View cart ““Best Friends” by Antonio Casanova Y Estorach” has been added to your cart.
  • André Derain (French, 1880-1954) “Nu assis de dos” Red chalk on paper mounted on board 25” x 18 ½” Signed bottom right COA by M. Kellermann PROVENANCE: D.G. Kelekian, NY Estate of Elizabeth Norcott Exhibited Paris, Le Petit Palais, 1937 Chicago, the art institute, 18th International exhibition of watercolors, pastels, drawings and monotypes, March-May, 1939, no. 119 Minneapolis, Art Institute, 1940
  • Mark Kostabi (American, b. 1960) “Speed The Plow” Oil on canvas 48”x 36” Executed in 1990 Signed, titled and inscribed upper left on the back
  • Artist Unknown, 19th Century Lady in Nature 19¼ x 24 in. Frame with Plate of Artist and Title, but hard to decipher.
  • Francisco Bayeu Y Subias (1734-1795) “An Allegorical Figure of Music, a Study for a Pedentive” Oil on paper laid down on canvas 13 ¼ x 16 ½ inches Francisco Bayeu y Subias (9 March 1734 – 4 August 1795) was a Spanish painter, active in a Neoclassic style, whose main subjects were religious and historical themes.  Born in Zaragoza, Aragon, he received a broad childhood education.  He then moved to Madrid, winning a scholarship with the painting of the ‘’Tyranny of Gerion’’ to study in the Academia Real de Bellas Artes de San Fernando. The death of his parents and the care of his brothers forced him to return to Zaragoza, until he was recalled by Anton Raphael Mengs to help decorate the Royal Palace of Madrid. He served as court painter to King Charles III of Spain. He was named a professor of the Royal Academy of Fine Arts of San Fernando in 1765 and director in 1788. He painted in the Charterhouse of Aula Dei in Zaragoza. In 1767 he was named court painter for Charles III, king of Spain. He was involved in the decoration of various Royal palaces near Madrid. He helped provide designs for tapestries. He also painted for the College of San Ildefonso, the Royal Monastery of the Incarnation (Madrid), the Basilica of our Lady del Pilar in Zaragoza, and the cloister of the Cathedral of Toledo.
  • Arthur Fitzwilliam Tait 1819-1905 “Tait’s father” 5 ¼” x 7” Pencil on paper Provenance: Alan R. Tait 08/10/77 Worth 1,000 @AC-NB
  • Edwin Howland Blashfield Women Aiding the Less Fortunate 1848-1936 21 ¾” x 17” AC80000 @AC-NB
  • Bernard Buffet (French, 1928-1999) “Maison Dans La Campagne” Oil on canvas 38" x 51" Painted in 1982 COA by M. Garnier
  • Henry George Todd (British, 1846-1898) ‘Still Life of Game,Copper Urn and Cabbage on a Wooden Ledge’ signed and dated ‘H.G. Todd/1875’ lower right oil on canvas 20x 17 in. (50.9 x 43.2 cm)
  • Giovanni Antonio Pellegrini (Italian, 1675-1741) “The Young Bacchus” Oil on panel 11 x 7 ½ inches (27.9 x 19.2 cm) Giovanni Antonio Pellegrini (29 April 1675 – 2 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano.  He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France.  He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini.  Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works.
  • Raphael (Raphael Sanzio da Urbino)(Italian, 1483-1520) “HeligaFamiljen” Oil on canvas 48.4 x 36.6 inches CL102794-32 351002-2 @AL 7/13
  • American School “Portrait of Gentleman”- Estate of Lincoln Isham Oil on canvas 25” x 30” Provenance: Park Bernet 3/30/72 @AC-NB
  • Maurice Utrillo (French, 1883-1995) “La belle Gabrielle Montmartre” Gouache on paper laid down on card 9” x 12 ¼” Signed and titled COA by P. Petrides Maurice Utrillo 1883-1955 French La belle Gabrielle Montmartre 9 3/8” x 12 3/8” (23.8 x 31.4cm) Paul Petrides kindly confirmed the authenticity of this