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Continental School, 19th Century "The Cathedral" Dated 1874, Oil on canvas 26 x 18 1/4 inches (66 x 46.4 cm)
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Antonio Allegri, il Correggio “The Virgin Adoring the Christ Child” Oil on Canvas 31 ½” x 26 ½’’ 80 x 67.3 cm CL102794-79 761203-2 @AC-GN
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Abraham Bloemaert (Spanish, 1566-1651) “Death of the Virgin” Oil on canvas 48 ½ x 44 ¾ inches Abraham Bloemaert (1566 – 27 January 1651) was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti, at least for a period.
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Francesco Solimena (Italian, 1657-1747) “The Mystic Marriage of Saint Catherine” Oil on canvas, Oval 12 7/8 x 9 5/8 inches (31.8 x 24.7 cm) CL102794-97 430602-2 @NB-1040 #61
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Pieter Aertson (Dutch, 1507-1575) Virgin Mary Oil on panel 22 ½” x 41 ½” Inscribed lower left Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder.
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After Raphael (Raphael Sanzio da Urbino)(Italian, 1483-1520) “Saint John in the Wilderness” Oil on canvas 34 ½ x 25 inches CL102794-45 126521-2 @NB-1040 #14
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Antonio Allegri, il Correggio “The Holy Family with Saint Francis” Oil on Canvas 47 ½” x 41” CL102794-64 374802-2
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Antonio Allegri da Correggio “The Mystic Marriage of Saint Catherine” Oil on canvas 10 ½” x 9” (26.7 x 22.8 cm) Antonio Allegri da Correggio (August 1489 – March 5, 1534), usually known as Correggio (Italian), was the foremost painter of the Parma school of the Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Rococo art of the 18th century. He is considered a master of chiaroscuro. In 1503 he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the classicism of artists like Lorenzo Costa and Francesco Francia, evidence of which can be found in his first works. After a trip to Mantua in 1506, he returned to Correggio, where he stayed until 1510.
