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School of Thomas Gainsborough (1727 - 1788) ‘Portrait of Alice & Martha Andrews, in a Landscape’ Oil on canvas 59 ½ x 44¾ in. (151 x 113.6 cm.) Thomas Gainsborough (14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. He surpassed his rival Sir Joshua Reynolds to become the dominant British portraitist of the second half of the 18th century. He painted quickly, and the works of his maturity are characterized by a light palette and easy strokes. He preferred landscapes to portraits, and is credited (with Richard Wilson) as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
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Seymour Joseph Guy (1824 –1910) Portrait of a Lady Oil on Canvas 18 x 23 in. Seymour Joseph Guy (1824–1910), was an American romance painter. He was born and trained in London but moved to New York City where he is known for genre works. He trained for four years with the portrait painter Ambrosini Jerôme and married the daughter of an engraver, Anna Maria Barber, before his move to New York in 1854. He was a member of the Sketch club and became friends with John George Brown, and they both began to paint genre works of children, probably inspired by their own, as Guy eventually had nine. He died at his home in New York on December 10, 1910.
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Alfred Edward Chalon (British,1780-1860) ‘A Family Portrait’ Oil on canvas 50 3/8
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Artist Unknown Forest Scene Oil 27 ¼ x 36 ¼ in.
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Antonio Casanova Y Estorach (Spanish, 1847-1896) ‘Best Friends’ Oil on canvas laid on board 15 ¾ x 12 ¾ in.
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George Goodwin Kilburne (British, 1839-1924) ‘The Love Token’ Signed, oil on canvas. 40 x 30 in. (101.6 x 76.2 cm)
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Ernest Fiene (American, 1894-1965) "New England Church" Oil on canvas 26 x 36 ½ in. Ernest Fiene (1894–1965) was a 20th-century American graphic artist who primarily worked in New York City and Woodstock, New York. Fiene was known primarily for his varied printed works, including lithographs and etchings. His notable work includes cityscapes, views of New York City in particular, landscapes and other figural art. Born in Germany in 1894, Fiene fled his native land in 1912 to avoid military service in what would become World War I. Traveling first to the Netherlands, he continued on to the United States. From 1914 to 1914 he studied at the National Academy of Design in New York City, and from 1916 to 1918 at the Beaux Arts Institute. In 1923, Fiene continued his study of printmaking at the Art Students League of New York. In 1921 he married Jeannette Etarre. From 1928 to 1929 he studied in Paris and traveled in France. Fiene was hired in 1940, along with eight other prominent American artists, to document dramatic scenes and characters during the production of the film The Long Voyage Home, a cinematic adaptation of Eugene O'Neill's plays. In 1945 he divorced his first wife and was married to Alicia Wiencek. Fiene re-established his relationship with the Art Students League in 1948, returning to teach classes in painting and drawing there. In 1948, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1952. In the 1950s he also served on the faculty of the Famous Artists School in Westport, Connecticut. Fiene died of a heart attack in Paris in 1965.
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Vincenzo Irolli (Italian, 1860-1949) "Portrait of a Lady" Oil on canvas 20 ¼ x 16 ¼ in.
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Constantin Stoitzner (Austrian, 1863-1934) ‘The Moonlit Muse’ signed, oil on canvas 50 x 31 in. (127 x 78.7 cm)
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Benjamin Rutherford Fitz Shopkeeper Signed and Dated 1888 Oil on Canvas 29 x 36 in. Sotheby’s LA 10-5-81, Lot# 161
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Artist Unknown Landscape with Figures 19th Century 21 ¼ x 43 ¼ in.
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L Roekler (German, 19thCent.) 'Playing with the cat’ signed and dated 73, oil on canvas 25 x 18 in. (63.5 x 45.7 cm)
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Louis Alois Franz Uhl (Austrian, 1860-1909) ‘Portrat Einer Dame In Weissem Kleid’ (Portrait of Lady in a White Dress) Signed-oil on canvas. 48 ¼ x 34 ½ in. (122.6 x 87.6 cm)
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Scandinavia school ‘Portrait of a Young person' oil on canvas 39 x 31 in.
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Ernest Fiene (American, 1894-1965) "June Morning, Maine" Oil on canvas 22 x 28 in.
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Cesare Auguste Detti (Italian, 1847-1914) ‘An Elegant Couple’ Watercolor on paper Signed lower left 18” x 14”Cesare Augusto Detti (1847-1914) was an Italian artist, best known for his historical genre paintings in the nineteenth century. From Spoleto, Cesare moved to Paris during the Belle Epoque. Some of his works are included in the collections of the Uffizi and Galleria Borghese of Rome. Augusto Detti, painter of portraits, scenes usually in costume, and historical subjects, was capable of intriguing a refined, erudite audience with his works. In the 1870s he moved to Paris, where he participated at many Salons and was continuously successful. His works can be seen today in important museums in Italy, as well as collections in America and France.
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Gustave Wappers (Belgian, 1803-74) ‘The Reading’ signed, oil on panel 19 ½ x 15 ¼ in. (49.5 x 38.7 cm)
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Charles Michael Verlat (Belgian, 1824-1890) Playmates Oil on panel, signed. 6 ¼ x 8 5/8 inches
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W J Scott (American, 19th Century) ‘Raven Crag Burn, Haltwhistle’ signed and dated 1886, oil on board. 14 ½ x 19 ¾ in. (36.8 x 50.2 cm)
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Eugene Grivaz (Swiss, 1852-1915) "Elegant figures dancing in a Landscape" Watercolor on paper 18 x 25 ¼ “ (45.7 x 64.1 cm) Signed lower right, 'E. Grivaz'
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Portrait of a Man ArtistUnknown 19th Century 37 x 25 in.
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Josef Johann Süss (Austrian, 1857-1937) “Courting Couple” Signed, “Josef Süss” Oil on canvas 23” x 17 ¼”
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Alfred Vickers (British, 1786-1868) "On the Medway" Oil on canvas A beautiful horizontal scape of the shore with sailboats dispursed in the water, and two figures on the shore. Delicately painted clouds above, and a blend of colours that meet the horizon. Frame contains plaque of Title, Artist name, and descent.
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War Scene Oil on canvas 22 ½” x 27” Year of work: 1880
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Sir Peter Paul Rubens ‘Daniel in the Lion’s Den’ oil on canvas, unframed 30 ¼ x 37 in. (76.8 x 94 cm) CL102794-119 328901-2 @Albertson
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Hugh A. Fisher 1867-1916 Cows Grazing Watercolor 34” x 25” @AC-NB
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Maximilien Luce (French, 1858–1941) “La fenaison a I’lli de France” Oil on paper laid down on canvas 11 ¼”x 17 ½” Stamped lower right COA by J. Bouin-Luce Maximilien Luce (13 March 1858 – 6 February 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Born on 13 March 1858 in Paris. His parents, of modest means, were Charles-Désiré Luce (1823–1888), a railway clerk, and Louise-Joséphine Dunas (1822–1878). The family lived in the Montparnasse, a working-class district of Paris. Luce attended school at l'Ecole communale, beginning in 1864. In 1872, the fourteen-year-old Luce became an apprentice with wood-engraver Henri-Théophile Hildebrand (1824–1897). During his three-year xylography apprenticeship, he also took night classes in drawing from instructors Truffet and Jules-Ernest Paris (1827–1895). During this period, Luce started painting in oils. He moved with his family to the southern Paris suburb of Montrouge. His art education continued as he attended drawing classes taught by Diogène Maillard (1840–1926) at the Gobelins tapestry factory. Luce began working in the studio of Eugène Froment (1844–1900) in 1876, producing woodcut prints for various publications, including L'Illustration and London's The Graphic. He took additional art courses, at l'Académie Suisse, and also in the studio of portrait painter Carolus-Duran (1837–1917). Through Froment's studio, Luce became friends with Léo Gausson and Émile-Gustave Cavallo-Péduzzi. These three artists spent time around Lagny-sur-Marne creating Impressionist landscapes.
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Maurice de Vlaminck (French, 1876-1958) “Fleurs dans un vase bleu” Oil on canvas 18”x 14” Signed lower left COA by Wildenstein Institute
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Continental School, 19th Century "The Cathedral" Dated 1874, Oil on canvas 26 x 18 1/4 inches (66 x 46.4 cm)
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Francesco Curradi (Italian, 1570-1661) “The Madonna and the Angel Gabriel” Oil on canvas 26 x 20 inches (66 x 50.8 cm) CL102794-83/1 334002-2 @NB-1040 #16
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Chrisitian Schussele (American/French (1824-1879) “Clear the Track” Oil on canvas 23 x 18 inches Provenance: David, David Inc., Philadelphia
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George Henry Durrie American, 1820-1863 “John Henry Hackett as Falstaff” Oil on Board PROVENANCE: By descent through the artist’s family Hally L. Durrie, Santa Barbara, the artist’s great grandson Terry DeLapp, Los Angeles Mrs. George Arden, New York LITERATURE M.Y. Hutson, Geroge Henry Durrie, 1820-1863, American Wiinter Landscapist: Renouwned throughCurrier & Ives, Santa Babra, p.55, no. 51, illus. Records and personal diaries indicate that Durrie read Shakespeare and was inspired to paint Falstaff. According to Martha Hudson, “Two portraits of Falstaff are known, both listed in the record book. The 1852 painting (this portrait) is thought to be a portrait of the actor James Hackett portraying Falstaff, a role he made famous in America. Since Hackett performed in New York City as well as on tour, Durrie could easily have seen a performance. Obviously the characterization was effective because the portrait is jovial and abundant in appearance as one could hope for a Falstaff.” 17” x 13 ½” (43 x 34.3 cm)
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Narcisse Virgilio Díaz de la Peña (French, 1807-1876) “La foret” oil on canvas 18’’x 12’’
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After Jean Leon Gerome (French, 1824-1904) Sortie du Bal Masque Oil on panel. 9 x 13 ¼ in. (23 x 32.5 cm)
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Aleksei Mikhailovich Korin (Russian, 1865-1923 The bread seller oil on canvas
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Hendrik van Balen 1611-1654 “Saint Jermone” Oil on Copper 8 ¼” x 6’’ (21 x 15.3 cm) CL102794-65 310883-2
