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Maurice Utrillo (French, 1883-1995) “La Basilique de Saint-Denis" Oil on canvas 23 ¾”x 19 ¾” Signed and titled on bottom COA by G. Petrides
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Achille Vertunni (Italian, 1826-1897) "A Pilgrimage" Signed ‘A.Vertunni’ lower right Oil on canvas 18 x 36 ¼ in. (45.7 x 92 cm)
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Heinz Pinggera (Italian, b.1900) ‘The Concert’ Oil on canvas Signed ‘H Pinggera’ lower left 29 x 39 in (73.7 x 99.1 cm)
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Antonio Allegri, il Correggio “The Holy Family with Saint Francis” Oil on Canvas 47 ½” x 41” CL102794-64 374802-2
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Andrea (‘dAnqiolo) del Sarto (Italian, 1487-1531) “The Madonna of the Harpies” Oil on canvas 20 x 8 inches (50.8 x 20.3 cm) Andrea del Sarto (Italian: 1486–1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael. Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: sarto), he became known as "del Sarto" (meaning "tailor's son"). CL 102794-91 322101-2 @NB-1040 #18 OM-294
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Armand Guillaumin (French, 1841-1927) “Agay, les roches rouges” Oil on canvas 21 5/8” x 25 ¾” Painted circa 1918 Signed lower right PROVENANCE: Dr. G. Pautet, Paris Galerie Visconti, Paris Yvonne Rocchia, New York Parke-Bernet Galeries NY David Borowitz EXHIBITED: NY HammerGalleries, Guillaumin, 1961, # 23
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Odilon Redon (French, 1840-1916) “La roué de la fortune” Oil on panel 15 ¼”x 5 ½” Signed bottom left Inscribed in Chinese on the reverse “Good of the tea” Vol. IV of Catalogue Raisonne COA by Wildenstein Institute PROVENANCE: Acquired from the artist by the Wildenstein Institue Property from the collection of the Marquis De Gonet "Odilon Redon"
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Pieter Aertson (Dutch, 1507-1575) Virgin Mary Oil on panel 22 ½” x 41 ½” Inscribed lower left Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder.
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Sir Peter Paul Rubens ‘Daniel in the Lion’s Den’ oil on canvas, unframed 30 ¼ x 37 in. (76.8 x 94 cm) CL102794-119 328901-2 @Albertson
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Hugh A. Fisher 1867-1916 Cows Grazing Watercolor 34” x 25” @AC-NB
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A Louis XVI Style Ormolu and Sevres Style Porcelain-Mounted Mantel Clock, circa 1880-1890. The Urn surmount with a framed portrait of a beauty flanked by swags, the architectural case with arched pediment set with a trellis and a flower-painted panel, the enamel dial inscribed, Gleizes / A Paris / Place Vendome N3, with twin-train movement, flanked by two-further portraits, above a frieze emblematic of fleeting Love, the rounded sides each with a trellis and flower plaque, on a shaped paneled plinth and toupie feet. Height: 19 ½ inches. CN042402-413 AC15296 F-992
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Pierre Montezin ( French, 1874-1946) “Paysage sous neige” Oil on paper mounted on canvas 29”x 36” Signed lower right PROVENANCE: Wally Findlay Gallery, NY 1961
