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Gabriel Metsu ‘The Game Seller’ oil on panel 19 x 16 in. (48.3 x 40.7 cm) CL102794-239 654401-2 @AC-NB
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Henri Gascars ‘Portrait of a Lady, half length in a blue Dress with a white Chemise and a brown Wrap, holding a Spaniel' Bears inscription on a label on the reverse ‘Mrs. Cunliffe' oil on canvas, in a painted oval 27 x 19 ½ in. 68.6 x 49.5 cm. Henri Gascar (1635 – 1 Jan 1701) (also Gascard, Gascars) was a French-born portrait painter who achieved artistic success in England during the reign of Charles II. He painted many leading ladies at court, including several of the King's mistresses, before returning to Paris. He subsequently relocated to Rome, where he died in 1701. Gascar came to England about 1674, probably at the behest of Louise de Keroualle, Duchess of Portsmouth, Charles II's favourite mistress. Gascar (or Gascard, as he seems to have spelt his name at first) was already known as a skillful portrait-painter; among the portraits already painted by him was that of Nicolas de Lafond, author of the "Gazette of Holland", painted in 1667, and engraved by Peter Lombart. The patronage of the Duchess of Portsmouth ensured Gascar a rapid success in England. His flamboyant style, contrasting with the stolid English approach, seemed to suit the frivolity of the time and he painted many of the ladies of Charles II's court. His lack of attention to detail in the likeness he made up for by the sumptuous draperies and tawdry adornments around the subject. For a short time he became fashionable, and is said to have amassed a fortune of over £10,000.
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A Bronze and Mahogany Clock Set with Three-Light Candelabra. Clock Dimensions: Height: 24 inches Width: 10 ½ inches Depth: 10 ½ inches Candelabra Dimensions: Height:24 ½ inches Width: 10 ½ inches Y&D MAYER AUG2902 AC40000 F-1145
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Hippolyte Petitjean (French, 1854-1929) “Le bois de bruxellex” Oil on canvas 15” x 21 5/8” Signed lower left PROVENANCE: Hammer Galleries New York
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Bernard Buffet (French, 1928-1999) “World Trade Center” Oil on canvas 38” x 57” Signed and dated 1989 upper right and left
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(Charles) Chester Harding 1792-1866 “Portrait of Ann McChait” Oil on canvas 29” x 24” AC7200 AC12000 @AC-NB
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Elizabeth M. Yates b. 1883, Landscape Scene Oil on wood 9 ¼” x 5 ½” @NB
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Jean Baptiste Camile Corot (French, 1796-1875) “Environs d’Arras- Bords de la Scarpe” Oil on panel 12 ½”x 16” Vente stamp on the reverse Painted in 1860-65 COA by M. Dieterle «I'Oeuvre de Corot», 1965, vol.III, pp. 124-125 no.1592 PROVENANCE: The Artist's Studio; sale, Hotel Drouot, Paris May 26-28 1875,#125
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Charles Felix Edouard Deshayes (French, 1831-1895) Windmill Near Paris Signed and dated ‘Ch Deshayes 1874 Paris’ Oil on canvas 26x 32 in. (66 x 81.2 cm)
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Henry Lee McFee ‘Still Life with Bottle’ Oil on canvas 24 x 20 inches
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Pier Francesco Mola (Italian, 1612-1666) “Infant Satyrs Playing by a Plynth” Oil on canvas 24 x 16 inches (60.9 x 40.7 cm) CL102794-136 540802-2 @NB-1040 Tagged
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William Edward Norton Landscape Oil on canvas 1840-1896 AC5000 @AC-Albertson
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Maurice de Vlaminck (French, 1876-1958) “Vase de fleurs" Oil on canvas 15”x 18 ¼” Signed lower right COA by Wildenstein Institute
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James Clark (British, 1858-1943) "Black Horse in a Stable" Oil on canvas 17 x 21 inches (43.2 x 53.3 cm) Signed
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Unknown Artist 19th Century “Outdoor Scene”
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Jean A. Watteau (French, 1684-1821) Women in Nature Oil on canvas 12 ¾ x 9 ½ inches S71791-173 142001-3 @AL 7/13
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David Teniers Peasants playing backgammon Oil on panel 14 ½ x 21 ½ in. (36.7 x 54cm) 328903-2
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F. Hohle (early 20th Century) after Frans Hals. ‘Two singing Boys’ signed lower right F. Hohle cop and with the monogram lower left FG, oil on canvas 66.5 x 53 cm The original, on canvas, 66x52 cm, is in the Staatliche Kunstammlung Kassel. It was acquired by Landgraf Wilhelm VIII of Hessen in 1749 (see S.Slive, Frans Hals, 1974, II.fig. 44 and III.pp.15/16, no.23) CA102894-46 734506-3 @Albertson
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A Roman Numeral Clock with Urn, flanked by two putto. Height:20 inches Width: 15 inches AC16000 F-1195 / 1196
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Maximilien Luce (French, 1858–1941) “Le chenal a mare basse, honfleur” Oil on paper laid down on canvas 10 ¼” x 13 ½” Painted in 1928 COA by Jean Luce
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Pablo Picasso (Spanish, 1881-1973) “Figura (Portrait of Jaqeline)” Glass sculpture on wooden stand 17.5”x 14”x 5” Signed on the base “Picasso, Fucina Degli Angeli, Venezia, Hermano Nason” A second signature “P. Picasso 964 n FA 2/3” COA by Comite Picasso PROVENANCE: Peggy Guggenheim Collection V. del Leoni, Venice
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C Kleemann (19th/20th Century) Salome signed, 23 x 17 5/8 in.
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Artist Unknown, 19th Century Figure and Animals Scene
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Jean Baptiste Greuze (French, 1725-1805) Oil on canvas 21 x 17 ½ inches S71791-147 1102508-3 @AL 7/13
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Charles Cromwell Ingham 1796-1863 “Portrait Francis Bryant Goodwin” Oil on Canvas 30” x 35 1/2” PROVENANCE: Mrs. George Arden, NY AC12000 Worth 2,000 @NB 9/13
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J.M. Dizikis Seashore Landscape Scene Oil on canvas 18” x 12 ¼” @AC-NB
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A Gilt Bronze and Marble Mantel Clock, French, circa 1850. Twelve-Piece Enamel Cartouche Dial (4 ½in.), bell striking movement with early spring suspension, the case surmounted by a flower urn flanked by two recumbent putti and raised on an elaborate break front plinth inset with marble panels applied with gilt mounts. This lot was hired for the filming of: Live and Let Die (1973) Restoration (1995) Height: 17 ¼ inches. SLMAR1302-412 AC10400 F-941
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Yasuo Kuniyoshi (American, 1893-1953) “Vase with flower” 17”x 14” Oil on canvas Painted in 1918 COA by B. Usui Yasuo Kuniyoshi (Kuniyoshi Yasuo, 1 September 1893 – 14 May 1953) was an American painter, photographer and printmaker. Kuniyoshi was born in Okayama, Japan in 1893. He migrated to America in 1906, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design. Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and at the Independent School in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He later taught at the Art Students League of New York in New York City and in Woodstock, New York. Nan Lurie was among his students, as was Irene Krugman. Around 1930, the artist built a home and studio on Ohayo Mountain Road in Woodstock. He was an active member of the artistic community there for the rest of his life.
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Pierre Emmanuel Damoye (French,1847-1916) ‘A Wintery Day’ signed ‘E.Damoye’ lower left oil on canvas 15x 24 in. (38 x 61 cm)
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Georges Bonnemaison (French, d. 1885) ‘Harvesters In A Landscape’ oil on canvas 13.5 x 12 in.
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Louis-Jean-François Lagrenée (French, 1724-1805) “Ermina and the Shepherds” Oil on canvas 18 x 21 ½ inches @NB-1040 #45
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George Peter Alexander Healy Portrait Oil on canvas 23” x 17 ½” @AC-NB
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Jean Baptiste Camile Corot (French, 1796-1875) “Luzancy, le chemin des bois” Oil on canvas 13 ½” x 9 ½” Signed lower left Executed in 1872 COA by M. Dieterle Depicted house “Maison Petre” belonged to an old friend of Corot, M. Remy. PROVENANCE: M. Ferret, Paris 1882 Aubin, Paris 1882 Hollander et Cremetti, London circa 1895 Galerie Le Roy, Brussels Mr and Mrs. John Warner With Wildenstein, NY Salander-O’Reilly Galleries, NY LITERATURE: A. Robaut “L’Oeuvre de Corot”, Vol.I II, # 2087