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Maurice de Vlaminck
(French, 1876-1958)
“Vase de fleurs"
Oil on canvas
15”x 18 ¼”
Signed lower right
COA by Wildenstein Institute
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James Clark
(British, 1858-1943)
"Black Horse in a Stable"
Oil on canvas
17 x 21 inches (43.2 x 53.3 cm)
Signed
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Unknown Artist
19th Century
“Outdoor Scene”
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Jean A. Watteau (French, 1684-1821)
Women in Nature
Oil on canvas
12 ¾ x 9 ½ inches
S71791-173
142001-3
@AL 7/13
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Sir Anthony van Dyck
‘Portrait of the Marchesa Lomellini-Durazzo, three quarter length, in a black Coat and white Sleeves’
oil on canvas
33 5/8 x 24 in.
85.4 x 61 cm.
CL102794-266
5115602-2
@AC-sAlbert.
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George Peter Alexander Healy
1808-1894
Portrait of Cardinal John McCloskey
Oil on Canvas
25” x 30”
Signed top right and dated
SLOCT2281-127
AC16000
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Maximilien Luce
(French, 1858–1941)
“Le chenal a mare
basse, honfleur”
Oil on paper laid down
on canvas
10 ¼” x 13 ½”
Painted in 1928
COA by Jean Luce
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Pablo Picasso
(Spanish, 1881-1973)
“Figura (Portrait of
Jaqeline)”
Glass sculpture on wooden stand
17.5”x 14”x 5”
Signed on the base “Picasso, Fucina Degli Angeli, Venezia, Hermano Nason”
A second signature “P. Picasso 964 n FA 2/3”
COA by Comite Picasso
PROVENANCE:
Peggy Guggenheim Collection
V. del Leoni, Venice
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C Kleemann
(19th/20th Century)
Salome
signed,
23 x 17 5/8 in.
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Artist Unknown,
19th Century
Figure and Animals Scene
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Antonio Allegri da Correggio
“The Mystic Marriage of Saint Catherine”
Oil on canvas
10 ½” x 9”
(26.7 x 22.8 cm)
Antonio Allegri da Correggio (August 1489 – March 5, 1534), usually known as Correggio (Italian), was the foremost painter of the Parma school of the Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Rococo art of the 18th century. He is considered a master of chiaroscuro.
In 1503 he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the classicism of artists like Lorenzo Costa and Francesco Francia, evidence of which can be found in his first works. After a trip to Mantua in 1506, he returned to Correggio, where he stayed until 1510.
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D. Lawrence R.A.
“Lake”
Oil on canvas
35” x 28 ½”
Signed
@AC-NB