• George Henry Durrie American, 1820-1863 “John Henry Hackett as Falstaff” Oil on Board PROVENANCE: By descent through the artist’s family Hally L. Durrie, Santa Barbara, the artist’s great grandson Terry DeLapp, Los Angeles Mrs. George Arden, New York LITERATURE M.Y. Hutson, Geroge Henry Durrie, 1820-1863, American Wiinter Landscapist: Renouwned throughCurrier & Ives, Santa Babra, p.55, no. 51, illus. Records and personal diaries indicate that Durrie read Shakespeare and was inspired to paint Falstaff.  According to Martha Hudson, “Two portraits of Falstaff are known, both listed in the record book.  The 1852 painting (this portrait) is thought to be a portrait of the actor James Hackett portraying Falstaff, a role he made famous in America.  Since Hackett performed in New York City as well as on tour, Durrie could easily have seen a performance.  Obviously the characterization was effective because the portrait is jovial and abundant in appearance as one could hope for a Falstaff.” 17” x 13 ½” (43 x 34.3 cm)
  • Narcisse Virgilio Díaz de la Peña (French, 1807-1876) “La foret” oil on canvas 18’’x 12’’
  • After Jean Leon Gerome (French, 1824-1904) Sortie du Bal Masque Oil on panel. 9 x 13 ¼ in. (23 x 32.5 cm)
  • Aleksei Mikhailovich Korin (Russian, 1865-1923 The bread seller oil on canvas
  • Hendrik van Balen 1611-1654 “Saint Jermone” Oil on Copper 8 ¼” x 6’’ (21 x 15.3 cm) CL102794-65 310883-2
  • JaquesNatoire with indistinct signature, ‘F Boucher’ “Zephyr Flora” Laid down on canvas 10 ½ x 8 inches (26.7 x 20.3 cm) CL102794-137 451003-2 @NB-1040 #62
  • Henri Martin (French, 1860-1943) “Orphee” Oil on canvas 21 ¼” x 32” Signed lower right COA by David Roy Henri-Jean Guillaume Martin (5 August 1860 – 12 November 1943) was a renowned French impressionist painter.  Born in Toulouse to a French cabinet maker and a mother of Italian descent, Martin successfully persuaded his father to permit him to become an artist. He began his career in 1877 at the Toulouse School of the Fine Arts, where he was under the tutelage of Jules Garipuy (he was also a pupil of Henry-Eugéne Delacroix). In 1879, Martin relocated to Paris and with the help of a scholarship, was able to study in Jean-Paul Laurens' studio. Four years later, he received his first medal at the Paris Salon, where he would hold his first exhibition three years later in 1886. The year after he won his first medal, Martin was awarded a scholarship for a tour in Italy, where he studied the work of veterans such as Giotto and Masaccio. His 1889 canvas submission to the Salon earned him the gold medal for work that has been described as Pointillist. That same year he became a member of the Legion of Honour. At the 1900 World Fair, he was awarded the Grand Prize for his work. During this period, he became friends with Auguste Rodin.  Although Martin's work as a neo-impressionist is not considered groundbreaking, his work was rather well-received, and has been associated with world-class symbolist painter, Puvis de Chavannes. Due to his introverted temperament, Martin decided to move away from Paris. After a decade of searching for an ideal home, Martin bought Marquayrol, a mansion overlooking La Bastide du Vert, near Cahors. He performed his best work in the new tranquil environment, and died there in 1943. Martin also taught; among his pupils was the American painter Nellie Ellen Shepherd.
  • George Rouault (French, 1871-1958) “La Route” Oil on cradled board 29 ½”x 10 ¼” Signed, also titled on the reverse Painted in 1947 COA by I. Rouault LITERATURE: P. Couthion, 1961, #439, illustrated p. 445 I. Rouault and B. Dorival, Vol. 2, 1988, #2369, p. 236
  • British School (19th Century) "Floral Still Life" Signed with initials and dated Feb. '67 Oil on canvas 14 x 18 inches (35.6 x 45.7 cm)
  • Pieter Aertson (Dutch, 1507-1575) Virgin Mary Oil on panel 22 ½” x 41 ½” Inscribed lower left Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands.  His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy.  His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder.  
  • Jan Cornelisz Vermeyen “Portrait of a Lady in Profile Holding A Book” Oil on panel 13 ¾” x 10 ½” (34.9 x 26.7 cm) S71791-86
  • Frederic Edwin Church 1826-1900 Portrait of a Woman Oil on canvas 32” x 40” Mr. And Mrs. Walker (pair of paintings) F.E.Church (1876-1975) Born in Brooklyn, NY Provenance: Sotheby’s 6/12 –15/73 lot 315 @AC-NB