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Charles François Jalabert
Women in the Forest
Oil on canvas
Within a painted arch
39.4 x 31.8 cm
S71791-209
899001-3
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Bernard Buffet
(French, 1928-1999)
“World Trade Center”
Oil on canvas
38” x 57”
Signed and dated 1989 upper right and left
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Jan Josef Horemans
‘A Family singing in an Interior’
bears indistinct signature;
oil on canvas
12 ½ x 9 ¼ in.
31.7 x 23.5 cm
CL102794-225
327203-2
@AC-NB
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Christian Georg Schütz (German, 1718-1791)
“A River Landscape with a Boat Moored by a Cottage”
Oil on board, oval
3 1/3 x 3 ¾ inches
(8.6 x 9.5 cm)
CL 201794-171
18841-2
@NB-1040
#92
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Frans II Francken (Flemish, 1581-1642)
A Scene with the Madonna
Oil on canvas
30 ½ x 23 centimeters
CL102794-19
437402-2
@NB-1040 #39
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Francisco Bayeu Y Subias (1734-1795)
“An Allegorical Figure of Music, a Study for a Pedentive”
Oil on paper laid down on canvas
13 ¼ x 16 ½ inches
Francisco Bayeu y Subias (9 March 1734 – 4 August 1795) was a Spanish painter, active in a Neoclassic style, whose main subjects were religious and historical themes. Born in Zaragoza, Aragon, he received a broad childhood education. He then moved to Madrid, winning a scholarship with the painting of the ‘’Tyranny of Gerion’’ to study in the Academia Real de Bellas Artes de San Fernando. The death of his parents and the care of his brothers forced him to return to Zaragoza, until he was recalled by Anton Raphael Mengs to help decorate the Royal Palace of Madrid.
He served as court painter to King Charles III of Spain. He was named a professor of the Royal Academy of Fine Arts of San Fernando in 1765 and director in 1788. He painted in the Charterhouse of Aula Dei in Zaragoza. In 1767 he was named court painter for Charles III, king of Spain. He was involved in the decoration of various Royal palaces near Madrid. He helped provide designs for tapestries. He also painted for the College of San Ildefonso, the Royal Monastery of the Incarnation (Madrid), the Basilica of our Lady del Pilar in Zaragoza, and the cloister of the Cathedral of Toledo.
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Diego Velaquez
Bacchus – a detail
Oil on canvas
16 x 20 ½ in.
40.7 x 52.1 cm
CL102794-233
325501-2
@AC-GN
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Chrisitian Schussele
(American/French (1824-1879)
“Clear the Track”
Oil on canvas
23 x 18 inches
Provenance: David, David Inc., Philadelphia
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Sir Peter Paul Rubens
‘Daniel in the Lion’s Den’
oil on canvas, unframed
30 ¼ x 37 in.
(76.8 x 94 cm)
CL102794-119
328901-2
@Albertson
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Abraham Bloemaert (Spanish, 1566-1651)
“Death of the Virgin”
Oil on canvas
48 ½ x 44 ¾ inches
Abraham Bloemaert (1566 – 27 January 1651) was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti, at least for a period.
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Agostino Carracci (Italian, 1557-1602)
“Ecce Homo”
Oil on copper
11 7/8 x 9 ½ inches
(30 x 24.3 cm)
CL102794-66
325502-2
@NB-1040
#20
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Louis-Jean-François Lagrenée (French, 1724-1805)
“Ermina and the Shepherds”
Oil on canvas
18 x 21 ½ inches
@NB-1040
#45
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Antonio Joli (Italian, 1700-1777)
“Figures Amongst Classical Ruins”
Oil on canvas
15 ¼ x 30 ½ inches
(38.7 x 77.5 cm)
Antonio Joli or Ioli (1700 – 29 April 1777) was an Italian painter of vedute and capricci. Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family. In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54).
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Raphael (Raphael Sanzio da Urbino)(Italian, 1483-1520)
“HeligaFamiljen”
Oil on canvas
48.4 x 36.6 inches
CL102794-32
351002-2
@AL 7/13
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Pier Francesco Mola (Italian, 1612-1666)
“Infant Satyrs Playing by a Plynth”
Oil on canvas
24 x 16 inches
(60.9 x 40.7 cm)
CL102794-136
540802-2
@NB-1040
Tagged
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William Aiken Walker
1838-1921
“Italian Peasant”
Oil on canvas
98” x 53” cm
Christie’s 8-2-77
No signature, but there’s name tag on the frame
@AC-NB
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Francesco Di Simone da Santa Croce (1480-1548)
“Joseph’s Escape from Potiphar’s Wife”
From the collection of Pinero Migliorati Lugano, Taken from Old Church in Northern Italy (one of five).
@NB-1040 #88
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D. Lawrence R.A.
“Lake”
Oil on canvas
35” x 28 ½”
Signed
@AC-NB
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American School
19th Century
“Little Girl and Her Dog”
Oil on canvas
35” x 23 ¾”
SJN2699-444
@AC-NB
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Sir Peter Paul Rubens (Flemish, 1577-1640)
“Mars and Venus and Philemon and Baucis”
Oil on copper
9 x 11 ¾ inches
(22.8 x 29.7 cm)
CL102794-116
439101-2
@NB-1040
#22
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David Teniers
Peasants playing backgammon
Oil on panel
14 ½ x 21 ½ in.
(36.7 x 54cm)
328903-2
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Willem de Poorter (Dutch, b. 1608)
“Pharaoh’s Army Drowning in the Red Sea”
Oil on panel
20 x 32 ½ inches
(50.7 x 82.5 cm)
CL102794-108
123802-2
@NB-1040
#16
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Charles Cromwell Ingham
1796-1863
“Portrait Francis Bryant Goodwin”
Oil on Canvas
30” x 35 1/2”
PROVENANCE: Mrs. George Arden, NY
AC12000
Worth 2,000
@NB 9/13
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George A. Baker
1821-1880
“Portrait Judge Oren Stowe”
Oil on canvas
29 ½” x 24 ½”
Worth 3,000
@AC-NB
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Walter Gilman Page
1862-1934
“Portrait of a gentlemen”
Oil on canvas
28 ½” x 36”
Signed and dated 1903 lower left
Worth 1500
@AC-NB
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Jan Cornelisz Vermeyen
“Portrait of a Lady in Profile Holding A Book”
Oil on panel
13 ¾” x 10 ½”
(34.9 x 26.7 cm)
S71791-86
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Anthony Van Dyck
“Portrait of a Lady, Possibly a beguine”
oil on canvas
17 ¼” x 12 ¾”
(43.8 x 32.4 cm)
Sir Anthony van Dyck (22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. The Van Dyke beard is named after him.
S71791-207
966007-3
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Jean Baptiste Greuze (French, 1725-1805)
Oil on canvas
21 x 17 ½ inches
S71791-147
1102508-3
@AL 7/13
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(Charles) Chester Harding
1792-1866
“Portrait of Ann McChait”
Oil on canvas
29” x 24”
AC7200
AC12000
@AC-NB
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Sir Anthony van Dyck
‘Portrait of the Marchesa Lomellini-Durazzo, three quarter length, in a black Coat and white Sleeves’
oil on canvas
33 5/8 x 24 in.
85.4 x 61 cm.
CL102794-266
5115602-2
@AC-sAlbert.
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Hendrik van Balen
1611-1654
“Saint Jermone”
Oil on Copper
8 ¼” x 6’’ (21 x 15.3 cm)
CL102794-65
310883-2
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After Raphael (Raphael Sanzio da Urbino)(Italian, 1483-1520)
“Saint John in the Wilderness”
Oil on canvas
34 ½ x 25 inches
CL102794-45
126521-2
@NB-1040 #14
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Sirens and Seduction
Pair of Paintings
Provenance: France
AC. 28.000
@AL 7/13
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Donato Creti
“Studies of Heads”
Pen and brown ink on paper
10 ¾ x 7 ¼ inches
@NB-1040 #26
Donato Creti (24 February 1671 – 31 January 1749) was an Italian painter of the Rococo period, active mostly in Bologna.
Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni.
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Francesco Ruschi
“The Crucifixion”
Oil on canvas
60 ¼ x 40 ½ inches
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Gabriel Metsu
‘The Game Seller’
oil on panel
19 x 16 in.
(48.3 x 40.7 cm)
CL102794-239
654401-2
@AC-NB