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Jean Baptiste Camile Corot
(French, 1796-1875)
"Un pecheur a la
ligne souvenir du
pont de mantes”
Oil on canvas
9 ¾”x 13”
signed
COA by M. Dieterle
PROVENANCE:
Billou Collection (acquired from the artist in 1873)
Bossiere Boussod, Valadon et Cie, Paris
Dr. Henry Angell, Boston
John Levy Gallery, Inc., NY
Parke-Bernet Gallerie, Inc
Henry A. Golwynne, New York
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Circle of Alfred Elmore, R.A.
‘Una and The Lion’
oil on canvas.
36 x 28 in. (91.4 x 71.1 cm
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Eugéne Boudin
(French, 1824-1898)
“Vaches au paturage”
Oil on paper
4 ½” x 7 ¾”
Stamped with initials lower right
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Maurice de Vlaminck
(French, 1876-1958)
“Vase de fleurs"
Oil on canvas
15”x 18 ¼”
Signed lower right
COA by Wildenstein Institute
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Yasuo Kuniyoshi
(American, 1893-1953)
“Vase with flower”
17”x 14”
Oil on canvas
Painted in 1918
COA by B. Usui
Yasuo Kuniyoshi (Kuniyoshi Yasuo, 1 September 1893 – 14 May 1953) was an American painter, photographer and printmaker. Kuniyoshi was born in Okayama, Japan in 1893. He migrated to America in 1906, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design. Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and at the Independent School in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He later taught at the Art Students League of New York in New York City and in Woodstock, New York. Nan Lurie was among his students, as was Irene Krugman. Around 1930, the artist built a home and studio on Ohayo Mountain Road in Woodstock. He was an active member of the artistic community there for the rest of his life.
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Pieter Aertson
(Dutch, 1507-1575)
Virgin Mary
Oil on panel
22 ½” x 41 ½”
Inscribed lower left
Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder.
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War Scene
Oil on canvas
22 ½” x 27”
Year of work: 1880
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Charles Felix Edouard Deshayes
(French, 1831-1895)
Windmill Near Paris
Signed and dated ‘Ch Deshayes 1874
Paris’
Oil on canvas
26x 32 in. (66 x 81.2 cm)
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Edwin Howland Blashfield
Women Aiding the Less Fortunate
1848-1936
21 ¾” x 17”
AC80000
@AC-NB
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Charles François Jalabert
Women in the Forest
Oil on canvas
Within a painted arch
39.4 x 31.8 cm
S71791-209
899001-3
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Bernard Buffet
(French, 1928-1999)
“World Trade Center”
Oil on canvas
38” x 57”
Signed and dated 1989 upper right and left
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Jan Josef Horemans
‘A Family singing in an Interior’
bears indistinct signature;
oil on canvas
12 ½ x 9 ¼ in.
31.7 x 23.5 cm
CL102794-225
327203-2
@AC-NB
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Christian Georg Schütz (German, 1718-1791)
“A River Landscape with a Boat Moored by a Cottage”
Oil on board, oval
3 1/3 x 3 ¾ inches
(8.6 x 9.5 cm)
CL 201794-171
18841-2
@NB-1040
#92
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Frans II Francken (Flemish, 1581-1642)
A Scene with the Madonna
Oil on canvas
30 ½ x 23 centimeters
CL102794-19
437402-2
@NB-1040 #39
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Francisco Bayeu Y Subias (1734-1795)
“An Allegorical Figure of Music, a Study for a Pedentive”
Oil on paper laid down on canvas
13 ¼ x 16 ½ inches
Francisco Bayeu y Subias (9 March 1734 – 4 August 1795) was a Spanish painter, active in a Neoclassic style, whose main subjects were religious and historical themes. Born in Zaragoza, Aragon, he received a broad childhood education. He then moved to Madrid, winning a scholarship with the painting of the ‘’Tyranny of Gerion’’ to study in the Academia Real de Bellas Artes de San Fernando. The death of his parents and the care of his brothers forced him to return to Zaragoza, until he was recalled by Anton Raphael Mengs to help decorate the Royal Palace of Madrid.
He served as court painter to King Charles III of Spain. He was named a professor of the Royal Academy of Fine Arts of San Fernando in 1765 and director in 1788. He painted in the Charterhouse of Aula Dei in Zaragoza. In 1767 he was named court painter for Charles III, king of Spain. He was involved in the decoration of various Royal palaces near Madrid. He helped provide designs for tapestries. He also painted for the College of San Ildefonso, the Royal Monastery of the Incarnation (Madrid), the Basilica of our Lady del Pilar in Zaragoza, and the cloister of the Cathedral of Toledo.
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Diego Velaquez
Bacchus – a detail
Oil on canvas
16 x 20 ½ in.
40.7 x 52.1 cm
CL102794-233
325501-2
@AC-GN
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Chrisitian Schussele
(American/French (1824-1879)
“Clear the Track”
Oil on canvas
23 x 18 inches
Provenance: David, David Inc., Philadelphia
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Sir Peter Paul Rubens
‘Daniel in the Lion’s Den’
oil on canvas, unframed
30 ¼ x 37 in.
(76.8 x 94 cm)
CL102794-119
328901-2
@Albertson
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Abraham Bloemaert (Spanish, 1566-1651)
“Death of the Virgin”
Oil on canvas
48 ½ x 44 ¾ inches
Abraham Bloemaert (1566 – 27 January 1651) was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti, at least for a period.
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Agostino Carracci (Italian, 1557-1602)
“Ecce Homo”
Oil on copper
11 7/8 x 9 ½ inches
(30 x 24.3 cm)
CL102794-66
325502-2
@NB-1040
#20
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Louis-Jean-François Lagrenée (French, 1724-1805)
“Ermina and the Shepherds”
Oil on canvas
18 x 21 ½ inches
@NB-1040
#45
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Antonio Joli (Italian, 1700-1777)
“Figures Amongst Classical Ruins”
Oil on canvas
15 ¼ x 30 ½ inches
(38.7 x 77.5 cm)
Antonio Joli or Ioli (1700 – 29 April 1777) was an Italian painter of vedute and capricci. Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family. In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54).
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Raphael (Raphael Sanzio da Urbino)(Italian, 1483-1520)
“HeligaFamiljen”
Oil on canvas
48.4 x 36.6 inches
CL102794-32
351002-2
@AL 7/13
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Pier Francesco Mola (Italian, 1612-1666)
“Infant Satyrs Playing by a Plynth”
Oil on canvas
24 x 16 inches
(60.9 x 40.7 cm)
CL102794-136
540802-2
@NB-1040
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