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Bernard Buffet (French, 1928-1999) “World Trade Center” Oil on canvas 38” x 57” Signed and dated 1989 upper right and left
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Bernard Buffet (French, 1928-1999) “Nature morte au melon et a l’ananas” Oil on canvas 23.5”x 40” Signed and dated 1989 on the top COA by M. Garnier
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Marc Chagall (French, 1887-1985) “Le peintre et la crucifixion” pastel and gouache on paper 20”x 12.5” Executed in 1968 Signed lower left COA by Comite Chagall
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Mark Kostabi (American, b. 1960) “Speed The Plow” Oil on canvas 48”x 36” Executed in 1990 Signed, titled and inscribed upper left on the back
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Mark Kostabi (American, b. 1960) “Speed The Plow” Oil on canvas 48”x 36” Executed in 1990 Signed and dated lower right on the front.
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George Rouault (French, 1871-1958) “L’écuyère au jupe jaune” (recto) Oil on paper 6.5”x 8.4”
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Odilon Redon (French, 1840-1916) “La roué de la fortune” Oil on panel 15 ¼”x 5 ½” Signed bottom left Inscribed in Chinese on the reverse “Good of the tea” Vol. IV of Catalogue Raisonne COA by Wildenstein Institute PROVENANCE: Acquired from the artist by the Wildenstein Institue Property from the collection of the Marquis De Gonet "Odilon Redon"
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George Rouault (French, 1871-1958) “La Route” Oil on cradled board 29 ½”x 10 ¼” Signed, also titled on the reverse Painted in 1947 COA by I. Rouault LITERATURE: P. Couthion, 1961, #439, illustrated p. 445 I. Rouault and B. Dorival, Vol. 2, 1988, #2369, p. 236
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Eugéne Boudin (French, 1824-1898) “Vaches au paturage” Oil on paper 4 ½” x 7 ¾” Stamped with initials lower right
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Jean Baptiste Camile Corot (French, 1796-1875) “Luzancy, le chemin des bois” Oil on canvas 13 ½” x 9 ½” Signed lower left Executed in 1872 COA by M. Dieterle Depicted house “Maison Petre” belonged to an old friend of Corot, M. Remy. PROVENANCE: M. Ferret, Paris 1882 Aubin, Paris 1882 Hollander et Cremetti, London circa 1895 Galerie Le Roy, Brussels Mr and Mrs. John Warner With Wildenstein, NY Salander-O’Reilly Galleries, NY LITERATURE: A. Robaut “L’Oeuvre de Corot”, Vol.I II, # 2087
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Maurice de Vlaminck (French, 1876-1958) “Vase de fleurs" Oil on canvas 15”x 18 ¼” Signed lower right COA by Wildenstein Institute
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Camille Bombois (French, 1883-1970) “Le pecheur aux grands arbres” Oil on canvas 25 ½”x 36 ¼” Signed bottom right COA by D. Vierny PROVENANCE: Dr.Franz Meyer-Mahler, Zurich Perls Galleries, NY EXHIBITED: Basel, Kunsthalle, June-Aug. 1995 #62
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Emmanuel Mané-Katz (French, 1894–1962) “Scholar with a Torah scroll” Watercolor on gouache on gray paper 12” x 9 ½” SIgnwed lower right
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Maurice Utrillo (French, 1883-1995) “La belle Gabrielle Montmartre” Gouache on paper laid down on card 9” x 12 ¼” Signed and titled COA by P. Petrides Maurice Utrillo 1883-1955 French La belle Gabrielle Montmartre 9 3/8” x 12 3/8” (23.8 x 31.4cm) Paul Petrides kindly confirmed the authenticity of this
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Maurice de Vlaminck ( French, 1876-1958) “L’entrée Du Village” Oil on canvas 23 ½”x 28 ½” Signed lower right COA by G. Petrides
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Jean Baptiste Camile Corot (French, 1796-1875) "Un pecheur a la ligne souvenir du pont de mantes” Oil on canvas 9 ¾”x 13” signed COA by M. Dieterle PROVENANCE: Billou Collection (acquired from the artist in 1873) Bossiere Boussod, Valadon et Cie, Paris Dr. Henry Angell, Boston John Levy Gallery, Inc., NY Parke-Bernet Gallerie, Inc Henry A. Golwynne, New York
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Maurice de Vlaminck (French, 1876-1958) “Les environs de triel” Signed Oil on canvas 25 ½”x 32” Signed lower left Painted in 1917-1919 COA by G. Petrides
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Maurice Utrillo (French, 1883-1995) “La Basilique de Saint-Denis" Oil on canvas 23 ¾”x 19 ¾” Signed and titled on bottom COA by G. Petrides
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Narcisse Virgilio Díaz de la Peña (French, 1807-1876) “La foret” oil on canvas 18’’x 12’’
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Yasuo Kuniyoshi (American, 1893-1953) "Still life with flowers" Oil on canvas 20”x 16” Painted in 1920 COA by B. Usui
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Yasuo Kuniyoshi (American, 1893-1953) “Vase with flower” 17”x 14” Oil on canvas Painted in 1918 COA by B. Usui Yasuo Kuniyoshi (Kuniyoshi Yasuo, 1 September 1893 – 14 May 1953) was an American painter, photographer and printmaker. Kuniyoshi was born in Okayama, Japan in 1893. He migrated to America in 1906, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design. Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and at the Independent School in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He later taught at the Art Students League of New York in New York City and in Woodstock, New York. Nan Lurie was among his students, as was Irene Krugman. Around 1930, the artist built a home and studio on Ohayo Mountain Road in Woodstock. He was an active member of the artistic community there for the rest of his life.
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Jean Baptiste Camile Corot (French, 1796-1875) “Environs d’Arras- Bords de la Scarpe” Oil on panel 12 ½”x 16” Vente stamp on the reverse Painted in 1860-65 COA by M. Dieterle «I'Oeuvre de Corot», 1965, vol.III, pp. 124-125 no.1592 PROVENANCE: The Artist's Studio; sale, Hotel Drouot, Paris May 26-28 1875,#125
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Victor Brauner (Rumanian, 1903-1966) “Paysage” Oil on Canvas 7 ½”x 9” Signed bottom left Dated 1953 COA by S. Kinge PROVENANCE: Alexander Iolas, NY Exhibited: New York, Bodley Gallery, Victor Brauner,1961
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Henri Lebasque (French, 1865-1937) “Les deus Baigneuses près de la Plage” Oil on canvas 21 1/8”x 30” Signed lower right COA by V. Lebasque
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Bernard Buffet (French, 1928-1999) “Maison Dans La Campagne” Oil on canvas 38" x 51" Painted in 1982 COA by M. Garnier
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Jules Dupre (French, 1811-1889) ”Sailing Ships on Choppy Seas” Oil on Canvas 15”x 18 ” Signed lower left
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Bernard Buffet (French, 1928-1999) “Man Standing” "Pencil on Paper 15 ¼”x 5 ½” Signed lower left
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Pierre Montezin ( French, 1874-1946) “Paysage sous neige” Oil on paper mounted on canvas 29”x 36” Signed lower right PROVENANCE: Wally Findlay Gallery, NY 1961
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Henri Martin (French, 1860-1943) “Les Travaux des Champs” Oil on canvas 27.1”x 36.3 ” COA by K. Ryjik
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Maximilien Luce (French, 1858–1941) “La fenaison a I’lli de France” Oil on paper laid down on canvas 11 ¼”x 17 ½” Stamped lower right COA by J. Bouin-Luce Maximilien Luce (13 March 1858 – 6 February 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Born on 13 March 1858 in Paris. His parents, of modest means, were Charles-Désiré Luce (1823–1888), a railway clerk, and Louise-Joséphine Dunas (1822–1878). The family lived in the Montparnasse, a working-class district of Paris. Luce attended school at l'Ecole communale, beginning in 1864. In 1872, the fourteen-year-old Luce became an apprentice with wood-engraver Henri-Théophile Hildebrand (1824–1897). During his three-year xylography apprenticeship, he also took night classes in drawing from instructors Truffet and Jules-Ernest Paris (1827–1895). During this period, Luce started painting in oils. He moved with his family to the southern Paris suburb of Montrouge. His art education continued as he attended drawing classes taught by Diogène Maillard (1840–1926) at the Gobelins tapestry factory. Luce began working in the studio of Eugène Froment (1844–1900) in 1876, producing woodcut prints for various publications, including L'Illustration and London's The Graphic. He took additional art courses, at l'Académie Suisse, and also in the studio of portrait painter Carolus-Duran (1837–1917). Through Froment's studio, Luce became friends with Léo Gausson and Émile-Gustave Cavallo-Péduzzi. These three artists spent time around Lagny-sur-Marne creating Impressionist landscapes.
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Gustave Loiseau (French, 1865-1935) “La poupee” Oil on canvas 21 ½”x 17 ½” Signed lower right Titled on reverse Painted circa 1919 COA by Didier Imbert
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Maximilien Luce (French, 1858–1941) “Le chenal a mare basse, honfleur” Oil on paper laid down on canvas 10 ¼” x 13 ½” Painted in 1928 COA by Jean Luce
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Hippolyte Petitjean (French, 1854-1929) “Le bois de bruxellex” Oil on canvas 15” x 21 5/8” Signed lower left PROVENANCE: Hammer Galleries New York
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André Derain (French, 1880-1954) “Portrait de la cortessa di Fraso” Oil on canvas 11” x 9” Signed lower right COA by M. Kellermann PROVENANCE: D. G. Kelekian, Paris Elizabeth Norcott Exhibited: San Francisco, Museum of Art, 1938 (on loan)
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Théodore van Rysselberghe (Belgian, 1862-1926) “Auto-Portrait a la palette” Oil on paper laid on board 23 5/8” x 18 ½”
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Hippolyte Petitjean (French, 1854-1929) “Femmes dans le foret” Oil on canvas 39 ½” x 25 7/8” Signed and dated bottom left Painted in 1897 PROVENANCE: Estate of D. Gensburg, LA
