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    “Agay, les roches rouges” by Armand Guillaumin

    Armand Guillaumin (French, 1841-1927) “Agay, les roches rouges” Oil on canvas 21 5/8” x 25 ¾” Painted circa 1918 Signed lower right PROVENANCE: Dr. G. Pautet, Paris Galerie Visconti, Paris Yvonne Rocchia, New York Parke-Bernet Galeries NY David Borowitz EXHIBITED: NY HammerGalleries, Guillaumin, 1961, # 23
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    “Auto-Portrait a la palette” by Théodore van Rysselberghe

    Théodore van Rysselberghe (Belgian, 1862-1926) “Auto-Portrait a la palette” Oil on paper laid on board 23 5/8” x 18 ½”
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    “Camaret, le môle” by Eugéne Boudin

    Eugéne Boudin (French, 1824-1898) “Camaret, le môle” Oil on canvas 21 ½”x 35” Signed and dated lower left, inscribed lower right Painted in 1873
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    “Environs d’Arras- Bords de la Scarpe” by Jean Baptiste Camile Corot

    Jean Baptiste Camile Corot (French, 1796-1875) “Environs d’Arras- Bords de la Scarpe” Oil on panel 12 ½”x 16” Vente stamp on the reverse Painted in 1860-65 COA by M. Dieterle «I'Oeuvre de Corot», 1965, vol.III, pp. 124-125 no.1592 PROVENANCE: The Artist's Studio; sale, Hotel Drouot, Paris May 26-28 1875,#125
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    “Femmes dans le foret” by Hippolyte Petitjean

    Hippolyte Petitjean (French, 1854-1929) “Femmes dans le foret” Oil on canvas 39 ½” x 25 7/8” Signed and dated bottom left Painted in 1897 PROVENANCE: Estate of D. Gensburg, LA
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    “Figura (Portrait of Jaqeline)” by Pablo Picasso

    Pablo Picasso (Spanish, 1881-1973) “Figura (Portrait of Jaqeline)” Glass sculpture on wooden stand 17.5”x 14”x 5” Signed on the base “Picasso, Fucina Degli Angeli, Venezia, Hermano Nason” A second signature “P. Picasso 964 n FA 2/3” COA by Comite Picasso PROVENANCE: Peggy Guggenheim Collection V. del Leoni, Venice
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    “Fleurs dans un vase bleu” by Maurice de Vlaminck

    Maurice de Vlaminck (French, 1876-1958) “Fleurs dans un vase bleu” Oil on canvas 18”x 14” Signed lower left COA by Wildenstein Institute
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    “L’écuyère au jupe jaune” by George Rouault

    George Rouault (French, 1871-1958) “L’écuyère au jupe jaune” (recto) Oil on paper 6.5”x 8.4”
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    “L’entrée Du Village” by Maurice de Vlaminck

    Maurice de Vlaminck ( French, 1876-1958) “L’entrée Du Village” Oil on canvas 23 ½”x 28 ½” Signed lower right COA by G. Petrides
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    “La Basilique de Saint-Denis” by Maurice Utrillo

    Maurice Utrillo (French, 1883-1995) “La Basilique de Saint-Denis" Oil on canvas 23 ¾”x 19 ¾” Signed and titled on bottom COA by G. Petrides
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    “La belle Gabrielle Montmartre” by Maurice Utrillo

    Maurice Utrillo (French, 1883-1995) “La belle Gabrielle Montmartre” Gouache on paper laid down on card 9” x 12 ¼” Signed and titled COA by P. Petrides Maurice Utrillo 1883-1955 French La belle Gabrielle Montmartre 9 3/8” x 12 3/8” (23.8 x 31.4cm) Paul Petrides kindly confirmed the authenticity of this
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    “La fenaison a I’lli de France” by Maximilien Luce

    Maximilien Luce (French, 1858–1941) “La fenaison a I’lli de France” Oil on paper laid down on canvas 11 ¼”x 17 ½” Stamped lower right COA by J. Bouin-Luce Maximilien Luce (13 March 1858 – 6 February 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Born on 13 March 1858 in Paris. His parents, of modest means, were Charles-Désiré Luce (1823–1888), a railway clerk, and Louise-Joséphine Dunas (1822–1878). The family lived in the Montparnasse, a working-class district of Paris. Luce attended school at l'Ecole communale, beginning in 1864. In 1872, the fourteen-year-old Luce became an apprentice with wood-engraver Henri-Théophile Hildebrand (1824–1897). During his three-year xylography apprenticeship, he also took night classes in drawing from instructors Truffet and Jules-Ernest Paris (1827–1895). During this period, Luce started painting in oils. He moved with his family to the southern Paris suburb of Montrouge. His art education continued as he attended drawing classes taught by Diogène Maillard (1840–1926) at the Gobelins tapestry factory. Luce began working in the studio of Eugène Froment (1844–1900) in 1876, producing woodcut prints for various publications, including L'Illustration and London's The Graphic. He took additional art courses, at l'Académie Suisse, and also in the studio of portrait painter Carolus-Duran (1837–1917). Through Froment's studio, Luce became friends with Léo Gausson and Émile-Gustave Cavallo-Péduzzi. These three artists spent time around Lagny-sur-Marne creating Impressionist landscapes.
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    “La foret” by Narcisse Virgilio Díaz de la Peña

    Narcisse Virgilio Díaz de la Peña (French, 1807-1876) “La foret” oil on canvas 18’’x 12’’
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    “La poupee” by Gustave Loiseau

    Gustave Loiseau (French, 1865-1935) “La poupee” Oil on canvas 21 ½”x 17 ½” Signed lower right Titled on reverse Painted circa 1919 COA by Didier Imbert
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    “La roué de la fortune” by Odilon Redon

    Odilon Redon (French, 1840-1916) “La roué de la fortune” Oil on panel 15 ¼”x 5 ½” Signed bottom left Inscribed in Chinese on the reverse “Good of the tea” Vol. IV of Catalogue Raisonne COA by Wildenstein Institute PROVENANCE: Acquired from the artist by the Wildenstein Institue Property from the collection of the Marquis De Gonet "Odilon Redon"
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    “La Route” by George Rouault

    George Rouault (French, 1871-1958) “La Route” Oil on cradled board 29 ½”x 10 ¼” Signed, also titled on the reverse Painted in 1947 COA by I. Rouault LITERATURE: P. Couthion, 1961, #439, illustrated p. 445 I. Rouault and B. Dorival, Vol. 2, 1988, #2369, p. 236
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    “Landscape” by Catalin Balescu

    Catalin Balescu (Romanian, 1962) “Landscape” 24”x 35” Oil on canvas Signed lower left
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    “Le bois de bruxellex” by Hippolyte Petitjean

    Hippolyte Petitjean (French, 1854-1929) “Le bois de bruxellex” Oil on canvas 15” x 21 5/8” Signed lower left PROVENANCE: Hammer Galleries New York
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    “Le chateau aux poivrières” by Maurice Utrillo

    Maurice Utrillo (French, 1883-1995) “Le chateau aux poivrières” Oil on canvas 18 ¼” x 24” Painted circa 1923 PROVENANCE: Kurt F. Pantzer, Geneva Mr. Franklin N. Groves Wayzata, Minnesota: sale Christie’s NY, 16 November 1988, lot 343 LITERATURE: P. Petrides “L’oeuvre complet de Marice Utrillo”, Paris 1962,Vol. II p 408., No 1040 (illustrated p 409)
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    “Le chenal a mare basse, honfleur” by Maximilien Luce

    Maximilien Luce (French, 1858–1941) “Le chenal a mare basse, honfleur” Oil on paper laid down on canvas 10 ¼” x 13 ½” Painted in 1928 COA by Jean Luce
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    “Le pecheur aux grands arbres” Camille Bombois

    Camille Bombois (French, 1883-1970) “Le pecheur aux grands arbres” Oil on canvas 25 ½”x 36 ¼” Signed bottom right COA by D. Vierny PROVENANCE: Dr.Franz Meyer-Mahler, Zurich Perls Galleries, NY EXHIBITED: Basel, Kunsthalle, June-Aug. 1995 #62
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    “Le peintre et la crucifixion” by Marc Chagall

    Marc Chagall (French, 1887-1985) “Le peintre et la crucifixion” pastel and gouache on paper 20”x 12.5” Executed in 1968 Signed lower left COA by Comite Chagall
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    “Le port” by Jean Dufy

    Jean Dufy (French, 1888-1964) “Le port” Oil on canvas 18 1/8” x 15” Painted in 1934 Signed lower right COA by L. Quesnel PROVENANCE: Max Bodner, NY Estate of Lena Wershaw, NY
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    “Les deus Baigneuses près de la Plage” by Henri Lebasque

    Henri Lebasque (French, 1865-1937) “Les deus Baigneuses près de la Plage” Oil on canvas 21 1/8”x 30” Signed lower right COA by V. Lebasque
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