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Artist Unknown, 19th Century Lady in Nature 19¼ x 24 in. Frame with Plate of Artist and Title, but hard to decipher.
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Artist Unknown Landscape with Figures 19th Century 21 ¼ x 43 ¼ in.
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Artist Unknown, 19th Century Landscape
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Charles Robert Leslie (English, 1794-1859) Landscape Oil on canvas 12 x 24 in.
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French School (19th/20th Century) Lush Landscape Surrounding a Lake. Indistinctly signed lower left Oil on panel. 7 ¼x 14 in. (18.5 x 35.5 cm)
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Alois Priechenfried (German, 1867-1953) "Mother and Child" Signed ‘Apriechenfried’ upper left Oil on canvas 20 ¾ x 16 ¾ in. (52.7 x 42.2 cm)
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Ernest Fiene (American, 1894-1965) "New England Church" Oil on canvas 26 x 36 ½ in. Ernest Fiene (1894–1965) was a 20th-century American graphic artist who primarily worked in New York City and Woodstock, New York. Fiene was known primarily for his varied printed works, including lithographs and etchings. His notable work includes cityscapes, views of New York City in particular, landscapes and other figural art. Born in Germany in 1894, Fiene fled his native land in 1912 to avoid military service in what would become World War I. Traveling first to the Netherlands, he continued on to the United States. From 1914 to 1914 he studied at the National Academy of Design in New York City, and from 1916 to 1918 at the Beaux Arts Institute. In 1923, Fiene continued his study of printmaking at the Art Students League of New York. In 1921 he married Jeannette Etarre. From 1928 to 1929 he studied in Paris and traveled in France. Fiene was hired in 1940, along with eight other prominent American artists, to document dramatic scenes and characters during the production of the film The Long Voyage Home, a cinematic adaptation of Eugene O'Neill's plays. In 1945 he divorced his first wife and was married to Alicia Wiencek. Fiene re-established his relationship with the Art Students League in 1948, returning to teach classes in painting and drawing there. In 1948, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1952. In the 1950s he also served on the faculty of the Famous Artists School in Westport, Connecticut. Fiene died of a heart attack in Paris in 1965.
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Alfred Vickers (British, 1786-1868) "On the Medway" Oil on canvas A beautiful horizontal scape of the shore with sailboats dispursed in the water, and two figures on the shore. Delicately painted clouds above, and a blend of colours that meet the horizon. Frame contains plaque of Title, Artist name, and descent.
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Unknown Artist 19th Century “Outdoor Scene”
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Dutch/Flemish School, ca. 1800 ‘Peasants Dancing Outside an Inn’ Oil on canvas 26 ½ x 32 ½ in. (67.3 x 82.6 cm)
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L Roekler (German, 19thCent.) 'Playing with the cat’ signed and dated 73, oil on canvas 25 x 18 in. (63.5 x 45.7 cm)
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Charles Michael Verlat (Belgian, 1824-1890) Playmates Oil on panel, signed. 6 ¼ x 8 5/8 inches
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Seymour Joseph Guy (1824 –1910) Portrait of a Lady Oil on Canvas 18 x 23 in. Seymour Joseph Guy (1824–1910), was an American romance painter. He was born and trained in London but moved to New York City where he is known for genre works. He trained for four years with the portrait painter Ambrosini Jerôme and married the daughter of an engraver, Anna Maria Barber, before his move to New York in 1854. He was a member of the Sketch club and became friends with John George Brown, and they both began to paint genre works of children, probably inspired by their own, as Guy eventually had nine. He died at his home in New York on December 10, 1910.
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Vincenzo Irolli (Italian, 1860-1949) "Portrait of a Lady" Oil on canvas 20 ¼ x 16 ¼ in.
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Portrait of a Man ArtistUnknown 19th Century 37 x 25 in.
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Artist Unknown Portrait of a Man 20" x 16" Oil on board
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Follower of Jean Marc Nattier (French, 1685-1766) ‘Portrait of a Woman, said to be Madame Le Normant D’Etoiles’ Oil on canvas 32 x 25 ½ in. (81.3 x 64.8 cm)
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Louis Alois Franz Uhl (Austrian, 1860-1909) ‘Portrat Einer Dame In Weissem Kleid’ (Portrait of Lady in a White Dress) Signed-oil on canvas. 48 ¼ x 34 ½ in. (122.6 x 87.6 cm)
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Hermann Armin von Kern (Austrian, 1838-1912) "Pouring a Drink" Oil on canvas 8 ¼ x 6 inches
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W J Scott (American, 19th Century) ‘Raven Crag Burn, Haltwhistle’ signed and dated 1886, oil on board. 14 ½ x 19 ¾ in. (36.8 x 50.2 cm)
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C Kleemann (19th/20th Century) Salome signed, 23 x 17 5/8 in.
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Artist Unknown 19th Century Scolding of a School Boy 8 ½ x 11 in.
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J. Fleming, circa 18 ‘Scottish Seascape' Plaque on fra Oil on wo 14¾ x 20 John Fleming (1792-1845) was a Scottish landscape painter who lived and worked in Greenock. He is best known for the series of views he painted for Swan's Lakes of Scotland, published at Glasgow in 1834. Fleming was born in about 1792, and apprenticed to a housepainter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there. As a landscapist, Fleming specialized in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed. Fleming and Swan followed this with Select Views on the Clyde (1830) and Select Views of the Lakes of Scotland (1834). The last of these, consisting of a total of 48 plates, issued in 16 parts, proved popular enough to justify the publication of further editions in 1836 and 1839.
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Attributed to Paul Chabas (French, 1869-1937) September Morning Oil on canvas 15 x 20 in. (38 x 51 cm)