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Artist Unknown Landscape with Figures 19th Century 21 ¼ x 43 ¼ in.
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Portrait of a Man ArtistUnknown 19th Century 37 x 25 in.
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School of Thomas Gainsborough (1727 - 1788) ‘Portrait of Alice & Martha Andrews, in a Landscape’ Oil on canvas 59 ½ x 44¾ in. (151 x 113.6 cm.) Thomas Gainsborough (14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. He surpassed his rival Sir Joshua Reynolds to become the dominant British portraitist of the second half of the 18th century. He painted quickly, and the works of his maturity are characterized by a light palette and easy strokes. He preferred landscapes to portraits, and is credited (with Richard Wilson) as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
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Artist Unknown Forest Scene Oil 27 ¼ x 36 ¼ in.
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Alfred Vickers (British, 1786-1868) "On the Medway" Oil on canvas A beautiful horizontal scape of the shore with sailboats dispursed in the water, and two figures on the shore. Delicately painted clouds above, and a blend of colours that meet the horizon. Frame contains plaque of Title, Artist name, and descent.
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Ernest Fiene (American, 1894-1965) "June Morning, Maine" Oil on canvas 22 x 28 in.
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A Louis XVI Style Ormolu and Malachite-Veneered Mantel Clock. The Ormolu circa 1880, the Malachite 20th Century. The drum-shaped case with musical instrument and floral garland surmount, the enameled dial flanked by ribbon-tied laurel branches, the twin-train movement stamped VINCENTI & CIE/ MEDAILLE D’ARGENT/1855, with Apollo mask and sunburst pendulum, resting on a pair of drapery-covered and tasseled poles supported below by a pair of putti, on oblong base inset with floral chains, on leaf-cast toupie feet. 23 ½ in. (59.6 cm) high; 13 ¾ in. (35 cm) wide; 7 in. (17.7 cm) deep. CNYAPR2401-258 AC23500 F-790
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A Napoleon III Gilt Metal Porcelain Mounted Sculptural Mantel Clock, circa 1860. Polychrome porcelain dial with Roman numerals, gilt hands, putto in the center and a courting couple below, movement with anchor escapement, count wheel striking on a bell, the gilt metal case topped by two putti, flanked by scrolls with fruit and flowers, breakfront base with two oval porcelain plaques with musical instruments and a rectangular plaque with flowers and birds raised on turned feet, imperfections, pendulum missing. Height of Clock: ~19 inches. Candelabra: A Pair of French ormolu and Porcelain Four-Light Candelabra, Late 19th Century. Each arched plinth set with turquoise-ground plaques painted with flowers, figure and landscapes, surmounted by an urn issuing a central stem and four candle arms. Height: 16 inches. Sam 022003-1210 F-1458/F-1357
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Antique Three-Piece Bronze Clock Set. Two Bronze Candelabras have eight arms, with a bird centrally located, eating a snake (on its top), and a woman without arms as a base. Clock bears three semi-nude bronze women. Clock Dimensions: Height: 37 inches Width: 14 inches Diameter: 13 ½ inches Candelabra Dimensions: Height: 38 inches Width: 11 ½ inches Diameter: 11 ½ inches FurnFiner 07/30/2003 AC42000 F-1510
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Sevres-Style Clock Set with Six Lights. Clock Dimensions: Height 27 ½ inches, Width 16 inches, Diameter 11 inches. Candelabra Dimensions: Height 27 inches, with 11 inches Diameter. AC70000 F-1522
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Artist Unknown 19th Century Scolding of a School Boy 8 ½ x 11 in.
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Artist Unknown 19th Century 10 ½ x 8 in. "This painting hung in the study of Oliver Wendell Holmes for many years." - plaque text at bottom center on frame.
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Artist Unknown, 19th Century Landscape
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Artist Unknown, 19th Century Figure and Animals Scene
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Dog Painting Portrait of a Dog Artist Unknown 10½ x 12 in.
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J. Fleming, circa 18 ‘Scottish Seascape' Plaque on fra Oil on wo 14¾ x 20 John Fleming (1792-1845) was a Scottish landscape painter who lived and worked in Greenock. He is best known for the series of views he painted for Swan's Lakes of Scotland, published at Glasgow in 1834. Fleming was born in about 1792, and apprenticed to a housepainter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there. As a landscapist, Fleming specialized in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed. Fleming and Swan followed this with Select Views on the Clyde (1830) and Select Views of the Lakes of Scotland (1834). The last of these, consisting of a total of 48 plates, issued in 16 parts, proved popular enough to justify the publication of further editions in 1836 and 1839.
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Artist Unknown, 19th Century Lady in Nature 19¼ x 24 in. Frame with Plate of Artist and Title, but hard to decipher.
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Artist Unknown Portrait of a Man 20" x 16" Oil on board
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Seymour Joseph Guy (1824 –1910) Portrait of a Lady Oil on Canvas 18 x 23 in. Seymour Joseph Guy (1824–1910), was an American romance painter. He was born and trained in London but moved to New York City where he is known for genre works. He trained for four years with the portrait painter Ambrosini Jerôme and married the daughter of an engraver, Anna Maria Barber, before his move to New York in 1854. He was a member of the Sketch club and became friends with John George Brown, and they both began to paint genre works of children, probably inspired by their own, as Guy eventually had nine. He died at his home in New York on December 10, 1910.
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Alfred Edward Chalon (British,1780-1860) ‘A Family Portrait’ Oil on canvas 50 3/8
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Benjamin Rutherford Fitz Shopkeeper Signed and Dated 1888 Oil on Canvas 29 x 36 in. Sotheby’s LA 10-5-81, Lot# 161
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Unknown Artist 19th Century “A Gathering” 15 x 19 in.
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Unknown Artist 19th Century “Outdoor Scene”
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Unknown Artist 19th Century “Girl with Yarn” 10 x 8 ½ in.
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Josef Johann Süss (Austrian, 1857-1937) “Courting Couple” Signed, “Josef Süss” Oil on canvas 23” x 17 ¼”
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B. Baroni (Italian, 19th Century) ‘In the Doorway’ Oil on canvas 26 7/8 x 18 ½ inches Signed lower right ‘B. Baroni’
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Italian School Late 19th Century In the Garden Pastel on canvas 29” x 22” (73.6 x 55.9 cm)
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Cesare Auguste Detti (Italian, 1847-1914) ‘An Elegant Couple’ Watercolor on paper Signed lower left 18” x 14”Cesare Augusto Detti (1847-1914) was an Italian artist, best known for his historical genre paintings in the nineteenth century. From Spoleto, Cesare moved to Paris during the Belle Epoque. Some of his works are included in the collections of the Uffizi and Galleria Borghese of Rome. Augusto Detti, painter of portraits, scenes usually in costume, and historical subjects, was capable of intriguing a refined, erudite audience with his works. In the 1870s he moved to Paris, where he participated at many Salons and was continuously successful. His works can be seen today in important museums in Italy, as well as collections in America and France.
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Antonio Casanova Y Estorach (Spanish, 1847-1896) ‘Best Friends’ Oil on canvas laid on board 15 ¾ x 12 ¾ in.
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Eugene Grivaz (Swiss, 1852-1915) "Elegant figures dancing in a Landscape" Watercolor on paper 18 x 25 ¼ “ (45.7 x 64.1 cm) Signed lower right, 'E. Grivaz'
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Heinz Pinggera (Italian, b.1900) ‘The Concert’ Oil on canvas Signed ‘H Pinggera’ lower left 29 x 39 in (73.7 x 99.1 cm)
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Aleksei Mikhailovich Korin (Russian, 1865-1923 The bread seller oil on canvas
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Aleksei Mikhailovich Korin (Russian,1865-1923) ‘Street Musicians’ oil on canvas 20½” x 14 ½”
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Georges Bonnemaison (French, d. 1885) ‘Harvesters In A Landscape’ oil on canvas 13.5 x 12 in.
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Henry Lee McFee ‘Still Life with Bottle’ Oil on canvas 24 x 20 inches
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Charles Robert Leslie (English, 1794-1859) Landscape Oil on canvas 12 x 24 in.
