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Ernest Fiene
(American, 1894-1965)
"New England Church"
Oil on canvas
26 x 36 ½ in.
Ernest Fiene (1894–1965) was a 20th-century American graphic artist who primarily worked in New York City and Woodstock, New York. Fiene was known primarily for his varied printed works, including lithographs and etchings. His notable work includes cityscapes, views of New York City in particular, landscapes and other figural art.
Born in Germany in 1894, Fiene fled his native land in 1912 to avoid military service in what would become World War I. Traveling first to the Netherlands, he continued on to the United States. From 1914 to 1914 he studied at the National Academy of Design in New York City, and from 1916 to 1918 at the Beaux Arts Institute. In 1923, Fiene continued his study of printmaking at the Art Students League of New York. In 1921 he married Jeannette Etarre. From 1928 to 1929 he studied in Paris and traveled in France. Fiene was hired in 1940, along with eight other prominent American artists, to document dramatic scenes and characters during the production of the film The Long Voyage Home, a cinematic adaptation of Eugene O'Neill's plays.
In 1945 he divorced his first wife and was married to Alicia Wiencek. Fiene re-established his relationship with the Art Students League in 1948, returning to teach classes in painting and drawing there. In 1948, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1952. In the 1950s he also served on the faculty of the Famous Artists School in Westport, Connecticut.
Fiene died of a heart attack in Paris in 1965.
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Bernard Buffet
(French, 1928-1999)
“Nature morte au
melon et a l’ananas”
Oil on canvas
23.5”x 40”
Signed and dated 1989 on the top
COA by M. Garnier
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Alois Priechenfried
(German, 1867-1953)
"Mother and Child"
Signed ‘Apriechenfried’ upper left
Oil on canvas
20 ¾ x 16 ¾ in. (52.7 x 42.2 cm)
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Mantel Clock with Soldier Figure.
Height: 22 inches
Width: 17 inches
Depth: 6 ¾ inches
AC16000
F-1537
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Bernard Buffet
(French, 1928-1999)
“Man Standing”
"Pencil on Paper
15 ¼”x 5 ½”
Signed lower left
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Bernard Buffet
(French, 1928-1999)
“Maison Dans La Campagne”
Oil on canvas
38" x 51"
Painted in 1982
COA by M. Garnier
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Jean Baptiste
Camile Corot
(French, 1796-1875)
“Luzancy,
le chemin des bois”
Oil on canvas
13 ½” x 9 ½”
Signed lower left
Executed in 1872
COA by M. Dieterle
Depicted house “Maison Petre” belonged to an old friend of Corot, M. Remy.
PROVENANCE:
M. Ferret, Paris 1882
Aubin, Paris 1882
Hollander et Cremetti, London circa 1895
Galerie Le Roy, Brussels
Mr and Mrs. John Warner
With Wildenstein, NY
Salander-O’Reilly Galleries, NY
LITERATURE:
A. Robaut “L’Oeuvre de Corot”, Vol.I II, # 2087
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French School (19th/20th Century)
Lush Landscape Surrounding a Lake.
Indistinctly signed lower left
Oil on panel.
7 ¼x 14 in. (18.5 x 35.5 cm)
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Louis XVI Style Ormolu Three-Piece Clock Garniture, 19th Century.
The architectural clock case surmounted by a Grecian urn and set with a circular dial with enameled Roman chapters &twin-barrel movement, inscribed F16A/F.Gautier & J.Albinet/Rue D’Abo – NO. 3, flanked by volutes, on a breakfront base with toupee feet, the candelabra each with a tapering pedestal upright issuing the five scrolled candelabra arms& flambeau finial.
Height of Clock: 16 ½ inches
Height of Candelabra: 20 ½ inches
CN101702-6
AC11950
F-1213
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Henri Martin
(French, 1860-1943)
“Les Travaux des
Champs”
Oil on canvas
27.1”x 36.3 ”
COA by K. Ryjik
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Maurice de Vlaminck
(French, 1876-1958)
“Les environs de triel”
Signed
Oil on canvas
25 ½”x 32”
Signed lower left
Painted in 1917-1919
COA by G. Petrides
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Henri Lebasque
(French, 1865-1937)
“Les deus Baigneuses
près de la Plage”
Oil on canvas
21 1/8”x 30”
Signed lower right
COA by V. Lebasque