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Jean Baptiste Camile Corot
(French, 1796-1875)
"Un pecheur a la
ligne souvenir du
pont de mantes”
Oil on canvas
9 ¾”x 13”
signed
COA by M. Dieterle
PROVENANCE:
Billou Collection (acquired from the artist in 1873)
Bossiere Boussod, Valadon et Cie, Paris
Dr. Henry Angell, Boston
John Levy Gallery, Inc., NY
Parke-Bernet Gallerie, Inc
Henry A. Golwynne, New York
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Charles Sillem Lidderdale
(British, 1830-1895)
"A Young Beauty"
Signed with monogram and dated ‘82’ lower left
Oil on canvas
24 x 20 in. (61x50.8cm)
Property from The Estate of Jane Edwards Champlin
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Antonio Allegri, il Correggio
“The Virgin Adoring the Christ Child”
Oil on Canvas
31 ½” x 26 ½’’
80 x 67.3 cm
CL102794-79
761203-2
@AC-GN
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Christian Georg Schütz (German, 1718-1791)
“A River Landscape with a Boat Moored by a Cottage”
Oil on board, oval
3 1/3 x 3 ¾ inches
(8.6 x 9.5 cm)
CL 201794-171
18841-2
@NB-1040
#92
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Mantel Clock with Soldier Figure.
Height: 22 inches
Width: 17 inches
Depth: 6 ¾ inches
AC16000
F-1537
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Jean Dufy
(French, 1888-1964)
“Le port”
Oil on canvas
18 1/8” x 15”
Painted in 1934
Signed lower right
COA by L. Quesnel
PROVENANCE:
Max Bodner, NY
Estate of Lena Wershaw,
NY
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Mark Kostabi
(American, b. 1960)
“Speed The Plow”
Oil on canvas
48”x 36”
Executed in 1990
Signed and dated lower right on the front.
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Artist Unknown
Portrait of a Man
20" x 16"
Oil on board
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Francesco Ruschi
“The Crucifixion”
Oil on canvas
60 ¼ x 40 ½ inches
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Anthony Van Dyck
“Portrait of a Lady, Possibly a beguine”
oil on canvas
17 ¼” x 12 ¾”
(43.8 x 32.4 cm)
Sir Anthony van Dyck (22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. The Van Dyke beard is named after him.
S71791-207
966007-3
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John George Brown
1831-1913
Portrait of a Man
Oil on canvas
25” x 30”
John George Brown (November 11, 1831 – February 8, 1913) was a British citizen and an American painter born in Durham, England on November 11, 1831. His parents apprenticed him to the career of glass worker at the age of fourteen in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852 and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 and 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy's vice-president from 1899 to 1904.
Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found on the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.).
@AC-NB
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Jules Dupre
(French, 1811-1889)
”Sailing Ships on
Choppy Seas”
Oil on Canvas
15”x 18 ”
Signed lower left