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(Charles) Chester Harding
1792-1866
“Portrait of Ann McChait”
Oil on canvas
29” x 24”
AC7200
AC12000
@AC-NB
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Arthur Fitzwilliam Tait
1819-1905
“Tait’s father”
5 ¼” x 7”
Pencil on paper
Provenance: Alan R. Tait 08/10/77
Worth 1,000
@AC-NB
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American School
George Peter Alexander Healy Portrait
32” x 25”
Signed upper left “GPA HEALY”
@AC-NB
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Agostino Carracci (Italian, 1557-1602)
“Ecce Homo”
Oil on copper
11 7/8 x 9 ½ inches
(30 x 24.3 cm)
CL102794-66
325502-2
@NB-1040
#20
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Anthony Van Dyck
“Portrait of a Lady, Possibly a beguine”
oil on canvas
17 ¼” x 12 ¾”
(43.8 x 32.4 cm)
Sir Anthony van Dyck (22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. The Van Dyke beard is named after him.
S71791-207
966007-3
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Jan Cornelisz Vermeyen
“Portrait of a Lady in Profile Holding A Book”
Oil on panel
13 ¾” x 10 ½”
(34.9 x 26.7 cm)
S71791-86
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Sir Peter Paul Rubens
‘Daniel in the Lion’s Den’
oil on canvas, unframed
30 ¼ x 37 in.
(76.8 x 94 cm)
CL102794-119
328901-2
@Albertson
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Lodewyck de Vadder
‘The Temptation in the Wilderness’
oil on canvas
17 ¾ x 44 in.
(45 x 111.8 cm)
CL102794-177
351003-2
@AC-NB
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Sir Anthony van Dyck
‘Portrait of the Marchesa Lomellini-Durazzo, three quarter length, in a black Coat and white Sleeves’
oil on canvas
33 5/8 x 24 in.
85.4 x 61 cm.
CL102794-266
5115602-2
@AC-sAlbert.
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David Teniers
‘The Palm Reader’
oil on panel
6 7/8 x 4 5/8 in.
(17.5 x 11.7 cm)
CL102794-253
39520-2
@AC-NB
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David Teniers
Peasants playing backgammon
Oil on panel
14 ½ x 21 ½ in.
(36.7 x 54cm)
328903-2
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Gabriel Metsu
‘The Game Seller’
oil on panel
19 x 16 in.
(48.3 x 40.7 cm)
CL102794-239
654401-2
@AC-NB
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Diego Velaquez
Bacchus – a detail
Oil on canvas
16 x 20 ½ in.
40.7 x 52.1 cm
CL102794-233
325501-2
@AC-GN
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Jan Josef Horemans
‘A Family singing in an Interior’
bears indistinct signature;
oil on canvas
12 ½ x 9 ¼ in.
31.7 x 23.5 cm
CL102794-225
327203-2
@AC-NB
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Antonio Allegri, il Coreggio
“Venus, Cupid and a Satyr”
Oil on Canvas
32” x 21 ½” (81.3 x 54.7 cm)
CL102794-126
564601-2
@Albertson
(5/19/03)
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Antonio Allegri, il Correggio
“The Virgin Adoring the Christ Child”
Oil on Canvas
31 ½” x 26 ½’’
80 x 67.3 cm
CL102794-79
761203-2
@AC-GN
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Hendrik van Balen
1611-1654
“Saint Jermone”
Oil on Copper
8 ¼” x 6’’ (21 x 15.3 cm)
CL102794-65
310883-2
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Antonio Allegri, il Correggio
“The Holy Family with Saint Francis”
Oil on Canvas
47 ½” x 41”
CL102794-64
374802-2
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Bartoloméo Estenban Murillo
1618-1682, Spanish
“The Virgin with the Infant Christ Standing”
Oil on canvas
62” x 42”
157.5 x 106.7 cm
CL102794-63
9115603-2
@AC-NB
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Antonio Joli (Italian, 1700-1777)
“Figures Amongst Classical Ruins”
Oil on canvas
15 ¼ x 30 ½ inches
(38.7 x 77.5 cm)
Antonio Joli or Ioli (1700 – 29 April 1777) was an Italian painter of vedute and capricci. Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family. In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54).
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Louis-Jean-François Lagrenée (French, 1724-1805)
“Ermina and the Shepherds”
Oil on canvas
18 x 21 ½ inches
@NB-1040
#45
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Pier Francesco Mola (Italian, 1612-1666)
“Infant Satyrs Playing by a Plynth”
Oil on canvas
24 x 16 inches
(60.9 x 40.7 cm)
CL102794-136
540802-2
@NB-1040
Tagged
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Giovanni Antonio Pellegrini (Italian, 1675-1741)
“The Young Bacchus”
Oil on panel
11 x 7 ½ inches
(27.9 x 19.2 cm)
Giovanni Antonio Pellegrini (29 April 1675 – 2 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano. He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France. He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini. Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works.
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Sir Peter Paul Rubens (Flemish, 1577-1640)
“Mars and Venus and Philemon and Baucis”
Oil on copper
9 x 11 ¾ inches
(22.8 x 29.7 cm)
CL102794-116
439101-2
@NB-1040
#22
