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A Gilt Bronze and Porcelain Mantel Clock, circa 1860. The white enamel dial signed RAINGO Fres A PARIS, the movement with bell strike, the case with matt and burnished gilding possibly by Henri Picard, not stamped SO 102802-198 AC29600 F-1247
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André Derain (French, 1880-1954) “Nu assis de dos” Red chalk on paper mounted on board 25” x 18 ½” Signed bottom right COA by M. Kellermann PROVENANCE: D.G. Kelekian, NY Estate of Elizabeth Norcott Exhibited Paris, Le Petit Palais, 1937 Chicago, the art institute, 18th International exhibition of watercolors, pastels, drawings and monotypes, March-May, 1939, no. 119 Minneapolis, Art Institute, 1940
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Mark Kostabi (American, b. 1960) “Speed The Plow” Oil on canvas 48”x 36” Executed in 1990 Signed, titled and inscribed upper left on the back
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Artist Unknown, 19th Century Lady in Nature 19¼ x 24 in. Frame with Plate of Artist and Title, but hard to decipher.
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Agostino Carracci (Italian, 1557-1602) “Ecce Homo” Oil on copper 11 7/8 x 9 ½ inches (30 x 24.3 cm) CL102794-66 325502-2 @NB-1040 #20
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John Joseph Enneking 1841-1916 Still Life with Fruits Pastel 22” x 18” @AC-NB
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A French Gilt-Bronze Clock Garniture. By Cotlin, Paris, Circa 1880. Comprising a mantel clock and a pair of ten-light candelabra; the clock surmounted by an urn with four monopodiae feet, the circular white enamel dial inscribed R. Cotlin Paris, the movement inscribed to the reverse RC and numbered 116, flanked to the sides by scrolling mounts, on acanthus feet; the candelabra en suite. Clock Dimensions: Height of 29 ½ inches, Width of 17 ¾ inches, and 9 inches deep. F-1170
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Bernard Buffet (French, 1928-1999) “Maison Dans La Campagne” Oil on canvas 38" x 51" Painted in 1982 COA by M. Garnier
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Henry George Todd (British, 1846-1898) ‘Still Life of Game,Copper Urn and Cabbage on a Wooden Ledge’ signed and dated ‘H.G. Todd/1875’ lower right oil on canvas 20x 17 in. (50.9 x 43.2 cm)
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Willem de Poorter (Dutch, b. 1608) “Pharaoh’s Army Drowning in the Red Sea” Oil on panel 20 x 32 ½ inches (50.7 x 82.5 cm) CL102794-108 123802-2 @NB-1040 #16
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American School 19th Century “Little Girl and Her Dog” Oil on canvas 35” x 23 ¾” SJN2699-444 @AC-NB
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A Clock Set with a Pair of Three-Light Candelabra. Height of Clock: 18 inches Height of Candelabra: 17 ¾ inches AC40000 F-1119
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Carl D’Albert Landscape Oil on canvas 8 ¼” x 9 ¼” AC5200 @AC-NB
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Maurice Utrillo (French, 1883-1995) “La belle Gabrielle Montmartre” Gouache on paper laid down on card 9” x 12 ¼” Signed and titled COA by P. Petrides Maurice Utrillo 1883-1955 French La belle Gabrielle Montmartre 9 3/8” x 12 3/8” (23.8 x 31.4cm) Paul Petrides kindly confirmed the authenticity of this
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Attributed to Paul Chabas (French, 1869-1937) September Morning Oil on canvas 15 x 20 in. (38 x 51 cm)
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Italian School Late 19th Century In the Garden Pastel on canvas 29” x 22” (73.6 x 55.9 cm)
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Josef Johann Süss (Austrian, 1857-1937) “Courting Couple” Signed, “Josef Süss” Oil on canvas 23” x 17 ¼”
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Alfred Vickers (British, 1786-1868) "On the Medway" Oil on canvas A beautiful horizontal scape of the shore with sailboats dispursed in the water, and two figures on the shore. Delicately painted clouds above, and a blend of colours that meet the horizon. Frame contains plaque of Title, Artist name, and descent.
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Portrait of a Man ArtistUnknown 19th Century 37 x 25 in.
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W J Scott (American, 19th Century) ‘Raven Crag Burn, Haltwhistle’ signed and dated 1886, oil on board. 14 ½ x 19 ¾ in. (36.8 x 50.2 cm)
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Eugene Grivaz (Swiss, 1852-1915) "Elegant figures dancing in a Landscape" Watercolor on paper 18 x 25 ¼ “ (45.7 x 64.1 cm) Signed lower right, 'E. Grivaz'
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Gustave Wappers (Belgian, 1803-74) ‘The Reading’ signed, oil on panel 19 ½ x 15 ¼ in. (49.5 x 38.7 cm)
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Charles Michael Verlat (Belgian, 1824-1890) Playmates Oil on panel, signed. 6 ¼ x 8 5/8 inches
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Scandinavia school ‘Portrait of a Young person' oil on canvas 39 x 31 in.
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Ernest Fiene (American, 1894-1965) "June Morning, Maine" Oil on canvas 22 x 28 in.
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Cesare Auguste Detti (Italian, 1847-1914) ‘An Elegant Couple’ Watercolor on paper Signed lower left 18” x 14”Cesare Augusto Detti (1847-1914) was an Italian artist, best known for his historical genre paintings in the nineteenth century. From Spoleto, Cesare moved to Paris during the Belle Epoque. Some of his works are included in the collections of the Uffizi and Galleria Borghese of Rome. Augusto Detti, painter of portraits, scenes usually in costume, and historical subjects, was capable of intriguing a refined, erudite audience with his works. In the 1870s he moved to Paris, where he participated at many Salons and was continuously successful. His works can be seen today in important museums in Italy, as well as collections in America and France.
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L Roekler (German, 19thCent.) 'Playing with the cat’ signed and dated 73, oil on canvas 25 x 18 in. (63.5 x 45.7 cm)
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Louis Alois Franz Uhl (Austrian, 1860-1909) ‘Portrat Einer Dame In Weissem Kleid’ (Portrait of Lady in a White Dress) Signed-oil on canvas. 48 ¼ x 34 ½ in. (122.6 x 87.6 cm)
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Artist Unknown Landscape with Figures 19th Century 21 ¼ x 43 ¼ in.
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Benjamin Rutherford Fitz Shopkeeper Signed and Dated 1888 Oil on Canvas 29 x 36 in. Sotheby’s LA 10-5-81, Lot# 161
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Constantin Stoitzner (Austrian, 1863-1934) ‘The Moonlit Muse’ signed, oil on canvas 50 x 31 in. (127 x 78.7 cm)
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George Goodwin Kilburne (British, 1839-1924) ‘The Love Token’ Signed, oil on canvas. 40 x 30 in. (101.6 x 76.2 cm)
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Ernest Fiene (American, 1894-1965) "New England Church" Oil on canvas 26 x 36 ½ in. Ernest Fiene (1894–1965) was a 20th-century American graphic artist who primarily worked in New York City and Woodstock, New York. Fiene was known primarily for his varied printed works, including lithographs and etchings. His notable work includes cityscapes, views of New York City in particular, landscapes and other figural art. Born in Germany in 1894, Fiene fled his native land in 1912 to avoid military service in what would become World War I. Traveling first to the Netherlands, he continued on to the United States. From 1914 to 1914 he studied at the National Academy of Design in New York City, and from 1916 to 1918 at the Beaux Arts Institute. In 1923, Fiene continued his study of printmaking at the Art Students League of New York. In 1921 he married Jeannette Etarre. From 1928 to 1929 he studied in Paris and traveled in France. Fiene was hired in 1940, along with eight other prominent American artists, to document dramatic scenes and characters during the production of the film The Long Voyage Home, a cinematic adaptation of Eugene O'Neill's plays. In 1945 he divorced his first wife and was married to Alicia Wiencek. Fiene re-established his relationship with the Art Students League in 1948, returning to teach classes in painting and drawing there. In 1948, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1952. In the 1950s he also served on the faculty of the Famous Artists School in Westport, Connecticut. Fiene died of a heart attack in Paris in 1965.
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Vincenzo Irolli (Italian, 1860-1949) "Portrait of a Lady" Oil on canvas 20 ¼ x 16 ¼ in.
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Antonio Casanova Y Estorach (Spanish, 1847-1896) ‘Best Friends’ Oil on canvas laid on board 15 ¾ x 12 ¾ in.