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Pieter Aertson (Dutch, 1507-1575) Virgin Mary Oil on panel 22 ½” x 41 ½” Inscribed lower left Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder.
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Jan Cornelisz Vermeyen “Portrait of a Lady in Profile Holding A Book” Oil on panel 13 ¾” x 10 ½” (34.9 x 26.7 cm) S71791-86
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Frederic Edwin Church 1826-1900 Portrait of a Woman Oil on canvas 32” x 40” Mr. And Mrs. Walker (pair of paintings) F.E.Church (1876-1975) Born in Brooklyn, NY Provenance: Sotheby’s 6/12 –15/73 lot 315 @AC-NB
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Henri Martin (French, 1860-1943) “Les Travaux des Champs” Oil on canvas 27.1”x 36.3 ” COA by K. Ryjik
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Eugéne Boudin (French, 1824-1898) “Camaret, le môle” Oil on canvas 21 ½”x 35” Signed and dated lower left, inscribed lower right Painted in 1873
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Koch (German, 19/20th Century) ‘Still Life in Vase and Still Life with Flowers in A Basket’ (A pair of paintings) each signed, oil on canvas 25 5/8 x 21 ¼ in. (65.1 x 54 cm) Please contact gallery for higher resolution photographs
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Artist Unknown 19th Century 10 ½ x 8 in. "This painting hung in the study of Oliver Wendell Holmes for many years." - plaque text at bottom center on frame.
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Antonio Allegri da Correggio “The Mystic Marriage of Saint Catherine” Oil on canvas 32 x 28 inches (81.3 x 71.2 cm) CL102794-78 3108802-2 @NB-1040 #68
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George A. Baker 1821-1880 “Portrait Judge Oren Stowe” Oil on canvas 29 ½” x 24 ½” Worth 3,000 @AC-NB
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American School “A Gentlemen Holding a Book” Oil on canvas 25 ½” x 32 ½” Sotheby’s L.A. 11-17-80 @AC-NB
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Maurice Utrillo (French, 1883-1995) “La Basilique de Saint-Denis" Oil on canvas 23 ¾”x 19 ¾” Signed and titled on bottom COA by G. Petrides
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Achille Vertunni (Italian, 1826-1897) "A Pilgrimage" Signed ‘A.Vertunni’ lower right Oil on canvas 18 x 36 ¼ in. (45.7 x 92 cm)
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Heinz Pinggera (Italian, b.1900) ‘The Concert’ Oil on canvas Signed ‘H Pinggera’ lower left 29 x 39 in (73.7 x 99.1 cm)
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Antonio Allegri, il Correggio “The Virgin Adoring the Christ Child” Oil on Canvas 31 ½” x 26 ½’’ 80 x 67.3 cm CL102794-79 761203-2 @AC-GN
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Christian Georg Schütz (German, 1718-1791) “A River Landscape with a Boat Moored by a Cottage” Oil on board, oval 3 1/3 x 3 ¾ inches (8.6 x 9.5 cm) CL 201794-171 18841-2 @NB-1040 #92
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Armand Guillaumin (French, 1841-1927) “Agay, les roches rouges” Oil on canvas 21 5/8” x 25 ¾” Painted circa 1918 Signed lower right PROVENANCE: Dr. G. Pautet, Paris Galerie Visconti, Paris Yvonne Rocchia, New York Parke-Bernet Galeries NY David Borowitz EXHIBITED: NY HammerGalleries, Guillaumin, 1961, # 23
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Odilon Redon (French, 1840-1916) “La roué de la fortune” Oil on panel 15 ¼”x 5 ½” Signed bottom left Inscribed in Chinese on the reverse “Good of the tea” Vol. IV of Catalogue Raisonne COA by Wildenstein Institute PROVENANCE: Acquired from the artist by the Wildenstein Institue Property from the collection of the Marquis De Gonet "Odilon Redon"
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Francesco Di Simone da Santa Croce (1480-1548) “Joseph’s Escape from Potiphar’s Wife” From the collection of Pinero Migliorati Lugano, Taken from Old Church in Northern Italy (one of five). @NB-1040 #88
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Anthony Van Dyck “Portrait of a Lady, Possibly a beguine” oil on canvas 17 ¼” x 12 ¾” (43.8 x 32.4 cm) Sir Anthony van Dyck (22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. The Van Dyke beard is named after him. S71791-207 966007-3
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John George Brown 1831-1913 Portrait of a Man Oil on canvas 25” x 30” John George Brown (November 11, 1831 – February 8, 1913) was a British citizen and an American painter born in Durham, England on November 11, 1831. His parents apprenticed him to the career of glass worker at the age of fourteen in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852 and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 and 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy's vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found on the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). @AC-NB
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Pierre Montezin ( French, 1874-1946) “Paysage sous neige” Oil on paper mounted on canvas 29”x 36” Signed lower right PROVENANCE: Wally Findlay Gallery, NY 1961
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Maurice Utrillo (French, 1883-1995) “Le chateau aux poivrières” Oil on canvas 18 ¼” x 24” Painted circa 1923 PROVENANCE: Kurt F. Pantzer, Geneva Mr. Franklin N. Groves Wayzata, Minnesota: sale Christie’s NY, 16 November 1988, lot 343 LITERATURE: P. Petrides “L’oeuvre complet de Marice Utrillo”, Paris 1962,Vol. II p 408., No 1040 (illustrated p 409)
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Artist Unknown 19th Century Scolding of a School Boy 8 ½ x 11 in.
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Carlo Dolci (Italian, 1616-1686) “The Madonna and Child with Saint Clare” Oil on copper 8 ¼ x 6 inches (21 x 15.3 cm) Carlo (or Carlino) Dolci (25 May 1616 – 17 January 1686) was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Savior wearing the Crown of Thorns. In 1682, when he saw Giordano, nicknamed "fa presto" (quick worker), paint more in five hours than he could have completed in months, he fell into a depression. Dolci's daughter, Agnese (died circa 1680), was also a painter. Dolci died in Florence in 1686.
