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Antonio Allegri, il Correggio
“The Virgin Adoring the Christ Child”
Oil on Canvas
31 ½” x 26 ½’’
80 x 67.3 cm
CL102794-79
761203-2
@AC-GN
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Bartoloméo Estenban Murillo
1618-1682, Spanish
“The Virgin with the Infant Christ Standing”
Oil on canvas
62” x 42”
157.5 x 106.7 cm
CL102794-63
9115603-2
@AC-NB
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Giovanni Antonio Pellegrini (Italian, 1675-1741)
“The Young Bacchus”
Oil on panel
11 x 7 ½ inches
(27.9 x 19.2 cm)
Giovanni Antonio Pellegrini (29 April 1675 – 2 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano. He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France. He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini. Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works.
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Carlo (Vavaliere) Maratta (Italian, 1625-1713)
“Time Revealing Truth and Justice”
Oil on canvas
53 x 43 ½ inches
(134.6 x 110.5 cm)
CL102794-128
3108801-2
NB-1040
#49
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Antonio Allegri, il Coreggio
“Venus, Cupid and a Satyr”
Oil on Canvas
32” x 21 ½” (81.3 x 54.7 cm)
CL102794-126
564601-2
@Albertson
(5/19/03)
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Jean A. Watteau (French, 1684-1821)
Women in Nature
Oil on canvas
12 ¾ x 9 ½ inches
S71791-173
142001-3
@AL 7/13
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JaquesNatoire with indistinct signature, ‘F Boucher’
“Zephyr Flora”
Laid down on canvas
10 ½ x 8 inches
(26.7 x 20.3 cm)
CL102794-137
451003-2
@NB-1040
#62
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Sale!
Scandinavia school
‘Portrait of a Young person'
oil on canvas
39 x 31 in.
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Sale!
School of Thomas Gainsborough (1727 - 1788)
‘Portrait of Alice & Martha Andrews, in a Landscape’
Oil on canvas
59 ½ x 44¾ in. (151 x 113.6 cm.)
Thomas Gainsborough (14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. He surpassed his rival Sir Joshua Reynolds to become the dominant British portraitist of the second half of the 18th century. He painted quickly, and the works of his maturity are characterized by a light palette and easy strokes. He preferred landscapes to portraits, and is credited (with Richard Wilson) as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
