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Jean Baptiste Camile Corot (French, 1796-1875) "Un pecheur a la ligne souvenir du pont de mantes” Oil on canvas 9 ¾”x 13” signed COA by M. Dieterle PROVENANCE: Billou Collection (acquired from the artist in 1873) Bossiere Boussod, Valadon et Cie, Paris Dr. Henry Angell, Boston John Levy Gallery, Inc., NY Parke-Bernet Gallerie, Inc Henry A. Golwynne, New York
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Circle of Alfred Elmore, R.A. ‘Una and The Lion’ oil on canvas. 36 x 28 in. (91.4 x 71.1 cm
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Eugéne Boudin (French, 1824-1898) “Vaches au paturage” Oil on paper 4 ½” x 7 ¾” Stamped with initials lower right
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Maurice de Vlaminck (French, 1876-1958) “Vase de fleurs" Oil on canvas 15”x 18 ¼” Signed lower right COA by Wildenstein Institute
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Yasuo Kuniyoshi (American, 1893-1953) “Vase with flower” 17”x 14” Oil on canvas Painted in 1918 COA by B. Usui Yasuo Kuniyoshi (Kuniyoshi Yasuo, 1 September 1893 – 14 May 1953) was an American painter, photographer and printmaker. Kuniyoshi was born in Okayama, Japan in 1893. He migrated to America in 1906, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design. Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and at the Independent School in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He later taught at the Art Students League of New York in New York City and in Woodstock, New York. Nan Lurie was among his students, as was Irene Krugman. Around 1930, the artist built a home and studio on Ohayo Mountain Road in Woodstock. He was an active member of the artistic community there for the rest of his life.
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Pieter Aertson (Dutch, 1507-1575) Virgin Mary Oil on panel 22 ½” x 41 ½” Inscribed lower left Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder.
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War Scene Oil on canvas 22 ½” x 27” Year of work: 1880
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Charles Felix Edouard Deshayes (French, 1831-1895) Windmill Near Paris Signed and dated ‘Ch Deshayes 1874 Paris’ Oil on canvas 26x 32 in. (66 x 81.2 cm)
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Edwin Howland Blashfield Women Aiding the Less Fortunate 1848-1936 21 ¾” x 17” AC80000 @AC-NB
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Charles François Jalabert Women in the Forest Oil on canvas Within a painted arch 39.4 x 31.8 cm S71791-209 899001-3
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Bernard Buffet (French, 1928-1999) “World Trade Center” Oil on canvas 38” x 57” Signed and dated 1989 upper right and left
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Jan Josef Horemans ‘A Family singing in an Interior’ bears indistinct signature; oil on canvas 12 ½ x 9 ¼ in. 31.7 x 23.5 cm CL102794-225 327203-2 @AC-NB
