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George A. Baker 1821-1880 “Portrait Judge Oren Stowe” Oil on canvas 29 ½” x 24 ½” Worth 3,000 @AC-NB
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American School “A Gentlemen Holding a Book” Oil on canvas 25 ½” x 32 ½” Sotheby’s L.A. 11-17-80 @AC-NB
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Maurice Utrillo (French, 1883-1995) “La Basilique de Saint-Denis" Oil on canvas 23 ¾”x 19 ¾” Signed and titled on bottom COA by G. Petrides
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Achille Vertunni (Italian, 1826-1897) "A Pilgrimage" Signed ‘A.Vertunni’ lower right Oil on canvas 18 x 36 ¼ in. (45.7 x 92 cm)
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Heinz Pinggera (Italian, b.1900) ‘The Concert’ Oil on canvas Signed ‘H Pinggera’ lower left 29 x 39 in (73.7 x 99.1 cm)
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Christian Georg Schütz (German, 1718-1791) “A River Landscape with a Boat Moored by a Cottage” Oil on board, oval 3 1/3 x 3 ¾ inches (8.6 x 9.5 cm) CL 201794-171 18841-2 @NB-1040 #92
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Armand Guillaumin (French, 1841-1927) “Agay, les roches rouges” Oil on canvas 21 5/8” x 25 ¾” Painted circa 1918 Signed lower right PROVENANCE: Dr. G. Pautet, Paris Galerie Visconti, Paris Yvonne Rocchia, New York Parke-Bernet Galeries NY David Borowitz EXHIBITED: NY HammerGalleries, Guillaumin, 1961, # 23
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Odilon Redon (French, 1840-1916) “La roué de la fortune” Oil on panel 15 ¼”x 5 ½” Signed bottom left Inscribed in Chinese on the reverse “Good of the tea” Vol. IV of Catalogue Raisonne COA by Wildenstein Institute PROVENANCE: Acquired from the artist by the Wildenstein Institue Property from the collection of the Marquis De Gonet "Odilon Redon"
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Francesco Di Simone da Santa Croce (1480-1548) “Joseph’s Escape from Potiphar’s Wife” From the collection of Pinero Migliorati Lugano, Taken from Old Church in Northern Italy (one of five). @NB-1040 #88
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Anthony Van Dyck “Portrait of a Lady, Possibly a beguine” oil on canvas 17 ¼” x 12 ¾” (43.8 x 32.4 cm) Sir Anthony van Dyck (22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. The Van Dyke beard is named after him. S71791-207 966007-3