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Artist Unknown, 19th Century Landscape
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Sale!
Artist Unknown Landscape with Figures 19th Century 21 ¼ x 43 ¼ in.
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Elizabeth M. Yates b. 1883, Landscape Scene Oil on wood 9 ¼” x 5 ½” @NB
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John Edumondo Califano 1862-1946 Landscape Overlooking House and Bridge Oil on wood 8 ½” x 10 5/8” AC3000 @AC-NB
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Artist Unknown, 19th Century Lady in Nature 19¼ x 24 in. Frame with Plate of Artist and Title, but hard to decipher.
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George Rouault (French, 1871-1958) “La Route” Oil on cradled board 29 ½”x 10 ¼” Signed, also titled on the reverse Painted in 1947 COA by I. Rouault LITERATURE: P. Couthion, 1961, #439, illustrated p. 445 I. Rouault and B. Dorival, Vol. 2, 1988, #2369, p. 236
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Odilon Redon (French, 1840-1916) “La roué de la fortune” Oil on panel 15 ¼”x 5 ½” Signed bottom left Inscribed in Chinese on the reverse “Good of the tea” Vol. IV of Catalogue Raisonne COA by Wildenstein Institute PROVENANCE: Acquired from the artist by the Wildenstein Institue Property from the collection of the Marquis De Gonet "Odilon Redon"
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Gustave Loiseau (French, 1865-1935) “La poupee” Oil on canvas 21 ½”x 17 ½” Signed lower right Titled on reverse Painted circa 1919 COA by Didier Imbert
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Narcisse Virgilio Díaz de la Peña (French, 1807-1876) “La foret” oil on canvas 18’’x 12’’
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Maximilien Luce (French, 1858–1941) “La fenaison a I’lli de France” Oil on paper laid down on canvas 11 ¼”x 17 ½” Stamped lower right COA by J. Bouin-Luce Maximilien Luce (13 March 1858 – 6 February 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Born on 13 March 1858 in Paris. His parents, of modest means, were Charles-Désiré Luce (1823–1888), a railway clerk, and Louise-Joséphine Dunas (1822–1878). The family lived in the Montparnasse, a working-class district of Paris. Luce attended school at l'Ecole communale, beginning in 1864. In 1872, the fourteen-year-old Luce became an apprentice with wood-engraver Henri-Théophile Hildebrand (1824–1897). During his three-year xylography apprenticeship, he also took night classes in drawing from instructors Truffet and Jules-Ernest Paris (1827–1895). During this period, Luce started painting in oils. He moved with his family to the southern Paris suburb of Montrouge. His art education continued as he attended drawing classes taught by Diogène Maillard (1840–1926) at the Gobelins tapestry factory. Luce began working in the studio of Eugène Froment (1844–1900) in 1876, producing woodcut prints for various publications, including L'Illustration and London's The Graphic. He took additional art courses, at l'Académie Suisse, and also in the studio of portrait painter Carolus-Duran (1837–1917). Through Froment's studio, Luce became friends with Léo Gausson and Émile-Gustave Cavallo-Péduzzi. These three artists spent time around Lagny-sur-Marne creating Impressionist landscapes.
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Maurice Utrillo (French, 1883-1995) “La belle Gabrielle Montmartre” Gouache on paper laid down on card 9” x 12 ¼” Signed and titled COA by P. Petrides Maurice Utrillo 1883-1955 French La belle Gabrielle Montmartre 9 3/8” x 12 3/8” (23.8 x 31.4cm) Paul Petrides kindly confirmed the authenticity of this
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Maurice Utrillo (French, 1883-1995) “La Basilique de Saint-Denis" Oil on canvas 23 ¾”x 19 ¾” Signed and titled on bottom COA by G. Petrides