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Pierre Montezin ( French, 1874-1946) “Paysage sous neige” Oil on paper mounted on canvas 29”x 36” Signed lower right PROVENANCE: Wally Findlay Gallery, NY 1961
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Victor Brauner (Rumanian, 1903-1966) “Paysage” Oil on Canvas 7 ½”x 9” Signed bottom left Dated 1953 COA by S. Kinge PROVENANCE: Alexander Iolas, NY Exhibited: New York, Bodley Gallery, Victor Brauner,1961
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Dutch/Flemish School, ca. 1800 ‘Peasants Dancing Outside an Inn’ Oil on canvas 26 ½ x 32 ½ in. (67.3 x 82.6 cm)
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L Roekler (German, 19thCent.) 'Playing with the cat’ signed and dated 73, oil on canvas 25 x 18 in. (63.5 x 45.7 cm)
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Charles Michael Verlat (Belgian, 1824-1890) Playmates Oil on panel, signed. 6 ¼ x 8 5/8 inches
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André Derain (French, 1880-1954) “Portrait de la cortessa di Fraso” Oil on canvas 11” x 9” Signed lower right COA by M. Kellermann PROVENANCE: D. G. Kelekian, Paris Elizabeth Norcott Exhibited: San Francisco, Museum of Art, 1938 (on loan)
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Henri Gascars ‘Portrait of a Lady, half length in a blue Dress with a white Chemise and a brown Wrap, holding a Spaniel' Bears inscription on a label on the reverse ‘Mrs. Cunliffe' oil on canvas, in a painted oval 27 x 19 ½ in. 68.6 x 49.5 cm. Henri Gascar (1635 – 1 Jan 1701) (also Gascard, Gascars) was a French-born portrait painter who achieved artistic success in England during the reign of Charles II. He painted many leading ladies at court, including several of the King's mistresses, before returning to Paris. He subsequently relocated to Rome, where he died in 1701. Gascar came to England about 1674, probably at the behest of Louise de Keroualle, Duchess of Portsmouth, Charles II's favourite mistress. Gascar (or Gascard, as he seems to have spelt his name at first) was already known as a skillful portrait-painter; among the portraits already painted by him was that of Nicolas de Lafond, author of the "Gazette of Holland", painted in 1667, and engraved by Peter Lombart. The patronage of the Duchess of Portsmouth ensured Gascar a rapid success in England. His flamboyant style, contrasting with the stolid English approach, seemed to suit the frivolity of the time and he painted many of the ladies of Charles II's court. His lack of attention to detail in the likeness he made up for by the sumptuous draperies and tawdry adornments around the subject. For a short time he became fashionable, and is said to have amassed a fortune of over £10,000.
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Seymour Joseph Guy (1824 –1910) Portrait of a Lady Oil on Canvas 18 x 23 in. Seymour Joseph Guy (1824–1910), was an American romance painter. He was born and trained in London but moved to New York City where he is known for genre works. He trained for four years with the portrait painter Ambrosini Jerôme and married the daughter of an engraver, Anna Maria Barber, before his move to New York in 1854. He was a member of the Sketch club and became friends with John George Brown, and they both began to paint genre works of children, probably inspired by their own, as Guy eventually had nine. He died at his home in New York on December 10, 1910.
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Vincenzo Irolli (Italian, 1860-1949) "Portrait of a Lady" Oil on canvas 20 ¼ x 16 ¼ in.
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Artist Unknown Portrait of a Man 20" x 16" Oil on board
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Portrait of a Man ArtistUnknown 19th Century 37 x 25 in.
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John George Brown 1831-1913 Portrait of a Man Oil on canvas 25” x 30” John George Brown (November 11, 1831 – February 8, 1913) was a British citizen and an American painter born in Durham, England on November 11, 1831. His parents apprenticed him to the career of glass worker at the age of fourteen in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852 and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 and 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy's vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found on the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). @AC-NB
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John George Brown 1831-1913 Portrait of a Man Oil on canvas 10 ½” x 12 ½” AC12000 AC28000 @AC-NB
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Follower of Jean Marc Nattier (French, 1685-1766) ‘Portrait of a Woman, said to be Madame Le Normant D’Etoiles’ Oil on canvas 32 x 25 ½ in. (81.3 x 64.8 cm)
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Frederic Edwin Church 1826-1900 Portrait of a Woman Oil on canvas 32” x 40” Mr. And Mrs. Walker (pair of paintings) F.E.Church (1876-1975) Born in Brooklyn, NY Provenance: Sotheby’s 6/12 –15/73 lot 315 @AC-NB
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George Peter Alexander Healy 1808-1894 Portrait of a Woman Oil on canvas 24 ½” x 29 ½” Provenance: Richard Bourne 08/07/73 Signed top left and dated 1872 AC20000 @AC-NB
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George Peter Alexander Healy 1808-1894 Portrait of Cardinal John McCloskey Oil on Canvas 25” x 30” Signed top right and dated SLOCT2281-127 AC16000
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George Romney 1734-1802, British “Portrait of Emma Hart, Lady Hamilton, As Mirth” Oil in canvas 56 ½” x 45 ½” 143 X 115 cm Provenance: J.C. Curwen, M.P., Workington Hall, Cumberland, by whom acquired from the artist 1st Earl of Lichfield, Orgreave hall, Lichfield Thomas Challoner, Chester, (Sale: Christie’s, London, July 10, 1897) there purchased by Thos. Agnew and Sons, Ltd., London Duven Bros, New York, by 1929 until at least 1933 C.J. Wertheimer E.G. Raphael S101091-131 1667501-3 @AC-NB 1040 2/14
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American School “Portrait of Gentleman”- Estate of Lincoln Isham Oil on canvas 25” x 30” Provenance: Park Bernet 3/30/72 @AC-NB
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Louis Alois Franz Uhl (Austrian, 1860-1909) ‘Portrat Einer Dame In Weissem Kleid’ (Portrait of Lady in a White Dress) Signed-oil on canvas. 48 ¼ x 34 ½ in. (122.6 x 87.6 cm)
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Portrait Oil on canvas 25 ½” x 31 ¾” @AC-NB
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Dunlavy Portrait Former Property of Great Grandson of A. Lincoln Oil on canvas 9 ½ x 13 inches @AC-NB
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George Peter Alexander Healy Portrait Oil on canvas 23” x 17 ½” @AC-NB
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Hermann Armin von Kern (Austrian, 1838-1912) "Pouring a Drink" Oil on canvas 8 ¼ x 6 inches
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W J Scott (American, 19th Century) ‘Raven Crag Burn, Haltwhistle’ signed and dated 1886, oil on board. 14 ½ x 19 ¾ in. (36.8 x 50.2 cm)
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Jules Dupre (French, 1811-1889) ”Sailing Ships on Choppy Seas” Oil on Canvas 15”x 18 ” Signed lower left
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Saint John the Baptist in the Wilderness Oil on Canvas
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C Kleemann (19th/20th Century) Salome signed, 23 x 17 5/8 in.
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Emmanuel Mané-Katz (French, 1894–1962) “Scholar with a Torah scroll” Watercolor on gouache on gray paper 12” x 9 ½” SIgnwed lower right
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Artist Unknown 19th Century Scolding of a School Boy 8 ½ x 11 in.
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J. Fleming, circa 18 ‘Scottish Seascape' Plaque on fra Oil on wo 14¾ x 20 John Fleming (1792-1845) was a Scottish landscape painter who lived and worked in Greenock. He is best known for the series of views he painted for Swan's Lakes of Scotland, published at Glasgow in 1834. Fleming was born in about 1792, and apprenticed to a housepainter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there. As a landscapist, Fleming specialized in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed. Fleming and Swan followed this with Select Views on the Clyde (1830) and Select Views of the Lakes of Scotland (1834). The last of these, consisting of a total of 48 plates, issued in 16 parts, proved popular enough to justify the publication of further editions in 1836 and 1839.
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Seascape Oil on canvas 15 x 9 inches @AC-NB
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J.M. Dizikis Seashore Landscape Scene Oil on canvas 18” x 12 ¼” @AC-NB
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Attributed to Paul Chabas (French, 1869-1937) September Morning Oil on canvas 15 x 20 in. (38 x 51 cm)
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Sevres-Style Clock Set with Six Lights. Clock Dimensions: Height 27 ½ inches, Width 16 inches, Diameter 11 inches. Candelabra Dimensions: Height 27 inches, with 11 inches Diameter. AC70000 F-1522
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Sevres-Style Clock Set with Six-Light Candelabra. Clock Height: 27 ½ inches Clock Width: 16 inches Candelabra Height: 27 inches
