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A Napoleon III Ormolu- Mounted Carrara Marble Figural Mantel Clock, circa 1870.
Modeled as scantily-clad baccante standing beside an ormolu ewer on a rectangular plinth, centered with an enameled dial inscribed […]/a Paris, the twin-train movement by JapyFreres, the movement door engraved to the reverse Repaired by/Blaine Jewelers/Newport R.I. / 9-29-54/11-1-61/9-13-77, on rectangular naturalistic base and bleu turquin marble plinth.
Height: 25 inches
CNYAPR2401-169
AC17000
F-798
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Yasuo Kuniyoshi
(American, 1893-1953)
"Still life with flowers"
Oil on canvas
20”x 16”
Painted in 1920
COA by B. Usui
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Arnulf De Bouche
(German, b.1872)
Haystacks
Signed and dated ‘Abouche.1901’ lower left
Oil on canvas
13x 18 in. (33 x 45.8 cm)
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Aleksei Mikhailovich Korin
(Russian,1865-1923)
‘Street Musicians’
oil on canvas
20½” x 14 ½”
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Antonio Joli (Italian, 1700-1777)
“Figures Amongst Classical Ruins”
Oil on canvas
15 ¼ x 30 ½ inches
(38.7 x 77.5 cm)
Antonio Joli or Ioli (1700 – 29 April 1777) was an Italian painter of vedute and capricci. Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family. In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54).
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Francesco Solimena (Italian, 1657-1747)
“The Mystic Marriage of Saint Catherine”
Oil on canvas, Oval
12 7/8 x 9 5/8 inches
(31.8 x 24.7 cm)
CL102794-97
430602-2
@NB-1040
#61
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A Louis XVI Style Ormolu and White Marble Mantel Clock, circa 1880.
The enameled dial with twin-train movement, within a square marble case surmounted by Cupid and flanked by Venus and a cherub, above a relief-inset marble plinth and toupee feet, on a marble base.
Height: 19 inches
Width: 19 ½ inches
A pair of Louis XVI style ormolu and white marble figural six-light candelabra. Late 19th century.
Each modeled as aputto supporting a floral-garlanded vase issuing acanthus-sheathed scrolled branches, on laurel-cast base, shaped plinth and tapering foliate-cast feet, now mounted as lamps.
26 ¾ in. (67.8cm) high, excluding fitting.
CEMAR2701-100
AC15040
F-760
Candelabra:
CEMAR2701-124
AC11280
F-763
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Eugéne Boudin
(French, 1824-1898)
“Vaches au paturage”
Oil on paper
4 ½” x 7 ¾”
Stamped with initials lower right
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Circle of Alfred Elmore, R.A.
‘Una and The Lion’
oil on canvas.
36 x 28 in. (91.4 x 71.1 cm
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Sir Anthony van Dyck
‘Portrait of the Marchesa Lomellini-Durazzo, three quarter length, in a black Coat and white Sleeves’
oil on canvas
33 5/8 x 24 in.
85.4 x 61 cm.
CL102794-266
5115602-2
@AC-sAlbert.
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George Peter Alexander Healy
1808-1894
Portrait of Cardinal John McCloskey
Oil on Canvas
25” x 30”
Signed top right and dated
SLOCT2281-127
AC16000
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A Champlevé & Gilt-Bronze Clock Garniture (Set of 3 Pieces).
Paris, circa 1880.
The clock with Roman numeral dial above a glazed panel enclosing a stylized dark and light blue and white enamel foliate design, surmounted by a covered urn and flanked by putti upholding torches, on a shaped rectangular base and toupee feet. The clock dial is signed, E. Henry Paris; flanked by a pair of covered urn of ovoid form with handles in the form of Elizabethan maiden’s heads, on square bases and disc feet, the movement stamped 24568, striking on a bell.
Clock Height: 18 ½ inches
Vase Height (2): 11 inches
SSP2999-353
AC43989
F-376