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Artist Unknown Portrait of a Man 20" x 16" Oil on board
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Artist Unknown, 19th Century Lady in Nature 19¼ x 24 in. Frame with Plate of Artist and Title, but hard to decipher.
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J. Fleming, circa 18 ‘Scottish Seascape' Plaque on fra Oil on wo 14¾ x 20 John Fleming (1792-1845) was a Scottish landscape painter who lived and worked in Greenock. He is best known for the series of views he painted for Swan's Lakes of Scotland, published at Glasgow in 1834. Fleming was born in about 1792, and apprenticed to a housepainter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there. As a landscapist, Fleming specialized in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed. Fleming and Swan followed this with Select Views on the Clyde (1830) and Select Views of the Lakes of Scotland (1834). The last of these, consisting of a total of 48 plates, issued in 16 parts, proved popular enough to justify the publication of further editions in 1836 and 1839.
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Dog Painting Portrait of a Dog Artist Unknown 10½ x 12 in.
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Artist Unknown, 19th Century Figure and Animals Scene
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Artist Unknown, 19th Century Landscape
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Artist Unknown 19th Century 10 ½ x 8 in. "This painting hung in the study of Oliver Wendell Holmes for many years." - plaque text at bottom center on frame.
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Artist Unknown 19th Century Scolding of a School Boy 8 ½ x 11 in.
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Sevres-Style Clock Set with Six Lights. Clock Dimensions: Height 27 ½ inches, Width 16 inches, Diameter 11 inches. Candelabra Dimensions: Height 27 inches, with 11 inches Diameter. AC70000 F-1522
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Antique Three-Piece Bronze Clock Set. Two Bronze Candelabras have eight arms, with a bird centrally located, eating a snake (on its top), and a woman without arms as a base. Clock bears three semi-nude bronze women. Clock Dimensions: Height: 37 inches Width: 14 inches Diameter: 13 ½ inches Candelabra Dimensions: Height: 38 inches Width: 11 ½ inches Diameter: 11 ½ inches FurnFiner 07/30/2003 AC42000 F-1510
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A Napoleon III Gilt Metal Porcelain Mounted Sculptural Mantel Clock, circa 1860. Polychrome porcelain dial with Roman numerals, gilt hands, putto in the center and a courting couple below, movement with anchor escapement, count wheel striking on a bell, the gilt metal case topped by two putti, flanked by scrolls with fruit and flowers, breakfront base with two oval porcelain plaques with musical instruments and a rectangular plaque with flowers and birds raised on turned feet, imperfections, pendulum missing. Height of Clock: ~19 inches. Candelabra: A Pair of French ormolu and Porcelain Four-Light Candelabra, Late 19th Century. Each arched plinth set with turquoise-ground plaques painted with flowers, figure and landscapes, surmounted by an urn issuing a central stem and four candle arms. Height: 16 inches. Sam 022003-1210 F-1458/F-1357
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A Louis XVI Style Ormolu and Malachite-Veneered Mantel Clock. The Ormolu circa 1880, the Malachite 20th Century. The drum-shaped case with musical instrument and floral garland surmount, the enameled dial flanked by ribbon-tied laurel branches, the twin-train movement stamped VINCENTI & CIE/ MEDAILLE D’ARGENT/1855, with Apollo mask and sunburst pendulum, resting on a pair of drapery-covered and tasseled poles supported below by a pair of putti, on oblong base inset with floral chains, on leaf-cast toupie feet. 23 ½ in. (59.6 cm) high; 13 ¾ in. (35 cm) wide; 7 in. (17.7 cm) deep. CNYAPR2401-258 AC23500 F-790
