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Christian Georg Schütz (German, 1718-1791)
“A River Landscape with a Boat Moored by a Cottage”
Oil on board, oval
3 1/3 x 3 ¾ inches
(8.6 x 9.5 cm)
CL 201794-171
18841-2
@NB-1040
#92
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Frans II Francken (Flemish, 1581-1642)
A Scene with the Madonna
Oil on canvas
30 ½ x 23 centimeters
CL102794-19
437402-2
@NB-1040 #39
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Francisco Bayeu Y Subias (1734-1795)
“An Allegorical Figure of Music, a Study for a Pedentive”
Oil on paper laid down on canvas
13 ¼ x 16 ½ inches
Francisco Bayeu y Subias (9 March 1734 – 4 August 1795) was a Spanish painter, active in a Neoclassic style, whose main subjects were religious and historical themes. Born in Zaragoza, Aragon, he received a broad childhood education. He then moved to Madrid, winning a scholarship with the painting of the ‘’Tyranny of Gerion’’ to study in the Academia Real de Bellas Artes de San Fernando. The death of his parents and the care of his brothers forced him to return to Zaragoza, until he was recalled by Anton Raphael Mengs to help decorate the Royal Palace of Madrid.
He served as court painter to King Charles III of Spain. He was named a professor of the Royal Academy of Fine Arts of San Fernando in 1765 and director in 1788. He painted in the Charterhouse of Aula Dei in Zaragoza. In 1767 he was named court painter for Charles III, king of Spain. He was involved in the decoration of various Royal palaces near Madrid. He helped provide designs for tapestries. He also painted for the College of San Ildefonso, the Royal Monastery of the Incarnation (Madrid), the Basilica of our Lady del Pilar in Zaragoza, and the cloister of the Cathedral of Toledo.
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Diego Velaquez
Bacchus – a detail
Oil on canvas
16 x 20 ½ in.
40.7 x 52.1 cm
CL102794-233
325501-2
@AC-GN
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Chrisitian Schussele
(American/French (1824-1879)
“Clear the Track”
Oil on canvas
23 x 18 inches
Provenance: David, David Inc., Philadelphia
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Sir Peter Paul Rubens
‘Daniel in the Lion’s Den’
oil on canvas, unframed
30 ¼ x 37 in.
(76.8 x 94 cm)
CL102794-119
328901-2
@Albertson
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Abraham Bloemaert (Spanish, 1566-1651)
“Death of the Virgin”
Oil on canvas
48 ½ x 44 ¾ inches
Abraham Bloemaert (1566 – 27 January 1651) was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti, at least for a period.
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Agostino Carracci (Italian, 1557-1602)
“Ecce Homo”
Oil on copper
11 7/8 x 9 ½ inches
(30 x 24.3 cm)
CL102794-66
325502-2
@NB-1040
#20
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Louis-Jean-François Lagrenée (French, 1724-1805)
“Ermina and the Shepherds”
Oil on canvas
18 x 21 ½ inches
@NB-1040
#45
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Antonio Joli (Italian, 1700-1777)
“Figures Amongst Classical Ruins”
Oil on canvas
15 ¼ x 30 ½ inches
(38.7 x 77.5 cm)
Antonio Joli or Ioli (1700 – 29 April 1777) was an Italian painter of vedute and capricci. Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family. In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54).
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Raphael (Raphael Sanzio da Urbino)(Italian, 1483-1520)
“HeligaFamiljen”
Oil on canvas
48.4 x 36.6 inches
CL102794-32
351002-2
@AL 7/13
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Pier Francesco Mola (Italian, 1612-1666)
“Infant Satyrs Playing by a Plynth”
Oil on canvas
24 x 16 inches
(60.9 x 40.7 cm)
CL102794-136
540802-2
@NB-1040
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