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William Holyoake (British, 1834-1893) "A Day at the Races" Oil on canvas 24 x 20 inches (61 x 51cm)
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Sale!
Alfred Edward Chalon (British,1780-1860) ‘A Family Portrait’ Oil on canvas 50 3/8
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Unknown Artist 19th Century “A Gathering” 15 x 19 in.
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American School “A Gentlemen Holding a Book” Oil on canvas 25 ½” x 32 ½” Sotheby’s L.A. 11-17-80 @AC-NB
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Studio of Martin Drolling (French, 1752-1817) “A Kitchen Interior with a Mother and Daughter Sewing and Another child Playing with a Kitten” Oil on canvas 25 ¼” x 31 ½” PROVENANCE: W. Scott & Sons, MontrealAC15384 (AC from artnet: sold price on 12/14/98) @AC-Bdwy
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Achille Vertunni (Italian, 1826-1897) "A Pilgrimage" Signed ‘A.Vertunni’ lower right Oil on canvas 18 x 36 ¼ in. (45.7 x 92 cm)
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Pierre Emmanuel Damoye (French,1847-1916) ‘A Wintery Day’ signed ‘E.Damoye’ lower left oil on canvas 15x 24 in. (38 x 61 cm)
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Charles Sillem Lidderdale (British, 1830-1895) "A Young Beauty" Signed with monogram and dated ‘82’ lower left Oil on canvas 24 x 20 in. (61x50.8cm) Property from The Estate of Jane Edwards Champlin
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Jean Jacques Henner (French, 1829-1905) A Young Girl with Red Cape Signed ‘JHENNER’ lower left Oil on canvas 18 ¼ x 12 ¾ in. (46.4 x 32.4 cm)
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Armand Guillaumin (French, 1841-1927) “Agay, les roches rouges” Oil on canvas 21 5/8” x 25 ¾” Painted circa 1918 Signed lower right PROVENANCE: Dr. G. Pautet, Paris Galerie Visconti, Paris Yvonne Rocchia, New York Parke-Bernet Galeries NY David Borowitz EXHIBITED: NY HammerGalleries, Guillaumin, 1961, # 23
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Sale!
Cesare Auguste Detti (Italian, 1847-1914) ‘An Elegant Couple’ Watercolor on paper Signed lower left 18” x 14”Cesare Augusto Detti (1847-1914) was an Italian artist, best known for his historical genre paintings in the nineteenth century. From Spoleto, Cesare moved to Paris during the Belle Epoque. Some of his works are included in the collections of the Uffizi and Galleria Borghese of Rome. Augusto Detti, painter of portraits, scenes usually in costume, and historical subjects, was capable of intriguing a refined, erudite audience with his works. In the 1870s he moved to Paris, where he participated at many Salons and was continuously successful. His works can be seen today in important museums in Italy, as well as collections in America and France.
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American School- Artist: Unknown “An Old canal” 20” x 14 ¼” In 1870 @AC-NB
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Théodore van Rysselberghe (Belgian, 1862-1926) “Auto-Portrait a la palette” Oil on paper laid on board 23 5/8” x 18 ½”
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Henry Alken Jr. (British, 1810-1894) Beginning the Hunt Signed and dated ‘ALKEN 1873’ lower left. Oil on panel. 11x16 ½ in. (28 x 42 cm)
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Sale!
Antonio Casanova Y Estorach (Spanish, 1847-1896) ‘Best Friends’ Oil on canvas laid on board 15 ¾ x 12 ¾ in.
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James Clark (British, 1858-1943) "Black Horse in a Stable" Oil on canvas 17 x 21 inches (43.2 x 53.3 cm) Signed
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Eugéne Boudin (French, 1824-1898) “Camaret, le môle” Oil on canvas 21 ½”x 35” Signed and dated lower left, inscribed lower right Painted in 1873
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Sale!
Josef Johann Süss (Austrian, 1857-1937) “Courting Couple” Signed, “Josef Süss” Oil on canvas 23” x 17 ¼”
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Hugh A. Fisher 1867-1916 Cows Grazing Watercolor 34” x 25” @AC-NB
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Dog Painting Portrait of a Dog Artist Unknown 10½ x 12 in.
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Sale!
Eugene Grivaz (Swiss, 1852-1915) "Elegant figures dancing in a Landscape" Watercolor on paper 18 x 25 ¼ “ (45.7 x 64.1 cm) Signed lower right, 'E. Grivaz'
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Jean Baptiste Camile Corot (French, 1796-1875) “Environs d’Arras- Bords de la Scarpe” Oil on panel 12 ½”x 16” Vente stamp on the reverse Painted in 1860-65 COA by M. Dieterle «I'Oeuvre de Corot», 1965, vol.III, pp. 124-125 no.1592 PROVENANCE: The Artist's Studio; sale, Hotel Drouot, Paris May 26-28 1875,#125
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Hippolyte Petitjean (French, 1854-1929) “Femmes dans le foret” Oil on canvas 39 ½” x 25 7/8” Signed and dated bottom left Painted in 1897 PROVENANCE: Estate of D. Gensburg, LA
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Pablo Picasso (Spanish, 1881-1973) “Figura (Portrait of Jaqeline)” Glass sculpture on wooden stand 17.5”x 14”x 5” Signed on the base “Picasso, Fucina Degli Angeli, Venezia, Hermano Nason” A second signature “P. Picasso 964 n FA 2/3” COA by Comite Picasso PROVENANCE: Peggy Guggenheim Collection V. del Leoni, Venice
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Artist Unknown, 19th Century Figure and Animals Scene
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Maurice de Vlaminck (French, 1876-1958) “Fleurs dans un vase bleu” Oil on canvas 18”x 14” Signed lower left COA by Wildenstein Institute
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British School (19th Century) "Floral Still Life" Signed with initials and dated Feb. '67 Oil on canvas 14 x 18 inches (35.6 x 45.7 cm)
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Sale!
Artist Unknown Forest Scene Oil 27 ¼ x 36 ¼ in.
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Unknown Artist 19th Century “Girl with Yarn” 10 x 8 ½ in.
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American School George Peter Alexander Healy Portrait 32” x 25” Signed upper left “GPA HEALY” @AC-NB
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Georges Bonnemaison (French, d. 1885) ‘Harvesters In A Landscape’ oil on canvas 13.5 x 12 in.
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Arnulf De Bouche (German, b.1872) Haystacks Signed and dated ‘Abouche.1901’ lower left Oil on canvas 13x 18 in. (33 x 45.8 cm)
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John Ferneley Jr. (British, 1815-1862) In Search of the Hunt Signed and dated ‘John Fernely Jr./ 1849’ lower right. Oil on canvas. 17 x 22 in. (43.2 x 56 cm)
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B. Baroni (Italian, 19th Century) ‘In the Doorway’ Oil on canvas 26 7/8 x 18 ½ inches Signed lower right ‘B. Baroni’
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Italian School Late 19th Century In the Garden Pastel on canvas 29” x 22” (73.6 x 55.9 cm)
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George Henry Durrie American, 1820-1863 “John Henry Hackett as Falstaff” Oil on Board PROVENANCE: By descent through the artist’s family Hally L. Durrie, Santa Barbara, the artist’s great grandson Terry DeLapp, Los Angeles Mrs. George Arden, New York LITERATURE M.Y. Hutson, Geroge Henry Durrie, 1820-1863, American Wiinter Landscapist: Renouwned throughCurrier & Ives, Santa Babra, p.55, no. 51, illus. Records and personal diaries indicate that Durrie read Shakespeare and was inspired to paint Falstaff. According to Martha Hudson, “Two portraits of Falstaff are known, both listed in the record book. The 1852 painting (this portrait) is thought to be a portrait of the actor James Hackett portraying Falstaff, a role he made famous in America. Since Hackett performed in New York City as well as on tour, Durrie could easily have seen a performance. Obviously the characterization was effective because the portrait is jovial and abundant in appearance as one could hope for a Falstaff.” 17” x 13 ½” (43 x 34.3 cm)
