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Achille Vertunni
(Italian, 1826-1897)
"A Pilgrimage"
Signed ‘A.Vertunni’ lower right
Oil on canvas
18 x 36 ¼ in. (45.7 x 92 cm)
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Heinz Pinggera
(Italian, b.1900)
‘The Concert’
Oil on canvas
Signed ‘H Pinggera’ lower left
29 x 39 in (73.7 x 99.1 cm)
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Sir Peter Paul Rubens (Flemish, 1577-1640)
“The Madonna and Child with the Infant Saint John and Saint Elizabeth”
Oil on canvas
CL102794-52
140802-2
43 x 36 ½ inches
(109.2 x 92.7 cm)
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William Aiken Walker
1838-1921
“Italian Peasant”
Oil on canvas
98” x 53” cm
Christie’s 8-2-77
No signature, but there’s name tag on the frame
@AC-NB
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Armand Guillaumin
(French, 1841-1927)
“Agay, les roches
rouges”
Oil on canvas
21 5/8” x 25 ¾”
Painted circa 1918
Signed lower right
PROVENANCE:
Dr. G. Pautet, Paris
Galerie Visconti, Paris
Yvonne Rocchia, New York
Parke-Bernet Galeries NY
David Borowitz
EXHIBITED:
NY HammerGalleries, Guillaumin,
1961, # 23
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Odilon Redon
(French, 1840-1916)
“La roué de la fortune”
Oil on panel
15 ¼”x 5 ½”
Signed bottom left
Inscribed in Chinese on the reverse “Good of the tea”
Vol. IV of Catalogue Raisonne
COA by Wildenstein Institute
PROVENANCE:
Acquired from the artist by the Wildenstein Institue
Property from the collection of the Marquis De Gonet
"Odilon Redon"
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Antonio Allegri, il Correggio
“The Holy Family with Saint Francis”
Oil on Canvas
47 ½” x 41”
CL102794-64
374802-2
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Andrea (‘dAnqiolo) del Sarto (Italian, 1487-1531)
“The Madonna of the Harpies”
Oil on canvas
20 x 8 inches
(50.8 x 20.3 cm)
Andrea del Sarto (Italian: 1486–1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael. Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: sarto), he became known as "del Sarto" (meaning "tailor's son").
CL 102794-91 322101-2
@NB-1040 #18
OM-294
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A Louis XVI Style Ormolu and Sevres Style Porcelain-Mounted Mantel Clock, circa 1880-1890.
The Urn surmount with a framed portrait of a beauty flanked by swags, the architectural case with arched pediment set with a trellis and a flower-painted panel, the enamel dial inscribed, Gleizes / A Paris / Place Vendome N3, with twin-train movement, flanked by two-further portraits, above a frieze emblematic of fleeting Love, the rounded sides each with a trellis and flower plaque, on a shaped paneled plinth and toupie feet.
Height: 19 ½ inches.
CN042402-413
AC15296
F-992
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Pierre Montezin
( French, 1874-1946)
“Paysage sous neige”
Oil on paper mounted on canvas
29”x 36”
Signed lower right
PROVENANCE:
Wally Findlay Gallery, NY 1961
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Maurice Utrillo
(French, 1883-1995)
“Le chateau aux
poivrières”
Oil on canvas
18 ¼” x 24”
Painted circa 1923
PROVENANCE:
Kurt F. Pantzer, Geneva
Mr. Franklin N. Groves
Wayzata, Minnesota: sale Christie’s NY, 16 November 1988, lot 343
LITERATURE:
P. Petrides “L’oeuvre complet de Marice Utrillo”, Paris 1962,Vol. II p 408., No 1040 (illustrated p 409)
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Artist Unknown
19th Century
Scolding of a School Boy
8 ½ x 11 in.