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Anthony Van Dyck “Portrait of a Lady, Possibly a beguine” oil on canvas 17 ¼” x 12 ¾” (43.8 x 32.4 cm) Sir Anthony van Dyck (22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be the dominant influence on English portrait-painting for the next 150 years. He also painted biblical and mythological subjects, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. The Van Dyke beard is named after him. S71791-207 966007-3
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John George Brown 1831-1913 Portrait of a Man Oil on canvas 25” x 30” John George Brown (November 11, 1831 – February 8, 1913) was a British citizen and an American painter born in Durham, England on November 11, 1831. His parents apprenticed him to the career of glass worker at the age of fourteen in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852 and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 and 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy's vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found on the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). @AC-NB
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Pierre Montezin ( French, 1874-1946) “Paysage sous neige” Oil on paper mounted on canvas 29”x 36” Signed lower right PROVENANCE: Wally Findlay Gallery, NY 1961
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Maurice Utrillo (French, 1883-1995) “Le chateau aux poivrières” Oil on canvas 18 ¼” x 24” Painted circa 1923 PROVENANCE: Kurt F. Pantzer, Geneva Mr. Franklin N. Groves Wayzata, Minnesota: sale Christie’s NY, 16 November 1988, lot 343 LITERATURE: P. Petrides “L’oeuvre complet de Marice Utrillo”, Paris 1962,Vol. II p 408., No 1040 (illustrated p 409)
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Artist Unknown 19th Century Scolding of a School Boy 8 ½ x 11 in.
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Carlo Dolci (Italian, 1616-1686) “The Madonna and Child with Saint Clare” Oil on copper 8 ¼ x 6 inches (21 x 15.3 cm) Carlo (or Carlino) Dolci (25 May 1616 – 17 January 1686) was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Savior wearing the Crown of Thorns. In 1682, when he saw Giordano, nicknamed "fa presto" (quick worker), paint more in five hours than he could have completed in months, he fell into a depression. Dolci's daughter, Agnese (died circa 1680), was also a painter. Dolci died in Florence in 1686.
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Studio of Martin Drolling (French, 1752-1817) “A Kitchen Interior with a Mother and Daughter Sewing and Another child Playing with a Kitten” Oil on canvas 25 ¼” x 31 ½” PROVENANCE: W. Scott & Sons, MontrealAC15384 (AC from artnet: sold price on 12/14/98) @AC-Bdwy
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John Edumondo Califano 1862-1946 Landscape Oil on wood 8 ½” x 10 ½’ Worth 1,000 @AC-NB
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Maurice de Vlaminck (French, 1876-1958) “Les environs de triel” Signed Oil on canvas 25 ½”x 32” Signed lower left Painted in 1917-1919 COA by G. Petrides
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Alois Priechenfried (German, 1867-1953) "Mother and Child" Signed ‘Apriechenfried’ upper left Oil on canvas 20 ¾ x 16 ¾ in. (52.7 x 42.2 cm)
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Portrait of a Man ArtistUnknown 19th Century 37 x 25 in.
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Josef Johann Süss (Austrian, 1857-1937) “Courting Couple” Signed, “Josef Süss” Oil on canvas 23” x 17 ¼”
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Alfred Vickers (British, 1786-1868) "On the Medway" Oil on canvas A beautiful horizontal scape of the shore with sailboats dispursed in the water, and two figures on the shore. Delicately painted clouds above, and a blend of colours that meet the horizon. Frame contains plaque of Title, Artist name, and descent.
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W J Scott (American, 19th Century) ‘Raven Crag Burn, Haltwhistle’ signed and dated 1886, oil on board. 14 ½ x 19 ¾ in. (36.8 x 50.2 cm)
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Eugene Grivaz (Swiss, 1852-1915) "Elegant figures dancing in a Landscape" Watercolor on paper 18 x 25 ¼ “ (45.7 x 64.1 cm) Signed lower right, 'E. Grivaz'
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Gustave Wappers (Belgian, 1803-74) ‘The Reading’ signed, oil on panel 19 ½ x 15 ¼ in. (49.5 x 38.7 cm)
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Charles Michael Verlat (Belgian, 1824-1890) Playmates Oil on panel, signed. 6 ¼ x 8 5/8 inches
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Ernest Fiene (American, 1894-1965) "June Morning, Maine" Oil on canvas 22 x 28 in.
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Cesare Auguste Detti (Italian, 1847-1914) ‘An Elegant Couple’ Watercolor on paper Signed lower left 18” x 14”Cesare Augusto Detti (1847-1914) was an Italian artist, best known for his historical genre paintings in the nineteenth century. From Spoleto, Cesare moved to Paris during the Belle Epoque. Some of his works are included in the collections of the Uffizi and Galleria Borghese of Rome. Augusto Detti, painter of portraits, scenes usually in costume, and historical subjects, was capable of intriguing a refined, erudite audience with his works. In the 1870s he moved to Paris, where he participated at many Salons and was continuously successful. His works can be seen today in important museums in Italy, as well as collections in America and France.
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Scandinavia school ‘Portrait of a Young person' oil on canvas 39 x 31 in.
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Artist Unknown Landscape with Figures 19th Century 21 ¼ x 43 ¼ in.
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L Roekler (German, 19thCent.) 'Playing with the cat’ signed and dated 73, oil on canvas 25 x 18 in. (63.5 x 45.7 cm)
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Louis Alois Franz Uhl (Austrian, 1860-1909) ‘Portrat Einer Dame In Weissem Kleid’ (Portrait of Lady in a White Dress) Signed-oil on canvas. 48 ¼ x 34 ½ in. (122.6 x 87.6 cm)
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Benjamin Rutherford Fitz Shopkeeper Signed and Dated 1888 Oil on Canvas 29 x 36 in. Sotheby’s LA 10-5-81, Lot# 161
