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A Louis XVI Style Ormolu and White Marble Mantel Clock, circa 1880. The enameled dial with twin-train movement, within a square marble case surmounted by Cupid and flanked by Venus and a cherub, above a relief-inset marble plinth and toupee feet, on a marble base. Height: 19 inches Width: 19 ½ inches A pair of Louis XVI style ormolu and white marble figural six-light candelabra. Late 19th century. Each modeled as aputto supporting a floral-garlanded vase issuing acanthus-sheathed scrolled branches, on laurel-cast base, shaped plinth and tapering foliate-cast feet, now mounted as lamps. 26 ¾ in. (67.8cm) high, excluding fitting. CEMAR2701-100 AC15040 F-760 Candelabra: CEMAR2701-124 AC11280 F-763
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A Louis XVI Style Ormolu and Sevres Style Porcelain-Mounted Mantel Clock, circa 1880-1890. The Urn surmount with a framed portrait of a beauty flanked by swags, the architectural case with arched pediment set with a trellis and a flower-painted panel, the enamel dial inscribed, Gleizes / A Paris / Place Vendome N3, with twin-train movement, flanked by two-further portraits, above a frieze emblematic of fleeting Love, the rounded sides each with a trellis and flower plaque, on a shaped paneled plinth and toupie feet. Height: 19 ½ inches. CN042402-413 AC15296 F-992
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A Louis XVI Style Ormolu and Malachite-Veneered Mantel Clock. The Ormolu circa 1880, the Malachite 20th Century. The drum-shaped case with musical instrument and floral garland surmount, the enameled dial flanked by ribbon-tied laurel branches, the twin-train movement stamped VINCENTI & CIE/ MEDAILLE D’ARGENT/1855, with Apollo mask and sunburst pendulum, resting on a pair of drapery-covered and tasseled poles supported below by a pair of putti, on oblong base inset with floral chains, on leaf-cast toupie feet. 23 ½ in. (59.6 cm) high; 13 ¾ in. (35 cm) wide; 7 in. (17.7 cm) deep. CNYAPR2401-258 AC23500 F-790
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Studio of Martin Drolling (French, 1752-1817) “A Kitchen Interior with a Mother and Daughter Sewing and Another child Playing with a Kitten” Oil on canvas 25 ¼” x 31 ½” PROVENANCE: W. Scott & Sons, MontrealAC15384 (AC from artnet: sold price on 12/14/98) @AC-Bdwy
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A Gilt Bronze and Porcelain Mantel Clock, circa 1860. The white enamel dial signed RAINGO Fres A PARIS, the movement with bell strike, the case with matt and burnished gilding possibly by Henri Picard, not stamped SO 102802-198 AC29600 F-1247
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A Gilt Bronze and Marble Mantel Clock, French, circa 1850. Twelve-Piece Enamel Cartouche Dial (4 ½in.), bell striking movement with early spring suspension, the case surmounted by a flower urn flanked by two recumbent putti and raised on an elaborate break front plinth inset with marble panels applied with gilt mounts. This lot was hired for the filming of: Live and Let Die (1973) Restoration (1995) Height: 17 ¼ inches. SLMAR1302-412 AC10400 F-941
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American School “A Gentlemen Holding a Book” Oil on canvas 25 ½” x 32 ½” Sotheby’s L.A. 11-17-80 @AC-NB
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Unknown Artist 19th Century “A Gathering” 15 x 19 in.
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A French Ormolu and Gilt-Bronze Clock Garniture. Sevres-style painted dial with classic scene signed HUDESINE/ de Bronzes /RUE TURENNE 64 Paris Clock Dimensions: Height 17 ½ inches, Width 12 ¾ inches, and 6 ½ inches deep. Candelabra Dimensions: Height: 17 ½ inches, with 5 lights. F-147
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A French Ormolu and Champlevé Enamel Garniture with a pair of Four-Light Candelabra AC14000 F-32
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A French Gilt-Bronze Clock Garniture. By Cotlin, Paris, Circa 1880. Comprising a mantel clock and a pair of ten-light candelabra; the clock surmounted by an urn with four monopodiae feet, the circular white enamel dial inscribed R. Cotlin Paris, the movement inscribed to the reverse RC and numbered 116, flanked to the sides by scrolling mounts, on acanthus feet; the candelabra en suite. Clock Dimensions: Height of 29 ½ inches, Width of 17 ¾ inches, and 9 inches deep. F-1170
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Sale!
Alfred Edward Chalon (British,1780-1860) ‘A Family Portrait’ Oil on canvas 50 3/8
