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Sale!
Louis Alois Franz Uhl (Austrian, 1860-1909) ‘Portrat Einer Dame In Weissem Kleid’ (Portrait of Lady in a White Dress) Signed-oil on canvas. 48 ¼ x 34 ½ in. (122.6 x 87.6 cm)
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Portrait Oil on canvas 25 ½” x 31 ¾” @AC-NB
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Dunlavy Portrait Former Property of Great Grandson of A. Lincoln Oil on canvas 9 ½ x 13 inches @AC-NB
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George Peter Alexander Healy Portrait Oil on canvas 23” x 17 ½” @AC-NB
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Hermann Armin von Kern (Austrian, 1838-1912) "Pouring a Drink" Oil on canvas 8 ¼ x 6 inches
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Sale!
W J Scott (American, 19th Century) ‘Raven Crag Burn, Haltwhistle’ signed and dated 1886, oil on board. 14 ½ x 19 ¾ in. (36.8 x 50.2 cm)
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Jules Dupre (French, 1811-1889) ”Sailing Ships on Choppy Seas” Oil on Canvas 15”x 18 ” Signed lower left
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C Kleemann (19th/20th Century) Salome signed, 23 x 17 5/8 in.
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Emmanuel Mané-Katz (French, 1894–1962) “Scholar with a Torah scroll” Watercolor on gouache on gray paper 12” x 9 ½” SIgnwed lower right
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Artist Unknown 19th Century Scolding of a School Boy 8 ½ x 11 in.
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J. Fleming, circa 18 ‘Scottish Seascape' Plaque on fra Oil on wo 14¾ x 20 John Fleming (1792-1845) was a Scottish landscape painter who lived and worked in Greenock. He is best known for the series of views he painted for Swan's Lakes of Scotland, published at Glasgow in 1834. Fleming was born in about 1792, and apprenticed to a housepainter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there. As a landscapist, Fleming specialized in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed. Fleming and Swan followed this with Select Views on the Clyde (1830) and Select Views of the Lakes of Scotland (1834). The last of these, consisting of a total of 48 plates, issued in 16 parts, proved popular enough to justify the publication of further editions in 1836 and 1839.
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Seascape Oil on canvas 15 x 9 inches @AC-NB
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J.M. Dizikis Seashore Landscape Scene Oil on canvas 18” x 12 ¼” @AC-NB
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Attributed to Paul Chabas (French, 1869-1937) September Morning Oil on canvas 15 x 20 in. (38 x 51 cm)
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Sale!
Benjamin Rutherford Fitz Shopkeeper Signed and Dated 1888 Oil on Canvas 29 x 36 in. Sotheby’s LA 10-5-81, Lot# 161
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After Jean Leon Gerome (French, 1824-1904) Sortie du Bal Masque Oil on panel. 9 x 13 ¼ in. (23 x 32.5 cm)
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Mark Kostabi (American, b. 1960) “Speed The Plow” Oil on canvas 48”x 36” Executed in 1990 Signed and dated lower right on the front.
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Mark Kostabi (American, b. 1960) “Speed The Plow” Oil on canvas 48”x 36” Executed in 1990 Signed, titled and inscribed upper left on the back
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Koch (German, 19/20th Century) ‘Still Life in Vase and Still Life with Flowers in A Basket’ (A pair of paintings) each signed, oil on canvas 25 5/8 x 21 ¼ in. (65.1 x 54 cm) Please contact gallery for higher resolution photographs
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Henry George Todd (British, 1846-1898) ‘Still Life of Game,Copper Urn and Cabbage on a Wooden Ledge’ signed and dated ‘H.G. Todd/1875’ lower right oil on canvas 20x 17 in. (50.9 x 43.2 cm)
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Henry Lee McFee ‘Still Life with Bottle’ Oil on canvas 24 x 20 inches
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Yasuo Kuniyoshi (American, 1893-1953) "Still life with flowers" Oil on canvas 20”x 16” Painted in 1920 COA by B. Usui
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John Joseph Enneking 1841-1916 Still Life with Fruits Pastel 22” x 18” @AC-NB