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School of Thomas Gainsborough (1727 - 1788) ‘Portrait of Alice & Martha Andrews, in a Landscape’ Oil on canvas 59 ½ x 44¾ in. (151 x 113.6 cm.) Thomas Gainsborough (14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. He surpassed his rival Sir Joshua Reynolds to become the dominant British portraitist of the second half of the 18th century. He painted quickly, and the works of his maturity are characterized by a light palette and easy strokes. He preferred landscapes to portraits, and is credited (with Richard Wilson) as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
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Clock Set Clock Dimensions: Height: 27 inches Width: 19 inches Depth: 6 inches Dimensions for Pair of Urns: Height: 25 ½ inches Width: 9 inches Diameter: 10 inches AC72000 F-1596
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Sevres-Style Clock Set with Six-Light Candelabra. Clock Height: 27 ½ inches Clock Width: 16 inches Candelabra Height: 27 inches
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Sevres-Style Clock Set with Six Lights. Clock Dimensions: Height 27 ½ inches, Width 16 inches, Diameter 11 inches. Candelabra Dimensions: Height 27 inches, with 11 inches Diameter. AC70000 F-1522
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A Sevres-Style Clock with a pair of Five-Light Candelabra. 19th Century. Clock dimensions: (a) Height: 22 inches (b) Width: 24 inches Candelabra dimensions: (a) Height: 26 ½ inches (b) Width: 7 inches AC80000 F-1194
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Clock Set in Louis XVI Ormolu and Sevres Porcelain-Mounted Style with Roman numeral dial, with four-light candelabra.
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Antique Three-Piece Bronze Clock Set. Two Bronze Candelabras have eight arms, with a bird centrally located, eating a snake (on its top), and a woman without arms as a base. Clock bears three semi-nude bronze women. Clock Dimensions: Height: 37 inches Width: 14 inches Diameter: 13 ½ inches Candelabra Dimensions: Height: 38 inches Width: 11 ½ inches Diameter: 11 ½ inches FurnFiner 07/30/2003 AC42000 F-1510
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A Napoleon III Gilt Metal Porcelain Mounted Sculptural Mantel Clock, circa 1860. Polychrome porcelain dial with Roman numerals, gilt hands, putto in the center and a courting couple below, movement with anchor escapement, count wheel striking on a bell, the gilt metal case topped by two putti, flanked by scrolls with fruit and flowers, breakfront base with two oval porcelain plaques with musical instruments and a rectangular plaque with flowers and birds raised on turned feet, imperfections, pendulum missing. Height of Clock: ~19 inches. Candelabra: A Pair of French ormolu and Porcelain Four-Light Candelabra, Late 19th Century. Each arched plinth set with turquoise-ground plaques painted with flowers, figure and landscapes, surmounted by an urn issuing a central stem and four candle arms. Height: 16 inches. Sam 022003-1210 F-1458/F-1357
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A Sevres Style Clock with a Pair of Urns. Clock Height: 17 ½ inches Urn Height: 18 ¾ inches AC48000 F-1523
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Seymour Joseph Guy (1824 –1910) Portrait of a Lady Oil on Canvas 18 x 23 in. Seymour Joseph Guy (1824–1910), was an American romance painter. He was born and trained in London but moved to New York City where he is known for genre works. He trained for four years with the portrait painter Ambrosini Jerôme and married the daughter of an engraver, Anna Maria Barber, before his move to New York in 1854. He was a member of the Sketch club and became friends with John George Brown, and they both began to paint genre works of children, probably inspired by their own, as Guy eventually had nine. He died at his home in New York on December 10, 1910.
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A Louis XVI Style Ormolu and Malachite-Veneered Mantel Clock. The Ormolu circa 1880, the Malachite 20th Century. The drum-shaped case with musical instrument and floral garland surmount, the enameled dial flanked by ribbon-tied laurel branches, the twin-train movement stamped VINCENTI & CIE/ MEDAILLE D’ARGENT/1855, with Apollo mask and sunburst pendulum, resting on a pair of drapery-covered and tasseled poles supported below by a pair of putti, on oblong base inset with floral chains, on leaf-cast toupie feet. 23 ½ in. (59.6 cm) high; 13 ¾ in. (35 cm) wide; 7 in. (17.7 cm) deep. CNYAPR2401-258 AC23500 F-790
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A Napoleon III Gilt and Patinated Bronze Figural Mantel Clock mid 19th Century. Height: 35 inches SN103003-143A AC33600 F-1603
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A Patinated Bronze Mantel Clock with Silver Spheroid Dial (Set of 3 Pieces).
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Alfred Edward Chalon (British,1780-1860) ‘A Family Portrait’ Oil on canvas 50 3/8
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Artist Unknown Forest Scene Oil 27 ¼ x 36 ¼ in.
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A Louis XVI Style Bronze and Gray Marble Garniture (Set of 5 Pieces): Clock, Pair of Tazzas, and a Pair of Five-Light Candelabra. Height of Candelabra: 23 ½ inches.
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Clock with Twelve-Piece Roman numerals on dial, flanked by two Columns. Dimensions: Height: 17 inches Width: 7 ½ inches Depth: 7 ½ inches AC22000 F-1545
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A Pair of Gilt and Patinated Bronze 3-light candelabra, late 19th Century. Each putto supporting foliate branches. Height: 22 inches. Clock: Jean-Francois & Guillaume Deniere Fl. 1820-1901 A Louis XVI-Style Gilt and Patinated Bronze Clock. Paris, circa 1880. The Dial is inscribed with DENIERE/Ft de Bronzes/Paris and numbered 315. Bronze and Marble. Height: 16 ½ inches. SMR0696-1-19 AC13800 F-42
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Antonio Casanova Y Estorach (Spanish, 1847-1896) ‘Best Friends’ Oil on canvas laid on board 15 ¾ x 12 ¾ in.
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George Goodwin Kilburne (British, 1839-1924) ‘The Love Token’ Signed, oil on canvas. 40 x 30 in. (101.6 x 76.2 cm)
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Ernest Fiene (American, 1894-1965) "New England Church" Oil on canvas 26 x 36 ½ in. Ernest Fiene (1894–1965) was a 20th-century American graphic artist who primarily worked in New York City and Woodstock, New York. Fiene was known primarily for his varied printed works, including lithographs and etchings. His notable work includes cityscapes, views of New York City in particular, landscapes and other figural art. Born in Germany in 1894, Fiene fled his native land in 1912 to avoid military service in what would become World War I. Traveling first to the Netherlands, he continued on to the United States. From 1914 to 1914 he studied at the National Academy of Design in New York City, and from 1916 to 1918 at the Beaux Arts Institute. In 1923, Fiene continued his study of printmaking at the Art Students League of New York. In 1921 he married Jeannette Etarre. From 1928 to 1929 he studied in Paris and traveled in France. Fiene was hired in 1940, along with eight other prominent American artists, to document dramatic scenes and characters during the production of the film The Long Voyage Home, a cinematic adaptation of Eugene O'Neill's plays. In 1945 he divorced his first wife and was married to Alicia Wiencek. Fiene re-established his relationship with the Art Students League in 1948, returning to teach classes in painting and drawing there. In 1948, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1952. In the 1950s he also served on the faculty of the Famous Artists School in Westport, Connecticut. Fiene died of a heart attack in Paris in 1965.
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Vincenzo Irolli (Italian, 1860-1949) "Portrait of a Lady" Oil on canvas 20 ¼ x 16 ¼ in.
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Constantin Stoitzner (Austrian, 1863-1934) ‘The Moonlit Muse’ signed, oil on canvas 50 x 31 in. (127 x 78.7 cm)
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Benjamin Rutherford Fitz Shopkeeper Signed and Dated 1888 Oil on Canvas 29 x 36 in. Sotheby’s LA 10-5-81, Lot# 161
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Artist Unknown Landscape with Figures 19th Century 21 ¼ x 43 ¼ in.
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L Roekler (German, 19thCent.) 'Playing with the cat’ signed and dated 73, oil on canvas 25 x 18 in. (63.5 x 45.7 cm)
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Louis Alois Franz Uhl (Austrian, 1860-1909) ‘Portrat Einer Dame In Weissem Kleid’ (Portrait of Lady in a White Dress) Signed-oil on canvas. 48 ¼ x 34 ½ in. (122.6 x 87.6 cm)
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Scandinavia school ‘Portrait of a Young person' oil on canvas 39 x 31 in.
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Ernest Fiene (American, 1894-1965) "June Morning, Maine" Oil on canvas 22 x 28 in.
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Cesare Auguste Detti (Italian, 1847-1914) ‘An Elegant Couple’ Watercolor on paper Signed lower left 18” x 14”Cesare Augusto Detti (1847-1914) was an Italian artist, best known for his historical genre paintings in the nineteenth century. From Spoleto, Cesare moved to Paris during the Belle Epoque. Some of his works are included in the collections of the Uffizi and Galleria Borghese of Rome. Augusto Detti, painter of portraits, scenes usually in costume, and historical subjects, was capable of intriguing a refined, erudite audience with his works. In the 1870s he moved to Paris, where he participated at many Salons and was continuously successful. His works can be seen today in important museums in Italy, as well as collections in America and France.
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Gustave Wappers (Belgian, 1803-74) ‘The Reading’ signed, oil on panel 19 ½ x 15 ¼ in. (49.5 x 38.7 cm)
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Charles Michael Verlat (Belgian, 1824-1890) Playmates Oil on panel, signed. 6 ¼ x 8 5/8 inches
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W J Scott (American, 19th Century) ‘Raven Crag Burn, Haltwhistle’ signed and dated 1886, oil on board. 14 ½ x 19 ¾ in. (36.8 x 50.2 cm)
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Eugene Grivaz (Swiss, 1852-1915) "Elegant figures dancing in a Landscape" Watercolor on paper 18 x 25 ¼ “ (45.7 x 64.1 cm) Signed lower right, 'E. Grivaz'
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Alfred Vickers (British, 1786-1868) "On the Medway" Oil on canvas A beautiful horizontal scape of the shore with sailboats dispursed in the water, and two figures on the shore. Delicately painted clouds above, and a blend of colours that meet the horizon. Frame contains plaque of Title, Artist name, and descent.
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Portrait of a Man ArtistUnknown 19th Century 37 x 25 in.
