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Walter Gilman Page 1862-1934 “Portrait of a gentlemen” Oil on canvas 28 ½” x 36” Signed and dated 1903 lower left Worth 1500 @AC-NB
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American School- Artist: Unknown “An Old canal” 20” x 14 ¼” In 1870 @AC-NB
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Jean Baptiste Camile Corot (French, 1796-1875) “Environs d’Arras- Bords de la Scarpe” Oil on panel 12 ½”x 16” Vente stamp on the reverse Painted in 1860-65 COA by M. Dieterle «I'Oeuvre de Corot», 1965, vol.III, pp. 124-125 no.1592 PROVENANCE: The Artist's Studio; sale, Hotel Drouot, Paris May 26-28 1875,#125
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Charles Felix Edouard Deshayes (French, 1831-1895) Windmill Near Paris Signed and dated ‘Ch Deshayes 1874 Paris’ Oil on canvas 26x 32 in. (66 x 81.2 cm)
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Henry Lee McFee ‘Still Life with Bottle’ Oil on canvas 24 x 20 inches
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Antonio Joli (Italian, 1700-1777) “Figures Amongst Classical Ruins” Oil on canvas 15 ¼ x 30 ½ inches (38.7 x 77.5 cm) Antonio Joli or Ioli (1700 – 29 April 1777) was an Italian painter of vedute and capricci. Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family. In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54).
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Dunlavy Portrait Former Property of Great Grandson of A. Lincoln Oil on canvas 9 ½ x 13 inches @AC-NB
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Maurice de Vlaminck (French, 1876-1958) “Vase de fleurs" Oil on canvas 15”x 18 ¼” Signed lower right COA by Wildenstein Institute
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James Clark (British, 1858-1943) "Black Horse in a Stable" Oil on canvas 17 x 21 inches (43.2 x 53.3 cm) Signed
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Unknown Artist 19th Century “Outdoor Scene”
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Jean A. Watteau (French, 1684-1821) Women in Nature Oil on canvas 12 ¾ x 9 ½ inches S71791-173 142001-3 @AL 7/13
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Sir Anthony van Dyck ‘Portrait of the Marchesa Lomellini-Durazzo, three quarter length, in a black Coat and white Sleeves’ oil on canvas 33 5/8 x 24 in. 85.4 x 61 cm. CL102794-266 5115602-2 @AC-sAlbert.
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George Peter Alexander Healy 1808-1894 Portrait of Cardinal John McCloskey Oil on Canvas 25” x 30” Signed top right and dated SLOCT2281-127 AC16000
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Maximilien Luce (French, 1858–1941) “Le chenal a mare basse, honfleur” Oil on paper laid down on canvas 10 ¼” x 13 ½” Painted in 1928 COA by Jean Luce
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Pablo Picasso (Spanish, 1881-1973) “Figura (Portrait of Jaqeline)” Glass sculpture on wooden stand 17.5”x 14”x 5” Signed on the base “Picasso, Fucina Degli Angeli, Venezia, Hermano Nason” A second signature “P. Picasso 964 n FA 2/3” COA by Comite Picasso PROVENANCE: Peggy Guggenheim Collection V. del Leoni, Venice
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C Kleemann (19th/20th Century) Salome signed, 23 x 17 5/8 in.
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Artist Unknown, 19th Century Figure and Animals Scene
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D. Lawrence R.A. “Lake” Oil on canvas 35” x 28 ½” Signed @AC-NB
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John George Brown 1831-1913 Portrait of a Man Oil on canvas 10 ½” x 12 ½” AC12000 AC28000 @AC-NB
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Yasuo Kuniyoshi (American, 1893-1953) “Vase with flower” 17”x 14” Oil on canvas Painted in 1918 COA by B. Usui Yasuo Kuniyoshi (Kuniyoshi Yasuo, 1 September 1893 – 14 May 1953) was an American painter, photographer and printmaker. Kuniyoshi was born in Okayama, Japan in 1893. He migrated to America in 1906, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design. Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and at the Independent School in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He later taught at the Art Students League of New York in New York City and in Woodstock, New York. Nan Lurie was among his students, as was Irene Krugman. Around 1930, the artist built a home and studio on Ohayo Mountain Road in Woodstock. He was an active member of the artistic community there for the rest of his life.
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Pierre Emmanuel Damoye (French,1847-1916) ‘A Wintery Day’ signed ‘E.Damoye’ lower left oil on canvas 15x 24 in. (38 x 61 cm)
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Georges Bonnemaison (French, d. 1885) ‘Harvesters In A Landscape’ oil on canvas 13.5 x 12 in.
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Carlo (Vavaliere) Maratta (Italian, 1625-1713) “Time Revealing Truth and Justice” Oil on canvas 53 x 43 ½ inches (134.6 x 110.5 cm) CL102794-128 3108801-2 NB-1040 #49
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William Edward Norton Landscape Oil on canvas 1840-1896 AC5000 @AC-Albertson
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Jean Baptiste Camile Corot (French, 1796-1875) “Luzancy, le chemin des bois” Oil on canvas 13 ½” x 9 ½” Signed lower left Executed in 1872 COA by M. Dieterle Depicted house “Maison Petre” belonged to an old friend of Corot, M. Remy. PROVENANCE: M. Ferret, Paris 1882 Aubin, Paris 1882 Hollander et Cremetti, London circa 1895 Galerie Le Roy, Brussels Mr and Mrs. John Warner With Wildenstein, NY Salander-O’Reilly Galleries, NY LITERATURE: A. Robaut “L’Oeuvre de Corot”, Vol.I II, # 2087
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Georges William Thornley (British, b. 1857-1935) ‘The Watermill’ signed, watercolor on paper 11 x 15 ½ in. (27.9 x 39.4 cm) Georges William Thornley (1857–1935) was a French painter and printmaker. A student of the French landscape painter Eugène Ciceri and Edmond Yon, Thornley became a successful artist remembered for his seascapes from Normandy and his landscapes from the French and Italian Rivieras. He was the son of a Welsh immigrant Morgan Thornley. He also was a talented watercolorist, engraver, and lithographer. His lithographs after the works of Corot, Pissarro, Degas and Puvis de Chavannes were acclaimed by his peers and awarded at the Salon de Paris. His paintings were exhibited beginning in 1878. He won the Mention of Honor in 1881 and a Third Class medal in 1888. Thornley embraced the Impressionist movement early in his career, which brought him much success. His style characteristically has bold brushwork and thick "impasto." It recreates the "impression of a panorama", capturing the fleeting moment in its inner light and color. This open landscape is an example of what the artist excelled at: successful color effects which are highly decorative but stay true to nature.
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Unknown Artist 19th Century “A Gathering” 15 x 19 in.
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Sirens and Seduction Pair of Paintings Provenance: France AC. 28.000 @AL 7/13
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Lodewyck de Vadder ‘The Temptation in the Wilderness’ oil on canvas 17 ¾ x 44 in. (45 x 111.8 cm) CL102794-177 351003-2 @AC-NB
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George Peter Alexander Healy 1808-1894 Portrait of a Woman Oil on canvas 24 ½” x 29 ½” Provenance: Richard Bourne 08/07/73 Signed top left and dated 1872 AC20000 @AC-NB
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Gustave Loiseau (French, 1865-1935) “La poupee” Oil on canvas 21 ½”x 17 ½” Signed lower right Titled on reverse Painted circa 1919 COA by Didier Imbert
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Catalin Balescu (Romanian, 1962) “Landscape” 24”x 35” Oil on canvas Signed lower left