View cart ““An Elegant Couple” by Cesare Auguste Detti” has been added to your cart.
-
Walter Gilman Page
1862-1934
“Portrait of a gentlemen”
Oil on canvas
28 ½” x 36”
Signed and dated 1903 lower left
Worth 1500
@AC-NB
-
Jan Cornelisz Vermeyen
“Portrait of a Lady in Profile Holding A Book”
Oil on panel
13 ¾” x 10 ½”
(34.9 x 26.7 cm)
S71791-86
-
Anthony Van Dyck
“Portrait of a Lady, Possibly a beguine”
oil on canvas
17 ¼” x 12 ¾”
(43.8 x 32.4 cm)
Sir Anthony van Dyck (22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. The Van Dyke beard is named after him.
S71791-207
966007-3
-
Jean Baptiste Greuze (French, 1725-1805)
Oil on canvas
21 x 17 ½ inches
S71791-147
1102508-3
@AL 7/13
-
(Charles) Chester Harding
1792-1866
“Portrait of Ann McChait”
Oil on canvas
29” x 24”
AC7200
AC12000
@AC-NB
-
Sir Anthony van Dyck
‘Portrait of the Marchesa Lomellini-Durazzo, three quarter length, in a black Coat and white Sleeves’
oil on canvas
33 5/8 x 24 in.
85.4 x 61 cm.
CL102794-266
5115602-2
@AC-sAlbert.
-
Hendrik van Balen
1611-1654
“Saint Jermone”
Oil on Copper
8 ¼” x 6’’ (21 x 15.3 cm)
CL102794-65
310883-2
-
After Raphael (Raphael Sanzio da Urbino)(Italian, 1483-1520)
“Saint John in the Wilderness”
Oil on canvas
34 ½ x 25 inches
CL102794-45
126521-2
@NB-1040 #14
-
Sirens and Seduction
Pair of Paintings
Provenance: France
AC. 28.000
@AL 7/13
-
Donato Creti
“Studies of Heads”
Pen and brown ink on paper
10 ¾ x 7 ¼ inches
@NB-1040 #26
Donato Creti (24 February 1671 – 31 January 1749) was an Italian painter of the Rococo period, active mostly in Bologna.
Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni.
-
Francesco Ruschi
“The Crucifixion”
Oil on canvas
60 ¼ x 40 ½ inches
-
Gabriel Metsu
‘The Game Seller’
oil on panel
19 x 16 in.
(48.3 x 40.7 cm)
CL102794-239
654401-2
@AC-NB