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Saint John the Baptist in the Wilderness Oil on Canvas
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A Patinated Bronze Mantel Clock with Silver Spheroid Dial (Set of 3 Pieces).
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War Scene Oil on canvas 22 ½” x 27” Year of work: 1880
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Pieter Aertson (Dutch, 1507-1575) Virgin Mary Oil on panel 22 ½” x 41 ½” Inscribed lower left Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder.
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Francesco Di Simone da Santa Croce (1480-1548) “Joseph’s Escape from Potiphar’s Wife” From the collection of Pinero Migliorati Lugano, Taken from Old Church in Northern Italy (one of five). @NB-1040 #88
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Francesco Ruschi “The Crucifixion” Oil on canvas 60 ¼ x 40 ½ inches
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Abraham Bloemaert (Spanish, 1566-1651) “Death of the Virgin” Oil on canvas 48 ½ x 44 ¾ inches Abraham Bloemaert (1566 – 27 January 1651) was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti, at least for a period.
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Francisco Bayeu Y Subias (1734-1795) “An Allegorical Figure of Music, a Study for a Pedentive” Oil on paper laid down on canvas 13 ¼ x 16 ½ inches Francisco Bayeu y Subias (9 March 1734 – 4 August 1795) was a Spanish painter, active in a Neoclassic style, whose main subjects were religious and historical themes. Born in Zaragoza, Aragon, he received a broad childhood education. He then moved to Madrid, winning a scholarship with the painting of the ‘’Tyranny of Gerion’’ to study in the Academia Real de Bellas Artes de San Fernando. The death of his parents and the care of his brothers forced him to return to Zaragoza, until he was recalled by Anton Raphael Mengs to help decorate the Royal Palace of Madrid. He served as court painter to King Charles III of Spain. He was named a professor of the Royal Academy of Fine Arts of San Fernando in 1765 and director in 1788. He painted in the Charterhouse of Aula Dei in Zaragoza. In 1767 he was named court painter for Charles III, king of Spain. He was involved in the decoration of various Royal palaces near Madrid. He helped provide designs for tapestries. He also painted for the College of San Ildefonso, the Royal Monastery of the Incarnation (Madrid), the Basilica of our Lady del Pilar in Zaragoza, and the cloister of the Cathedral of Toledo.
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Donato Creti “Studies of Heads” Pen and brown ink on paper 10 ¾ x 7 ¼ inches @NB-1040 #26 Donato Creti (24 February 1671 – 31 January 1749) was an Italian painter of the Rococo period, active mostly in Bologna. Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni.
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A Louis XVI Style Bronze and Gray Marble Garniture (Set of 5 Pieces): Clock, Pair of Tazzas, and a Pair of Five-Light Candelabra. Height of Candelabra: 23 ½ inches.
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Jean Baptiste Greuze (French, 1725-1805) Oil on canvas 21 x 17 ½ inches S71791-147 1102508-3 @AL 7/13
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Duccio di Buoninsegna (Italian, 1255-1318) “The Madonna and Child” Oil on panel 18 ½ x 13 inches Duccio di Buoninsegna (Italian; c. 1255–1260 – c. 1318–1319) was an Italian painter active in Siena, Tuscany in the late 13th and early 14th centuries. He is considered to be the father of Sienese painting and, along with a few others, the founder of Western art. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is credited with creating the painting styles of Trecento and the Sienese school, and also contributed significantly to the Sienese Gothic style. Although much is still unconfirmed about Duccio and his life, there is more documentation of him and his life than of other Italian painters of his time. It is known that he was born and died in the city of Siena, and was also mostly active in the surrounding region of Tuscany. Other details of his early life and family are as uncertain, as much else in his history. Nevertheless, his artistic talents were enough to overshadow his lack of organization as a citizen, and he became famous in his own lifetime. In the 14th century Duccio became one of the most favored and radical painters in Siena. CL102794-10 561202-2 @NB-1040 #7
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Antonio Allegri da Correggio “The Mystic Marriage of Saint Catherine” Oil on canvas 10 ½” x 9” (26.7 x 22.8 cm) Antonio Allegri da Correggio (August 1489 – March 5, 1534), usually known as Correggio (Italian), was the foremost painter of the Parma school of the Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Rococo art of the 18th century. He is considered a master of chiaroscuro. In 1503 he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the classicism of artists like Lorenzo Costa and Francesco Francia, evidence of which can be found in his first works. After a trip to Mantua in 1506, he returned to Correggio, where he stayed until 1510.
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Sir Peter Paul Rubens (Flemish, 1577-1640) “The Madonna and Child with the Infant Saint John and Saint Elizabeth” Oil on canvas CL102794-52 140802-2 43 x 36 ½ inches (109.2 x 92.7 cm)
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Francesco Curradi (Italian, 1570-1661) “The Madonna and the Angel Gabriel” Oil on canvas 26 x 20 inches (66 x 50.8 cm) CL102794-83/1 334002-2 @NB-1040 #16
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Antonio Allegri da Correggio “The Mystic Marriage of Saint Catherine” Oil on canvas 32 x 28 inches (81.3 x 71.2 cm) CL102794-78 3108802-2 @NB-1040 #68
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Carlo Dolci (Italian, 1616-1686) “The Madonna and Child with Saint Clare” Oil on copper 8 ¼ x 6 inches (21 x 15.3 cm) Carlo (or Carlino) Dolci (25 May 1616 – 17 January 1686) was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Savior wearing the Crown of Thorns. In 1682, when he saw Giordano, nicknamed "fa presto" (quick worker), paint more in five hours than he could have completed in months, he fell into a depression. Dolci's daughter, Agnese (died circa 1680), was also a painter. Dolci died in Florence in 1686.
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Willem de Poorter (Dutch, b. 1608) “Pharaoh’s Army Drowning in the Red Sea” Oil on panel 20 x 32 ½ inches (50.7 x 82.5 cm) CL102794-108 123802-2 @NB-1040 #16
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Sir Peter Paul Rubens (Flemish, 1577-1640) “Mars and Venus and Philemon and Baucis” Oil on copper 9 x 11 ¾ inches (22.8 x 29.7 cm) CL102794-116 439101-2 @NB-1040 #22
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Giovanni Antonio Pellegrini (Italian, 1675-1741) “The Young Bacchus” Oil on panel 11 x 7 ½ inches (27.9 x 19.2 cm) Giovanni Antonio Pellegrini (29 April 1675 – 2 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano. He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France. He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini. Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works.
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Pier Francesco Mola (Italian, 1612-1666) “Infant Satyrs Playing by a Plynth” Oil on canvas 24 x 16 inches (60.9 x 40.7 cm) CL102794-136 540802-2 @NB-1040 Tagged
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Louis-Jean-François Lagrenée (French, 1724-1805) “Ermina and the Shepherds” Oil on canvas 18 x 21 ½ inches @NB-1040 #45
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Antonio Joli (Italian, 1700-1777) “Figures Amongst Classical Ruins” Oil on canvas 15 ¼ x 30 ½ inches (38.7 x 77.5 cm) Antonio Joli or Ioli (1700 – 29 April 1777) was an Italian painter of vedute and capricci. Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family. In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54).
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Bartoloméo Estenban Murillo 1618-1682, Spanish “The Virgin with the Infant Christ Standing” Oil on canvas 62” x 42” 157.5 x 106.7 cm CL102794-63 9115603-2 @AC-NB
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Antonio Allegri, il Correggio “The Holy Family with Saint Francis” Oil on Canvas 47 ½” x 41” CL102794-64 374802-2
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Hendrik van Balen 1611-1654 “Saint Jermone” Oil on Copper 8 ¼” x 6’’ (21 x 15.3 cm) CL102794-65 310883-2
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Antonio Allegri, il Correggio “The Virgin Adoring the Christ Child” Oil on Canvas 31 ½” x 26 ½’’ 80 x 67.3 cm CL102794-79 761203-2 @AC-GN
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Antonio Allegri, il Coreggio “Venus, Cupid and a Satyr” Oil on Canvas 32” x 21 ½” (81.3 x 54.7 cm) CL102794-126 564601-2 @Albertson (5/19/03)
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Jan Josef Horemans ‘A Family singing in an Interior’ bears indistinct signature; oil on canvas 12 ½ x 9 ¼ in. 31.7 x 23.5 cm CL102794-225 327203-2 @AC-NB
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Diego Velaquez Bacchus – a detail Oil on canvas 16 x 20 ½ in. 40.7 x 52.1 cm CL102794-233 325501-2 @AC-GN
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Gabriel Metsu ‘The Game Seller’ oil on panel 19 x 16 in. (48.3 x 40.7 cm) CL102794-239 654401-2 @AC-NB
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David Teniers Peasants playing backgammon Oil on panel 14 ½ x 21 ½ in. (36.7 x 54cm) 328903-2
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David Teniers ‘The Palm Reader’ oil on panel 6 7/8 x 4 5/8 in. (17.5 x 11.7 cm) CL102794-253 39520-2 @AC-NB
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Sir Anthony van Dyck ‘Portrait of the Marchesa Lomellini-Durazzo, three quarter length, in a black Coat and white Sleeves’ oil on canvas 33 5/8 x 24 in. 85.4 x 61 cm. CL102794-266 5115602-2 @AC-sAlbert.
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Lodewyck de Vadder ‘The Temptation in the Wilderness’ oil on canvas 17 ¾ x 44 in. (45 x 111.8 cm) CL102794-177 351003-2 @AC-NB
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Sir Peter Paul Rubens ‘Daniel in the Lion’s Den’ oil on canvas, unframed 30 ¼ x 37 in. (76.8 x 94 cm) CL102794-119 328901-2 @Albertson
