds to become the dominant British portraitist of the second half of the 18th century. He painted quickly, and the works of his maturity are characterized by a light palette and easy strokes. He preferred landscapes to portraits, and is credited (with Richard Wilson) as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
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    Seymour Joseph Guy (1824 –1910) Portrait of a Lady Oil on Canvas 18 x 23 in. Seymour Joseph Guy (1824–1910), was an American romance painter. He was born and trained in London but moved to New York City where he is known for genre works. He trained for four years with the portrait painter Ambrosini Jerôme and married the daughter of an engraver, Anna Maria Barber, before his move to New York in 1854. He was a member of the Sketch club and became friends with John George Brown, and they both began to paint genre works of children, probably inspired by their own, as Guy eventually had nine. He died at his home in New York on December 10, 1910.
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    Alfred Edward Chalon (British,1780-1860) ‘A Family Portrait’ Oil on canvas 50 3/8
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    “Forest Scene”

    $18,000.00 $12,000.00
    Artist Unknown Forest Scene Oil 27 ¼ x 36 ¼ in.
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    Antonio Casanova Y Estorach (Spanish, 1847-1896) ‘Best Friends’ Oil on canvas laid on board 15 ¾ x 12 ¾ in.
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    George Goodwin Kilburne (British, 1839-1924) ‘The Love Token’ Signed, oil on canvas. 40 x 30 in. (101.6 x 76.2 cm)
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    Ernest Fiene (American, 1894-1965) "New England Church" Oil on canvas 26 x 36 ½ in. Ernest Fiene (1894–1965) was a 20th-century American graphic artist who primarily worked in New York City and Woodstock, New York. Fiene was known primarily for his varied printed works, including lithographs and etchings. His notable work includes cityscapes, views of New York City in particular, landscapes and other figural art. Born in Germany in 1894, Fiene fled his native land in 1912 to avoid military service in what would become World War I.  Traveling first to the Netherlands, he continued on to the United States.  From 1914 to 1914 he studied at the National Academy of Design in New York City, and from 1916 to 1918 at the Beaux Arts Institute. In 1923, Fiene continued his study of printmaking at the Art Students League of New York. In 1921 he married Jeannette Etarre. From 1928 to 1929 he studied in Paris and traveled in France. Fiene was hired in 1940, along with eight other prominent American artists, to document dramatic scenes and characters during the production of the film The Long Voyage Home, a cinematic adaptation of Eugene O'Neill's plays. In 1945 he divorced his first wife and was married to Alicia Wiencek. Fiene re-established his relationship with the Art Students League in 1948, returning to teach classes in painting and drawing there. In 1948, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1952. In the 1950s he also served on the faculty of the Famous Artists School in Westport, Connecticut. Fiene died of a heart attack in Paris in 1965.
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    Vincenzo Irolli (Italian, 1860-1949) "Portrait of a Lady" Oil on canvas 20 ¼ x 16 ¼ in.
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    Constantin Stoitzner (Austrian, 1863-1934) ‘The Moonlit Muse’ signed, oil on canvas 50 x 31 in. (127 x 78.7 cm)
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    Benjamin Rutherford Fitz Shopkeeper Signed and Dated 1888 Oil on Canvas 29 x 36 in. Sotheby’s LA 10-5-81, Lot# 161
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    “Landscape with Figures”

    $6,000.00 $4,000.00
    Artist Unknown Landscape with Figures 19th Century 21 ¼ x 43 ¼ in.
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    L Roekler (German, 19thCent.) 'Playing with the cat’ signed and dated 73, oil on canvas 25 x 18 in. (63.5 x 45.7 cm)
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    Louis Alois Franz Uhl (Austrian, 1860-1909) ‘Portrat Einer Dame In Weissem Kleid’ (Portrait of Lady in a White Dress) Signed-oil on canvas. 48 ¼ x 34 ½ in. (122.6 x 87.6 cm)
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    Scandinavia school ‘Portrait of a Young person' oil on canvas 39 x 31 in.
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    Ernest Fiene (American, 1894-1965) "June Morning, Maine" Oil on canvas 22 x 28 in.
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    Cesare Auguste Detti (Italian, 1847-1914) ‘An Elegant Couple’ Watercolor on paper Signed lower left 18” x 14” 
    Cesare Augusto Detti (1847-1914) was an Italian artist, best known for his historical genre paintings in the nineteenth century.  From Spoleto, Cesare moved to Paris during the Belle Epoque.  Some of his works are included in the collections of the Uffizi and Galleria Borghese of Rome.  Augusto Detti, painter of portraits, scenes usually in costume, and historical subjects, was capable of intriguing a refined, erudite audience with his works. In the 1870s he moved to Paris, where he participated at many Salons and was continuously successful. His works can be seen today in important museums in Italy, as well as collections in America and France.
  • Sale!
    Gustave Wappers (Belgian, 1803-74) ‘The Reading’ signed, oil on panel 19 ½ x 15 ¼ in. (49.5 x 38.7 cm)
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    Charles Michael Verlat (Belgian, 1824-1890) Playmates Oil on panel, signed. 6 ¼ x 8 5/8 inches
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    W J Scott (American, 19th Century) ‘Raven Crag Burn, Haltwhistle’ signed and dated 1886, oil on board. 14 ½ x 19 ¾ in. (36.8 x 50.2 cm)
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    Eugene Grivaz (Swiss, 1852-1915) "Elegant figures dancing in a Landscape" Watercolor on paper 18 x 25 ¼ “ (45.7 x 64.1 cm) Signed lower right, 'E. Grivaz'
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    “Portrait of a Man”

    $3,000.00 $1,500.00
    Portrait of a Man ArtistUnknown 19th Century 37 x 25 in.
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    Josef Johann Süss (Austrian, 1857-1937) “Courting Couple” Signed, “Josef Süss” Oil on canvas 23” x 17 ¼”
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    Alfred Vickers (British, 1786-1868) "On the Medway" Oil on canvas A beautiful horizontal scape of the shore with sailboats dispursed in the water, and two figures on the shore. Delicately painted clouds above, and a blend of colours that meet the horizon. Frame contains plaque of Title, Artist name, and descent.
  • Hendrik van Balen 1611-1654 “Saint Jermone” Oil on Copper 8 ¼” x 6’’ (21 x 15.3 cm) CL102794-65 310883-2
  • JaquesNatoire with indistinct signature, ‘F Boucher’ “Zephyr Flora” Laid down on canvas 10 ½ x 8 inches (26.7 x 20.3 cm) CL102794-137 451003-2 @NB-1040 #62
  • Henri Martin (French, 1860-1943) “Orphee” Oil on canvas 21 ¼” x 32” Signed lower right COA by David Roy Henri-Jean Guillaume Martin (5 August 1860 – 12 November 1943) was a renowned French impressionist painter.  Born in Toulouse to a French cabinet maker and a mother of Italian descent, Martin successfully persuaded his father to permit him to become an artist. He began his career in 1877 at the Toulouse School of the Fine Arts, where he was under the tutelage of Jules Garipuy (he was also a pupil of Henry-Eugéne Delacroix). In 1879, Martin relocated to Paris and with the help of a scholarship, was able to study in Jean-Paul Laurens' studio. Four years later, he received his first medal at the Paris Salon, where he would hold his first exhibition three years later in 1886. The year after he won his first medal, Martin was awarded a scholarship for a tour in Italy, where he studied the work of veterans such as Giotto and Masaccio. His 1889 canvas submission to the Salon earned him the gold medal for work that has been described as Pointillist. That same year he became a member of the Legion of Honour. At the 1900 World Fair, he was awarded the Grand Prize for his work. During this period, he became friends with Auguste Rodin.  Although Martin's work as a neo-impressionist is not considered groundbreaking, his work was rather well-received, and has been associated with world-class symbolist painter, Puvis de Chavannes. Due to his introverted temperament, Martin decided to move away from Paris. After a decade of searching for an ideal home, Martin bought Marquayrol, a mansion overlooking La Bastide du Vert, near Cahors. He performed his best work in the new tranquil environment, and died there in 1943. Martin also taught; among his pupils was the American painter Nellie Ellen Shepherd.
  • George Rouault (French, 1871-1958) “La Route” Oil on cradled board 29 ½”x 10 ¼” Signed, also titled on the reverse Painted in 1947 COA by I. Rouault LITERATURE: P. Couthion, 1961, #439, illustrated p. 445 I. Rouault and B. Dorival, Vol. 2, 1988, #2369, p. 236
  • British School (19th Century) "Floral Still Life" Signed with initials and dated Feb. '67 Oil on canvas 14 x 18 inches (35.6 x 45.7 cm)
  • Pieter Aertson (Dutch, 1507-1575) Virgin Mary Oil on panel 22 ½” x 41 ½” Inscribed lower left Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands.  His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy.  His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder.  
  • Jan Cornelisz Vermeyen “Portrait of a Lady in Profile Holding A Book” Oil on panel 13 ¾” x 10 ½” (34.9 x 26.7 cm) S71791-86
  • Frederic Edwin Church 1826-1900 Portrait of a Woman Oil on canvas 32” x 40” Mr. And Mrs. Walker (pair of paintings) F.E.Church (1876-1975) Born in Brooklyn, NY Provenance: Sotheby’s 6/12 –15/73 lot 315 @AC-NB
  • Henri Martin (French, 1860-1943) “Les Travaux des Champs” Oil on canvas 27.1”x 36.3 ” COA by K. Ryjik
  • Eugéne Boudin (French, 1824-1898) “Camaret, le môle” Oil on canvas 21 ½”x 35” Signed and dated lower left, inscribed lower right Painted in 1873
  • Koch (German, 19/20th Century) ‘Still Life in Vase and Still Life with Flowers in A Basket’ (A pair of paintings) each signed, oil on canvas 25 5/8 x 21 ¼ in. (65.1 x 54 cm) Please contact gallery for higher resolution photographs
  • Artist Unknown 19th Century 10 ½ x 8 in. "This painting hung in the study of Oliver Wendell Holmes for many years." - plaque text at bottom center on frame.
  • Antonio Allegri da Correggio “The Mystic Marriage of Saint Catherine” Oil on canvas 32 x 28 inches (81.3 x 71.2 cm) CL102794-78 3108802-2 @NB-1040 #68