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John Edumondo Califano
1862-1946
Landscape
Oil on wood
8 ½” x 10 ½’
Worth 1,000
@AC-NB
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Maurice Utrillo
(French, 1883-1995)
“La Basilique de
Saint-Denis"
Oil on canvas
23 ¾”x 19 ¾”
Signed and titled on bottom
COA by G. Petrides
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Achille Vertunni
(Italian, 1826-1897)
"A Pilgrimage"
Signed ‘A.Vertunni’ lower right
Oil on canvas
18 x 36 ¼ in. (45.7 x 92 cm)
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Heinz Pinggera
(Italian, b.1900)
‘The Concert’
Oil on canvas
Signed ‘H Pinggera’ lower left
29 x 39 in (73.7 x 99.1 cm)
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Antonio Allegri, il Correggio
“The Holy Family with Saint Francis”
Oil on Canvas
47 ½” x 41”
CL102794-64
374802-2
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Andrea (‘dAnqiolo) del Sarto (Italian, 1487-1531)
“The Madonna of the Harpies”
Oil on canvas
20 x 8 inches
(50.8 x 20.3 cm)
Andrea del Sarto (Italian: 1486–1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael. Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: sarto), he became known as "del Sarto" (meaning "tailor's son").
CL 102794-91 322101-2
@NB-1040 #18
OM-294
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Armand Guillaumin
(French, 1841-1927)
“Agay, les roches
rouges”
Oil on canvas
21 5/8” x 25 ¾”
Painted circa 1918
Signed lower right
PROVENANCE:
Dr. G. Pautet, Paris
Galerie Visconti, Paris
Yvonne Rocchia, New York
Parke-Bernet Galeries NY
David Borowitz
EXHIBITED:
NY HammerGalleries, Guillaumin,
1961, # 23
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Odilon Redon
(French, 1840-1916)
“La roué de la fortune”
Oil on panel
15 ¼”x 5 ½”
Signed bottom left
Inscribed in Chinese on the reverse “Good of the tea”
Vol. IV of Catalogue Raisonne
COA by Wildenstein Institute
PROVENANCE:
Acquired from the artist by the Wildenstein Institue
Property from the collection of the Marquis De Gonet
"Odilon Redon"
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Pieter Aertson
(Dutch, 1507-1575)
Virgin Mary
Oil on panel
22 ½” x 41 ½”
Inscribed lower left
Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder.
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Sir Peter Paul Rubens
‘Daniel in the Lion’s Den’
oil on canvas, unframed
30 ¼ x 37 in.
(76.8 x 94 cm)
CL102794-119
328901-2
@Albertson
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Hugh A. Fisher
1867-1916
Cows Grazing
Watercolor
34” x 25”
@AC-NB
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A Louis XVI Style Ormolu and Sevres Style Porcelain-Mounted Mantel Clock, circa 1880-1890.
The Urn surmount with a framed portrait of a beauty flanked by swags, the architectural case with arched pediment set with a trellis and a flower-painted panel, the enamel dial inscribed, Gleizes / A Paris / Place Vendome N3, with twin-train movement, flanked by two-further portraits, above a frieze emblematic of fleeting Love, the rounded sides each with a trellis and flower plaque, on a shaped paneled plinth and toupie feet.
Height: 19 ½ inches.
CN042402-413
AC15296
F-992