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Jean Dufy (French, 1888-1964) “Le port” Oil on canvas 18 1/8” x 15” Painted in 1934 Signed lower right COA by L. Quesnel PROVENANCE: Max Bodner, NY Estate of Lena Wershaw, NY
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Marc Chagall (French, 1887-1985) “Le peintre et la crucifixion” pastel and gouache on paper 20”x 12.5” Executed in 1968 Signed lower left COA by Comite Chagall
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Camille Bombois (French, 1883-1970) “Le pecheur aux grands arbres” Oil on canvas 25 ½”x 36 ¼” Signed bottom right COA by D. Vierny PROVENANCE: Dr.Franz Meyer-Mahler, Zurich Perls Galleries, NY EXHIBITED: Basel, Kunsthalle, June-Aug. 1995 #62
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Maximilien Luce (French, 1858–1941) “Le chenal a mare basse, honfleur” Oil on paper laid down on canvas 10 ¼” x 13 ½” Painted in 1928 COA by Jean Luce
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Maurice Utrillo (French, 1883-1995) “Le chateau aux poivrières” Oil on canvas 18 ¼” x 24” Painted circa 1923 PROVENANCE: Kurt F. Pantzer, Geneva Mr. Franklin N. Groves Wayzata, Minnesota: sale Christie’s NY, 16 November 1988, lot 343 LITERATURE: P. Petrides “L’oeuvre complet de Marice Utrillo”, Paris 1962,Vol. II p 408., No 1040 (illustrated p 409)
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Hippolyte Petitjean (French, 1854-1929) “Le bois de bruxellex” Oil on canvas 15” x 21 5/8” Signed lower left PROVENANCE: Hammer Galleries New York
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William Edward Norton Landscape Oil on canvas 1840-1896 AC5000 @AC-Albertson
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John Edumondo Califano 1862-1946 Landscape Oil on wood 8 ½” x 10 ½’ Worth 1,000 @AC-NB
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Follower of John Crome Landscape @AC-NB
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Charles Robert Leslie (English, 1794-1859) Landscape Oil on canvas 12 x 24 in.
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Catalin Balescu (Romanian, 1962) “Landscape” 24”x 35” Oil on canvas Signed lower left
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Carl D’Albert Landscape Oil on canvas 8 ¼” x 9 ¼” AC5200 @AC-NB
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Artist Unknown, 19th Century Landscape
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Sale!
Artist Unknown Landscape with Figures 19th Century 21 ¼ x 43 ¼ in.
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Elizabeth M. Yates b. 1883, Landscape Scene Oil on wood 9 ¼” x 5 ½” @NB
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John Edumondo Califano 1862-1946 Landscape Overlooking House and Bridge Oil on wood 8 ½” x 10 5/8” AC3000 @AC-NB
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Artist Unknown, 19th Century Lady in Nature 19¼ x 24 in. Frame with Plate of Artist and Title, but hard to decipher.
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George Rouault (French, 1871-1958) “La Route” Oil on cradled board 29 ½”x 10 ¼” Signed, also titled on the reverse Painted in 1947 COA by I. Rouault LITERATURE: P. Couthion, 1961, #439, illustrated p. 445 I. Rouault and B. Dorival, Vol. 2, 1988, #2369, p. 236
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Odilon Redon (French, 1840-1916) “La roué de la fortune” Oil on panel 15 ¼”x 5 ½” Signed bottom left Inscribed in Chinese on the reverse “Good of the tea” Vol. IV of Catalogue Raisonne COA by Wildenstein Institute PROVENANCE: Acquired from the artist by the Wildenstein Institue Property from the collection of the Marquis De Gonet "Odilon Redon"
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Gustave Loiseau (French, 1865-1935) “La poupee” Oil on canvas 21 ½”x 17 ½” Signed lower right Titled on reverse Painted circa 1919 COA by Didier Imbert
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Narcisse Virgilio Díaz de la Peña (French, 1807-1876) “La foret” oil on canvas 18’’x 12’’
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Maximilien Luce (French, 1858–1941) “La fenaison a I’lli de France” Oil on paper laid down on canvas 11 ¼”x 17 ½” Stamped lower right COA by J. Bouin-Luce Maximilien Luce (13 March 1858 – 6 February 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Born on 13 March 1858 in Paris. His parents, of modest means, were Charles-Désiré Luce (1823–1888), a railway clerk, and Louise-Joséphine Dunas (1822–1878). The family lived in the Montparnasse, a working-class district of Paris. Luce attended school at l'Ecole communale, beginning in 1864. In 1872, the fourteen-year-old Luce became an apprentice with wood-engraver Henri-Théophile Hildebrand (1824–1897). During his three-year xylography apprenticeship, he also took night classes in drawing from instructors Truffet and Jules-Ernest Paris (1827–1895). During this period, Luce started painting in oils. He moved with his family to the southern Paris suburb of Montrouge. His art education continued as he attended drawing classes taught by Diogène Maillard (1840–1926) at the Gobelins tapestry factory. Luce began working in the studio of Eugène Froment (1844–1900) in 1876, producing woodcut prints for various publications, including L'Illustration and London's The Graphic. He took additional art courses, at l'Académie Suisse, and also in the studio of portrait painter Carolus-Duran (1837–1917). Through Froment's studio, Luce became friends with Léo Gausson and Émile-Gustave Cavallo-Péduzzi. These three artists spent time around Lagny-sur-Marne creating Impressionist landscapes.
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Maurice Utrillo (French, 1883-1995) “La belle Gabrielle Montmartre” Gouache on paper laid down on card 9” x 12 ¼” Signed and titled COA by P. Petrides Maurice Utrillo 1883-1955 French La belle Gabrielle Montmartre 9 3/8” x 12 3/8” (23.8 x 31.4cm) Paul Petrides kindly confirmed the authenticity of this
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Maurice Utrillo (French, 1883-1995) “La Basilique de Saint-Denis" Oil on canvas 23 ¾”x 19 ¾” Signed and titled on bottom COA by G. Petrides
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Maurice de Vlaminck ( French, 1876-1958) “L’entrée Du Village” Oil on canvas 23 ½”x 28 ½” Signed lower right COA by G. Petrides
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George Rouault (French, 1871-1958) “L’écuyère au jupe jaune” (recto) Oil on paper 6.5”x 8.4”
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Sale!
Ernest Fiene (American, 1894-1965) "June Morning, Maine" Oil on canvas 22 x 28 in.
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George Henry Durrie American, 1820-1863 “John Henry Hackett as Falstaff” Oil on Board PROVENANCE: By descent through the artist’s family Hally L. Durrie, Santa Barbara, the artist’s great grandson Terry DeLapp, Los Angeles Mrs. George Arden, New York LITERATURE M.Y. Hutson, Geroge Henry Durrie, 1820-1863, American Wiinter Landscapist: Renouwned throughCurrier & Ives, Santa Babra, p.55, no. 51, illus. Records and personal diaries indicate that Durrie read Shakespeare and was inspired to paint Falstaff. According to Martha Hudson, “Two portraits of Falstaff are known, both listed in the record book. The 1852 painting (this portrait) is thought to be a portrait of the actor James Hackett portraying Falstaff, a role he made famous in America. Since Hackett performed in New York City as well as on tour, Durrie could easily have seen a performance. Obviously the characterization was effective because the portrait is jovial and abundant in appearance as one could hope for a Falstaff.” 17” x 13 ½” (43 x 34.3 cm)
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Italian School Late 19th Century In the Garden Pastel on canvas 29” x 22” (73.6 x 55.9 cm)
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B. Baroni (Italian, 19th Century) ‘In the Doorway’ Oil on canvas 26 7/8 x 18 ½ inches Signed lower right ‘B. Baroni’
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John Ferneley Jr. (British, 1815-1862) In Search of the Hunt Signed and dated ‘John Fernely Jr./ 1849’ lower right. Oil on canvas. 17 x 22 in. (43.2 x 56 cm)
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Arnulf De Bouche (German, b.1872) Haystacks Signed and dated ‘Abouche.1901’ lower left Oil on canvas 13x 18 in. (33 x 45.8 cm)
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Georges Bonnemaison (French, d. 1885) ‘Harvesters In A Landscape’ oil on canvas 13.5 x 12 in.
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American School George Peter Alexander Healy Portrait 32” x 25” Signed upper left “GPA HEALY” @AC-NB
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Unknown Artist 19th Century “Girl with Yarn” 10 x 8 ½ in.
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Sale!
Artist Unknown Forest Scene Oil 27 ¼ x 36 ¼ in.