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John Joseph Enneking 1841-1916 Still Life with Fruits Pastel 22” x 18” @AC-NB
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John Edumondo Califano 1862-1946 Landscape Overlooking House and Bridge Oil on wood 8 ½” x 10 5/8” AC3000 @AC-NB
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Edwin Howland Blashfield Women Aiding the Less Fortunate 1848-1936 21 ¾” x 17” AC80000 @AC-NB
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Elizabeth M. Yates b. 1883, Landscape Scene Oil on wood 9 ¼” x 5 ½” @NB
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J.M. Dizikis Seashore Landscape Scene Oil on canvas 18” x 12 ¼” @AC-NB
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American School- Artist: Unknown “An Old canal” 20” x 14 ¼” In 1870 @AC-NB
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John George Brown 1831-1913 Portrait of a Man Oil on canvas 10 ½” x 12 ½” AC12000 AC28000 @AC-NB
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Louis Heinzman (1905-…) American Streetscape Oil on canvas Signed 32 x 24
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George Henry Durrie American, 1820-1863 “John Henry Hackett as Falstaff” Oil on Board PROVENANCE: By descent through the artist’s family Hally L. Durrie, Santa Barbara, the artist’s great grandson Terry DeLapp, Los Angeles Mrs. George Arden, New York LITERATURE M.Y. Hutson, Geroge Henry Durrie, 1820-1863, American Wiinter Landscapist: Renouwned throughCurrier & Ives, Santa Babra, p.55, no. 51, illus. Records and personal diaries indicate that Durrie read Shakespeare and was inspired to paint Falstaff. According to Martha Hudson, “Two portraits of Falstaff are known, both listed in the record book. The 1852 painting (this portrait) is thought to be a portrait of the actor James Hackett portraying Falstaff, a role he made famous in America. Since Hackett performed in New York City as well as on tour, Durrie could easily have seen a performance. Obviously the characterization was effective because the portrait is jovial and abundant in appearance as one could hope for a Falstaff.” 17” x 13 ½” (43 x 34.3 cm)
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American School “A Gentlemen Holding a Book” Oil on canvas 25 ½” x 32 ½” Sotheby’s L.A. 11-17-80 @AC-NB
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A Restored Ormolu Mantel Clock, Second Quarter 19th Century. The circular dial is with Roman numeral characters. Signed, “Le Roy hr. du Roi Palais Royal a Paris.” Height: 12 ¼ inches. CMR1496-2-17 AC6440
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A Clock Set with a Pair of Three-Light Candelabra. Height of Clock: 18 inches Height of Candelabra: 17 ¾ inches AC40000 F-1119
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Sevres-Style Clock Set with Six-Light Candelabra. Clock Height: 27 ½ inches Clock Width: 16 inches Candelabra Height: 27 inches
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A Sevres-Style Clock with a pair of Five-Light Candelabra. 19th Century. Clock dimensions: (a) Height: 22 inches (b) Width: 24 inches Candelabra dimensions: (a) Height: 26 ½ inches (b) Width: 7 inches AC80000 F-1194
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Clock Set Clock Dimensions: Height: 27 inches Width: 19 inches Depth: 6 inches Dimensions for Pair of Urns: Height: 25 ½ inches Width: 9 inches Diameter: 10 inches AC72000 F-1596
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A Napoleon III Gilt and Patinated Bronze Figural Mantel Clock mid 19th Century. Height: 35 inches SN103003-143A AC33600 F-1603
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A Sevres Style Clock with a Pair of Urns. Clock Height: 17 ½ inches Urn Height: 18 ¾ inches AC48000 F-1523
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A French Ormolu and Gilt-Bronze Clock Garniture. Sevres-style painted dial with classic scene signed HUDESINE/ de Bronzes /RUE TURENNE 64 Paris Clock Dimensions: Height 17 ½ inches, Width 12 ¾ inches, and 6 ½ inches deep. Candelabra Dimensions: Height: 17 ½ inches, with 5 lights. F-147
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Clock with Twelve-Piece Roman numerals on dial, flanked by two Columns. Dimensions: Height: 17 inches Width: 7 ½ inches Depth: 7 ½ inches AC22000 F-1545
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Mantel Clock with Soldier Figure. Height: 22 inches Width: 17 inches Depth: 6 ¾ inches AC16000 F-1537
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A Gilt Bronze and Porcelain Mantel Clock, circa 1860. The white enamel dial signed RAINGO Fres A PARIS, the movement with bell strike, the case with matt and burnished gilding possibly by Henri Picard, not stamped SO 102802-198 AC29600 F-1247
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A French Ormolu and Champlevé Enamel Garniture with a pair of Four-Light Candelabra AC14000 F-32
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Nineteenth Century Sevres-Style Turquoise Clock. Dimensions: Height 29 inches, Width 19 inches, and 11 inches deep. F-1104
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A Bronze and Mahogany Clock Set with Three-Light Candelabra. Clock Dimensions: Height: 24 inches Width: 10 ½ inches Depth: 10 ½ inches Candelabra Dimensions: Height:24 ½ inches Width: 10 ½ inches Y&D MAYER AUG2902 AC40000 F-1145
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A Roman Numeral Clock with Urn, flanked by two putto. Height:20 inches Width: 15 inches AC16000 F-1195 / 1196
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Pair of Louis XVI Style Gilt-Bronze Mounted Porcelain Urn Form Candelabra, late 19th Century. Height: 31 inches. BBJUN2402-7362 AC11750 Made Set with Clock. F-1068
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A Champlevé & Gilt-Bronze Clock Garniture (Set of 3 Pieces). Paris, circa 1880. The clock with Roman numeral dial above a glazed panel enclosing a stylized dark and light blue and white enamel foliate design, surmounted by a covered urn and flanked by putti upholding torches, on a shaped rectangular base and toupee feet. The clock dial is signed, E. Henry Paris; flanked by a pair of covered urn of ovoid form with handles in the form of Elizabethan maiden’s heads, on square bases and disc feet, the movement stamped 24568, striking on a bell. Clock Height: 18 ½ inches Vase Height (2): 11 inches SSP2999-353 AC43989 F-376
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An English Egyptian Revival Gilt-Bronze and Porcelain Clock Garniture, by Miller & Sons, London. Circa 1851. Comprising a clock and a pair of three-light candelabra; the clock surmounted by an urn, the triangular case centered to the front by a circular dial inscribed Miller & Sons London, flanked to each side by a seated lion, each with a pharaoh’s, on a rectangular base, on four scroll feet, each headed by a lion mask; the candelabra en suite. Height of Clock: 19 inches Height of Candelabra: 23 inches CL100102-376 AC40000 F-1168
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Louis XVI Style Ormolu Three-Piece Clock Garniture, 19th Century. The architectural clock case surmounted by a Grecian urn and set with a circular dial with enameled Roman chapters &twin-barrel movement, inscribed F16A/F.Gautier & J.Albinet/Rue D’Abo – NO. 3, flanked by volutes, on a breakfront base with toupee feet, the candelabra each with a tapering pedestal upright issuing the five scrolled candelabra arms& flambeau finial. Height of Clock: 16 ½ inches Height of Candelabra: 20 ½ inches CN101702-6 AC11950 F-1213
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A Louis XVI Style Ormolu and Sevres Style Porcelain-Mounted Mantel Clock, circa 1880-1890. The Urn surmount with a framed portrait of a beauty flanked by swags, the architectural case with arched pediment set with a trellis and a flower-painted panel, the enamel dial inscribed, Gleizes / A Paris / Place Vendome N3, with twin-train movement, flanked by two-further portraits, above a frieze emblematic of fleeting Love, the rounded sides each with a trellis and flower plaque, on a shaped paneled plinth and toupie feet. Height: 19 ½ inches. CN042402-413 AC15296 F-992
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Clock Set in Louis XVI Ormolu and Sevres Porcelain-Mounted Style with Roman numeral dial, with four-light candelabra.
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A French Gilt-Bronze Clock Garniture. By Cotlin, Paris, Circa 1880. Comprising a mantel clock and a pair of ten-light candelabra; the clock surmounted by an urn with four monopodiae feet, the circular white enamel dial inscribed R. Cotlin Paris, the movement inscribed to the reverse RC and numbered 116, flanked to the sides by scrolling mounts, on acanthus feet; the candelabra en suite. Clock Dimensions: Height of 29 ½ inches, Width of 17 ¾ inches, and 9 inches deep. F-1170
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A Pair of Gilt and Patinated Bronze 3-light candelabra, late 19th Century. Each putto supporting foliate branches. Height: 22 inches. Clock: Jean-Francois & Guillaume Deniere Fl. 1820-1901 A Louis XVI-Style Gilt and Patinated Bronze Clock. Paris, circa 1880. The Dial is inscribed with DENIERE/Ft de Bronzes/Paris and numbered 315. Bronze and Marble. Height: 16 ½ inches. SMR0696-1-19 AC13800 F-42
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A Gilt Bronze and Marble Mantel Clock, French, circa 1850. Twelve-Piece Enamel Cartouche Dial (4 ½in.), bell striking movement with early spring suspension, the case surmounted by a flower urn flanked by two recumbent putti and raised on an elaborate break front plinth inset with marble panels applied with gilt mounts. This lot was hired for the filming of: Live and Let Die (1973) Restoration (1995) Height: 17 ¼ inches. SLMAR1302-412 AC10400 F-941
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A Napoleon III Ormolu- Mounted Carrara Marble Figural Mantel Clock, circa 1870. Modeled as scantily-clad baccante standing beside an ormolu ewer on a rectangular plinth, centered with an enameled dial inscribed […]/a Paris, the twin-train movement by JapyFreres, the movement door engraved to the reverse Repaired by/Blaine Jewelers/Newport R.I. / 9-29-54/11-1-61/9-13-77, on rectangular naturalistic base and bleu turquin marble plinth. Height: 25 inches CNYAPR2401-169 AC17000 F-798
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CLOCK (F-785): A Louis XVI Style Ormolu-mounted Carrara Marble Mantel Clock, circa 1890. The circular enamel dial surmounted by a cloud borne Cupid, on rectangular pedestal flanked by classically-draped caryatids issuing scrolling and fruiting foliage, above a shaped rectangular plinth mounted with -urn en flambeau finials supported on triple ram’s head monopodiae and inset to the front with a cockerel, on toupie feet, the dial inscribed […]/240 RUE RIVOLI/A PARIS 21 ¼ inches Candelabra: A Pair of Gilt-Bronze and Onyx Candelabra. Each base has malachite square on the front and Putto holding a Five-Light branch stem. Height: 23 inches. (AC10000) CNYAPR2401-121 AC19740 F-785 / F-64