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A French Ormolu and Gilt-Bronze Clock Garniture. Sevres-style painted dial with classic scene signed HUDESINE/ de Bronzes /RUE TURENNE 64 Paris Clock Dimensions: Height 17 ½ inches, Width 12 ¾ inches, and 6 ½ inches deep. Candelabra Dimensions: Height: 17 ½ inches, with 5 lights. F-147
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A Sevres Style Clock with a Pair of Urns. Clock Height: 17 ½ inches Urn Height: 18 ¾ inches AC48000 F-1523
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A Napoleon III Gilt and Patinated Bronze Figural Mantel Clock mid 19th Century. Height: 35 inches SN103003-143A AC33600 F-1603
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Clock Set Clock Dimensions: Height: 27 inches Width: 19 inches Depth: 6 inches Dimensions for Pair of Urns: Height: 25 ½ inches Width: 9 inches Diameter: 10 inches AC72000 F-1596
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A Sevres-Style Clock with a pair of Five-Light Candelabra. 19th Century. Clock dimensions: (a) Height: 22 inches (b) Width: 24 inches Candelabra dimensions: (a) Height: 26 ½ inches (b) Width: 7 inches AC80000 F-1194
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Sevres-Style Clock Set with Six-Light Candelabra. Clock Height: 27 ½ inches Clock Width: 16 inches Candelabra Height: 27 inches
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A Clock Set with a Pair of Three-Light Candelabra. Height of Clock: 18 inches Height of Candelabra: 17 ¾ inches AC40000 F-1119
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A Restored Ormolu Mantel Clock, Second Quarter 19th Century. The circular dial is with Roman numeral characters. Signed, “Le Roy hr. du Roi Palais Royal a Paris.” Height: 12 ¼ inches. CMR1496-2-17 AC6440
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American School “A Gentlemen Holding a Book” Oil on canvas 25 ½” x 32 ½” Sotheby’s L.A. 11-17-80 @AC-NB
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George Henry Durrie American, 1820-1863 “John Henry Hackett as Falstaff” Oil on Board PROVENANCE: By descent through the artist’s family Hally L. Durrie, Santa Barbara, the artist’s great grandson Terry DeLapp, Los Angeles Mrs. George Arden, New York LITERATURE M.Y. Hutson, Geroge Henry Durrie, 1820-1863, American Wiinter Landscapist: Renouwned throughCurrier & Ives, Santa Babra, p.55, no. 51, illus. Records and personal diaries indicate that Durrie read Shakespeare and was inspired to paint Falstaff. According to Martha Hudson, “Two portraits of Falstaff are known, both listed in the record book. The 1852 painting (this portrait) is thought to be a portrait of the actor James Hackett portraying Falstaff, a role he made famous in America. Since Hackett performed in New York City as well as on tour, Durrie could easily have seen a performance. Obviously the characterization was effective because the portrait is jovial and abundant in appearance as one could hope for a Falstaff.” 17” x 13 ½” (43 x 34.3 cm)
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Louis Heinzman (1905-…) American Streetscape Oil on canvas Signed 32 x 24
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John George Brown 1831-1913 Portrait of a Man Oil on canvas 10 ½” x 12 ½” AC12000 AC28000 @AC-NB
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American School- Artist: Unknown “An Old canal” 20” x 14 ¼” In 1870 @AC-NB
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J.M. Dizikis Seashore Landscape Scene Oil on canvas 18” x 12 ¼” @AC-NB
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Elizabeth M. Yates b. 1883, Landscape Scene Oil on wood 9 ¼” x 5 ½” @NB
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Edwin Howland Blashfield Women Aiding the Less Fortunate 1848-1936 21 ¾” x 17” AC80000 @AC-NB
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John Edumondo Califano 1862-1946 Landscape Overlooking House and Bridge Oil on wood 8 ½” x 10 5/8” AC3000 @AC-NB
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John Joseph Enneking 1841-1916 Still Life with Fruits Pastel 22” x 18” @AC-NB
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John George Brown 1831-1913 Portrait of a Man Oil on canvas 25” x 30” John George Brown (November 11, 1831 – February 8, 1913) was a British citizen and an American painter born in Durham, England on November 11, 1831. His parents apprenticed him to the career of glass worker at the age of fourteen in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852 and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 and 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy's vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found on the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). @AC-NB
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Frederic Edwin Church 1826-1900 Portrait of a Woman Oil on canvas 32” x 40” Mr. And Mrs. Walker (pair of paintings) F.E.Church (1876-1975) Born in Brooklyn, NY Provenance: Sotheby’s 6/12 –15/73 lot 315 @AC-NB
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Hugh A. Fisher 1867-1916 Cows Grazing Watercolor 34” x 25” @AC-NB
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George Peter Alexander Healy 1808-1894 Portrait of a Woman Oil on canvas 24 ½” x 29 ½” Provenance: Richard Bourne 08/07/73 Signed top left and dated 1872 AC20000 @AC-NB
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George Peter Alexander Healy 1808-1894 Portrait of Cardinal John McCloskey Oil on Canvas 25” x 30” Signed top right and dated SLOCT2281-127 AC16000
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Charles François Jalabert Women in the Forest Oil on canvas Within a painted arch 39.4 x 31.8 cm S71791-209 899001-3