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Yasuo Kuniyoshi
(American, 1893-1953)
“Vase with flower”
17”x 14”
Oil on canvas
Painted in 1918
COA by B. Usui
Yasuo Kuniyoshi (Kuniyoshi Yasuo, 1 September 1893 – 14 May 1953) was an American painter, photographer and printmaker. Kuniyoshi was born in Okayama, Japan in 1893. He migrated to America in 1906, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design. Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and at the Independent School in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He later taught at the Art Students League of New York in New York City and in Woodstock, New York. Nan Lurie was among his students, as was Irene Krugman. Around 1930, the artist built a home and studio on Ohayo Mountain Road in Woodstock. He was an active member of the artistic community there for the rest of his life.
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Pierre Emmanuel Damoye
(French,1847-1916)
‘A Wintery Day’
signed ‘E.Damoye’ lower left
oil on canvas
15x 24 in. (38 x 61 cm)
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Georges Bonnemaison
(French, d. 1885)
‘Harvesters In A Landscape’
oil on canvas
13.5 x 12 in.
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Bartoloméo Estenban Murillo
1618-1682, Spanish
“The Virgin with the Infant Christ Standing”
Oil on canvas
62” x 42”
157.5 x 106.7 cm
CL102794-63
9115603-2
@AC-NB
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Carlo (Vavaliere) Maratta (Italian, 1625-1713)
“Time Revealing Truth and Justice”
Oil on canvas
53 x 43 ½ inches
(134.6 x 110.5 cm)
CL102794-128
3108801-2
NB-1040
#49
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William Edward Norton
Landscape
Oil on canvas
1840-1896
AC5000
@AC-Albertson
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Jean Baptiste
Camile Corot
(French, 1796-1875)
“Luzancy,
le chemin des bois”
Oil on canvas
13 ½” x 9 ½”
Signed lower left
Executed in 1872
COA by M. Dieterle
Depicted house “Maison Petre” belonged to an old friend of Corot, M. Remy.
PROVENANCE:
M. Ferret, Paris 1882
Aubin, Paris 1882
Hollander et Cremetti, London circa 1895
Galerie Le Roy, Brussels
Mr and Mrs. John Warner
With Wildenstein, NY
Salander-O’Reilly Galleries, NY
LITERATURE:
A. Robaut “L’Oeuvre de Corot”, Vol.I II, # 2087
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Georges William Thornley
(British, b. 1857-1935)
‘The Watermill’
signed, watercolor on paper
11 x 15 ½ in. (27.9 x 39.4 cm)
Georges William Thornley (1857–1935) was a French painter and printmaker. A student of the French landscape painter Eugène Ciceri and Edmond Yon, Thornley became a successful artist remembered for his seascapes from Normandy and his landscapes from the French and Italian Rivieras. He was the son of a Welsh immigrant Morgan Thornley. He also was a talented watercolorist, engraver, and lithographer. His lithographs after the works of Corot, Pissarro, Degas and Puvis de Chavannes were acclaimed by his peers and awarded at the Salon de Paris.
His paintings were exhibited beginning in 1878. He won the Mention of Honor in 1881 and a Third Class medal in 1888. Thornley embraced the Impressionist movement early in his career, which brought him much success. His style characteristically has bold brushwork and thick "impasto." It recreates the "impression of a panorama", capturing the fleeting moment in its inner light and color. This open landscape is an example of what the artist excelled at: successful color effects which are highly decorative but stay true to nature.
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Unknown Artist
19th Century
“A Gathering”
15 x 19 in.
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Sirens and Seduction
Pair of Paintings
Provenance: France
AC. 28.000
@AL 7/13
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Lodewyck de Vadder
‘The Temptation in the Wilderness’
oil on canvas
17 ¾ x 44 in.
(45 x 111.8 cm)
CL102794-177
351003-2
@AC-NB
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George Peter Alexander Healy
1808-1894
Portrait of a Woman
Oil on canvas
24 ½” x 29 ½”
Provenance:
Richard Bourne 08/07/73
Signed top left and dated 1872
AC20000
@AC-NB
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Gustave Loiseau
(French, 1865-1935)
“La poupee”
Oil on canvas
21 ½”x 17 ½”
Signed lower right
Titled on reverse
Painted circa 1919
COA by Didier Imbert
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Catalin Balescu
(Romanian, 1962)
“Landscape”
24”x 35”
Oil on canvas
Signed lower left
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After Heinrich Fuseli
(Swiss, 1741-1825)
‘The Furies’
Oil on canvas
19 x 24 ½ in. (48.3 x 62.2 cm)
Provenance:
Mr. & Mrs. Peter P. Williams, Raleigh.
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Artist Unknown,
19th Century
Landscape
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Sir Peter Paul Rubens (Flemish, 1577-1640)
“The Madonna and Child with the Infant Saint John and Saint Elizabeth”
Oil on canvas
CL102794-52
140802-2
43 x 36 ½ inches
(109.2 x 92.7 cm)
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William Aiken Walker
1838-1921
“Italian Peasant”
Oil on canvas
98” x 53” cm
Christie’s 8-2-77
No signature, but there’s name tag on the frame
@AC-NB
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Louis Heinzman (1905-…)
American
Streetscape
Oil on canvas
Signed
32 x 24
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Yasuo Kuniyoshi
(American, 1893-1953)
"Still life with flowers"
Oil on canvas
20”x 16”
Painted in 1920
COA by B. Usui
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Arnulf De Bouche
(German, b.1872)
Haystacks
Signed and dated ‘Abouche.1901’ lower left
Oil on canvas
13x 18 in. (33 x 45.8 cm)
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Aleksei Mikhailovich Korin
(Russian,1865-1923)
‘Street Musicians’
oil on canvas
20½” x 14 ½”
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Antonio Allegri, il Correggio
“The Holy Family with Saint Francis”
Oil on Canvas
47 ½” x 41”
CL102794-64
374802-2
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Andrea (‘dAnqiolo) del Sarto (Italian, 1487-1531)
“The Madonna of the Harpies”
Oil on canvas
20 x 8 inches
(50.8 x 20.3 cm)
Andrea del Sarto (Italian: 1486–1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael. Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: sarto), he became known as "del Sarto" (meaning "tailor's son").
CL 102794-91 322101-2
@NB-1040 #18
OM-294