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Jean Baptiste Camile Corot (French, 1796-1875) “Luzancy, le chemin des bois” Oil on canvas 13 ½” x 9 ½” Signed lower left Executed in 1872 COA by M. Dieterle Depicted house “Maison Petre” belonged to an old friend of Corot, M. Remy. PROVENANCE: M. Ferret, Paris 1882 Aubin, Paris 1882 Hollander et Cremetti, London circa 1895 Galerie Le Roy, Brussels Mr and Mrs. John Warner With Wildenstein, NY Salander-O’Reilly Galleries, NY LITERATURE: A. Robaut “L’Oeuvre de Corot”, Vol.I II, # 2087
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Georges William Thornley (British, b. 1857-1935) ‘The Watermill’ signed, watercolor on paper 11 x 15 ½ in. (27.9 x 39.4 cm) Georges William Thornley (1857–1935) was a French painter and printmaker. A student of the French landscape painter Eugène Ciceri and Edmond Yon, Thornley became a successful artist remembered for his seascapes from Normandy and his landscapes from the French and Italian Rivieras. He was the son of a Welsh immigrant Morgan Thornley. He also was a talented watercolorist, engraver, and lithographer. His lithographs after the works of Corot, Pissarro, Degas and Puvis de Chavannes were acclaimed by his peers and awarded at the Salon de Paris. His paintings were exhibited beginning in 1878. He won the Mention of Honor in 1881 and a Third Class medal in 1888. Thornley embraced the Impressionist movement early in his career, which brought him much success. His style characteristically has bold brushwork and thick "impasto." It recreates the "impression of a panorama", capturing the fleeting moment in its inner light and color. This open landscape is an example of what the artist excelled at: successful color effects which are highly decorative but stay true to nature.
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Unknown Artist 19th Century “A Gathering” 15 x 19 in.
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Sirens and Seduction Pair of Paintings Provenance: France AC. 28.000 @AL 7/13
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David Teniers ‘The Palm Reader’ oil on panel 6 7/8 x 4 5/8 in. (17.5 x 11.7 cm) CL102794-253 39520-2 @AC-NB
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Charles François Jalabert Women in the Forest Oil on canvas Within a painted arch 39.4 x 31.8 cm S71791-209 899001-3
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Pair of Louis XVI Style Gilt-Bronze Mounted Porcelain Urn Form Candelabra, late 19th Century. Height: 31 inches. BBJUN2402-7362 AC11750 Made Set with Clock. F-1068
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Gustave Loiseau (French, 1865-1935) “La poupee” Oil on canvas 21 ½”x 17 ½” Signed lower right Titled on reverse Painted circa 1919 COA by Didier Imbert
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Catalin Balescu (Romanian, 1962) “Landscape” 24”x 35” Oil on canvas Signed lower left
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After Heinrich Fuseli (Swiss, 1741-1825) ‘The Furies’ Oil on canvas 19 x 24 ½ in. (48.3 x 62.2 cm) Provenance: Mr. & Mrs. Peter P. Williams, Raleigh.
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Artist Unknown, 19th Century Landscape
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Duccio di Buoninsegna (Italian, 1255-1318) “The Madonna and Child” Oil on panel 18 ½ x 13 inches Duccio di Buoninsegna (Italian; c. 1255–1260 – c. 1318–1319) was an Italian painter active in Siena, Tuscany in the late 13th and early 14th centuries. He is considered to be the father of Sienese painting and, along with a few others, the founder of Western art. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is credited with creating the painting styles of Trecento and the Sienese school, and also contributed significantly to the Sienese Gothic style. Although much is still unconfirmed about Duccio and his life, there is more documentation of him and his life than of other Italian painters of his time. It is known that he was born and died in the city of Siena, and was also mostly active in the surrounding region of Tuscany. Other details of his early life and family are as uncertain, as much else in his history. Nevertheless, his artistic talents were enough to overshadow his lack of organization as a citizen, and he became famous in his own lifetime. In the 14th century Duccio became one of the most favored and radical painters in Siena. CL102794-10 561202-2 @NB-1040 #7
