Item(s) left: 1
Pierre-Auguste Renoir
Paysage de Provence, Cagnes
1910 – oil on canvas
12.2 x 19 in. – 31.1 x 48.3 cm. Signed lower left
This work will be included in the catalogue critique being prepared by the Wildenstein Institute from the Francois Daulte, Durand-Ruel, Venturi, Vollard & Wildstein achieves.
Provenance:
Gallery Thanhauser, Munich and NY
Estate of Mary S. Higgins
Ronne and Joseph S. Wohl, NY
Sotheby’s NY 11/10/2000
EXIBITED
Munich, Gallery Thannhauser 1927
Roslyn, NY Nassau County Museum of Fine Art, The LI Collection, A Century of Art, 1880-1980 1982, no. 3
Huntington, NY – The Heckerscher Museum, Old Master – Early Modern:Works from Long Island Private Collection,1987
Literature
Julius Meier-Graefe, Renoir, 1929, no 340, ill. p 351
After 1900, Renoir and his family spent each winter and spring on the Mediterranean, staying at Le Cannet in 1902-1903907 they purchased Les Cfollettes, an old farm situated in an olive grove. John House described the importance of the Cagnes landscape in Renoirs work at this time: “The estate provided him with hisprinciple subjects for landscape: he focused sometimes on the panoramic view of it from the coast & the old town of Cagnes, sometimes on its ancient, twisting olive trees, and often on the old farmhouse on the estate.” (John House, Renoir, London,1985, p.27)
Robert Ryman
Part 17 – signed and dated
Oil on corrugated conservation board, 1993
15 x 15 in.
Provenance:
Garner Tullis, NY
The Pace Gallery, NY
Marc Blondeau S.A., Paris
Private Collection, NY
Exhibited
New York, The Pace Gallery: Paris, Galerie Marc Blonddeau, New paintings, December 1993 – March 1994. N.p., illustrated
Literature
Ann Hindry, “Ryman: Eloge du Blanc,” Beaux Arts, no. 121, March, 1994, p. 51 illustrated
Edward Lucie-Smith, Art Today, London, 1995, pl. no. 81, p. 78, illustrated
This work will be listed as catalogue number 93.017 in the forthcoming catalogue raisonne project being organized by Amy Baker Sanback.