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Maximilien Luce
(French, 1858–1941)
“Le chenal a mare
basse, honfleur”
Oil on paper laid down
on canvas
10 ¼” x 13 ½”
Painted in 1928
COA by Jean Luce
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Pablo Picasso
(Spanish, 1881-1973)
“Figura (Portrait of
Jaqeline)”
Glass sculpture on wooden stand
17.5”x 14”x 5”
Signed on the base “Picasso, Fucina Degli Angeli, Venezia, Hermano Nason”
A second signature “P. Picasso 964 n FA 2/3”
COA by Comite Picasso
PROVENANCE:
Peggy Guggenheim Collection
V. del Leoni, Venice
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C Kleemann
(19th/20th Century)
Salome
signed,
23 x 17 5/8 in.
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Artist Unknown,
19th Century
Figure and Animals Scene
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Jean Baptiste Greuze (French, 1725-1805)
Oil on canvas
21 x 17 ½ inches
S71791-147
1102508-3
@AL 7/13
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Charles Cromwell Ingham
1796-1863
“Portrait Francis Bryant Goodwin”
Oil on Canvas
30” x 35 1/2”
PROVENANCE: Mrs. George Arden, NY
AC12000
Worth 2,000
@NB 9/13
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J.M. Dizikis
Seashore Landscape Scene
Oil on canvas
18” x 12 ¼”
@AC-NB
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A Gilt Bronze and Marble Mantel Clock, French, circa 1850.
Twelve-Piece Enamel Cartouche Dial (4 ½in.), bell striking movement with early spring suspension, the case surmounted by a flower urn flanked by two recumbent putti and raised on an elaborate break front plinth inset with marble panels applied with gilt mounts.
This lot was hired for the filming of:
Live and Let Die (1973)
Restoration (1995)
Height: 17 ¼ inches.
SLMAR1302-412
AC10400
F-941
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Yasuo Kuniyoshi
(American, 1893-1953)
“Vase with flower”
17”x 14”
Oil on canvas
Painted in 1918
COA by B. Usui
Yasuo Kuniyoshi (Kuniyoshi Yasuo, 1 September 1893 – 14 May 1953) was an American painter, photographer and printmaker. Kuniyoshi was born in Okayama, Japan in 1893. He migrated to America in 1906, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design. Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and at the Independent School in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He later taught at the Art Students League of New York in New York City and in Woodstock, New York. Nan Lurie was among his students, as was Irene Krugman. Around 1930, the artist built a home and studio on Ohayo Mountain Road in Woodstock. He was an active member of the artistic community there for the rest of his life.
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Pierre Emmanuel Damoye
(French,1847-1916)
‘A Wintery Day’
signed ‘E.Damoye’ lower left
oil on canvas
15x 24 in. (38 x 61 cm)
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Georges Bonnemaison
(French, d. 1885)
‘Harvesters In A Landscape’
oil on canvas
13.5 x 12 in.
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Louis-Jean-François Lagrenée (French, 1724-1805)
“Ermina and the Shepherds”
Oil on canvas
18 x 21 ½ inches
@NB-1040
#45
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Lorenzo de Curo
“The Immaculate Conception”
Oil on canvas, Oval
32 ¼ x 24 1/8 inches
(82 x 61.2 cm)
CL 102794-56
322101-2
@NB-1040 260
(not online)
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George Peter Alexander Healy
Portrait
Oil on canvas
23” x 17 ½”
@AC-NB
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Jean Baptiste
Camile Corot
(French, 1796-1875)
“Luzancy,
le chemin des bois”
Oil on canvas
13 ½” x 9 ½”
Signed lower left
Executed in 1872
COA by M. Dieterle
Depicted house “Maison Petre” belonged to an old friend of Corot, M. Remy.
PROVENANCE:
M. Ferret, Paris 1882
Aubin, Paris 1882
Hollander et Cremetti, London circa 1895
Galerie Le Roy, Brussels
Mr and Mrs. John Warner
With Wildenstein, NY
Salander-O’Reilly Galleries, NY
LITERATURE:
A. Robaut “L’Oeuvre de Corot”, Vol.I II, # 2087
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Georges William Thornley
(British, b. 1857-1935)
‘The Watermill’
signed, watercolor on paper
11 x 15 ½ in. (27.9 x 39.4 cm)
Georges William Thornley (1857–1935) was a French painter and printmaker. A student of the French landscape painter Eugène Ciceri and Edmond Yon, Thornley became a successful artist remembered for his seascapes from Normandy and his landscapes from the French and Italian Rivieras. He was the son of a Welsh immigrant Morgan Thornley. He also was a talented watercolorist, engraver, and lithographer. His lithographs after the works of Corot, Pissarro, Degas and Puvis de Chavannes were acclaimed by his peers and awarded at the Salon de Paris.
His paintings were exhibited beginning in 1878. He won the Mention of Honor in 1881 and a Third Class medal in 1888. Thornley embraced the Impressionist movement early in his career, which brought him much success. His style characteristically has bold brushwork and thick "impasto." It recreates the "impression of a panorama", capturing the fleeting moment in its inner light and color. This open landscape is an example of what the artist excelled at: successful color effects which are highly decorative but stay true to nature.
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Unknown Artist
19th Century
“A Gathering”
15 x 19 in.
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Sirens and Seduction
Pair of Paintings
Provenance: France
AC. 28.000
@AL 7/13
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David Teniers
‘The Palm Reader’
oil on panel
6 7/8 x 4 5/8 in.
(17.5 x 11.7 cm)
CL102794-253
39520-2
@AC-NB
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Charles François Jalabert
Women in the Forest
Oil on canvas
Within a painted arch
39.4 x 31.8 cm
S71791-209
899001-3
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Pair of Louis XVI Style Gilt-Bronze Mounted Porcelain Urn Form Candelabra, late 19th Century.
Height: 31 inches.
BBJUN2402-7362
AC11750
Made Set with Clock.
F-1068
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Gustave Loiseau
(French, 1865-1935)
“La poupee”
Oil on canvas
21 ½”x 17 ½”
Signed lower right
Titled on reverse
Painted circa 1919
COA by Didier Imbert
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Catalin Balescu
(Romanian, 1962)
“Landscape”
24”x 35”
Oil on canvas
Signed lower left
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After Heinrich Fuseli
(Swiss, 1741-1825)
‘The Furies’
Oil on canvas
19 x 24 ½ in. (48.3 x 62.2 cm)
Provenance:
Mr. & Mrs. Peter P. Williams, Raleigh.