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A French Ormolu and Champlevé Enamel Garniture with a pair of Four-Light Candelabra AC14000 F-32
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Hippolyte Petitjean (French, 1854-1929) “Femmes dans le foret” Oil on canvas 39 ½” x 25 7/8” Signed and dated bottom left Painted in 1897 PROVENANCE: Estate of D. Gensburg, LA
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Marc Chagall (French, 1887-1985) “Le peintre et la crucifixion” pastel and gouache on paper 20”x 12.5” Executed in 1968 Signed lower left COA by Comite Chagall
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J. Fleming, circa 18 ‘Scottish Seascape' Plaque on fra Oil on wo 14¾ x 20 John Fleming (1792-1845) was a Scottish landscape painter who lived and worked in Greenock. He is best known for the series of views he painted for Swan's Lakes of Scotland, published at Glasgow in 1834. Fleming was born in about 1792, and apprenticed to a housepainter at the age of fourteen. He is thought to have had some contact with the portrait painter James Saxon before spending some time in London, where he worked as a housepainter and took the opportunity to the study paintings in galleries there. As a landscapist, Fleming specialized in small paintings of Scottish scenery, which became widely known through a series of collaborations with the Glasgow engraver and publisher Joseph Swan. He first worked with Swan in 1828 on a publication entitled Select Views of Glasgow and its environs, to which the Glasgow artist John Knox also contributed. Fleming and Swan followed this with Select Views on the Clyde (1830) and Select Views of the Lakes of Scotland (1834). The last of these, consisting of a total of 48 plates, issued in 16 parts, proved popular enough to justify the publication of further editions in 1836 and 1839.
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Francisco Bayeu Y Subias (1734-1795) “An Allegorical Figure of Music, a Study for a Pedentive” Oil on paper laid down on canvas 13 ¼ x 16 ½ inches Francisco Bayeu y Subias (9 March 1734 – 4 August 1795) was a Spanish painter, active in a Neoclassic style, whose main subjects were religious and historical themes. Born in Zaragoza, Aragon, he received a broad childhood education. He then moved to Madrid, winning a scholarship with the painting of the ‘’Tyranny of Gerion’’ to study in the Academia Real de Bellas Artes de San Fernando. The death of his parents and the care of his brothers forced him to return to Zaragoza, until he was recalled by Anton Raphael Mengs to help decorate the Royal Palace of Madrid. He served as court painter to King Charles III of Spain. He was named a professor of the Royal Academy of Fine Arts of San Fernando in 1765 and director in 1788. He painted in the Charterhouse of Aula Dei in Zaragoza. In 1767 he was named court painter for Charles III, king of Spain. He was involved in the decoration of various Royal palaces near Madrid. He helped provide designs for tapestries. He also painted for the College of San Ildefonso, the Royal Monastery of the Incarnation (Madrid), the Basilica of our Lady del Pilar in Zaragoza, and the cloister of the Cathedral of Toledo.
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American School George Peter Alexander Healy Portrait 32” x 25” Signed upper left “GPA HEALY” @AC-NB
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John Edumondo Califano 1862-1946 Landscape Overlooking House and Bridge Oil on wood 8 ½” x 10 5/8” AC3000 @AC-NB
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Henri Lebasque (French, 1865-1937) “Les deus Baigneuses près de la Plage” Oil on canvas 21 1/8”x 30” Signed lower right COA by V. Lebasque
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Jean Jacques Henner (French, 1829-1905) A Young Girl with Red Cape Signed ‘JHENNER’ lower left Oil on canvas 18 ¼ x 12 ¾ in. (46.4 x 32.4 cm)
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Hermann Armin von Kern (Austrian, 1838-1912) "Pouring a Drink" Oil on canvas 8 ¼ x 6 inches
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Sir Peter Paul Rubens (Flemish, 1577-1640) “Mars and Venus and Philemon and Baucis” Oil on copper 9 x 11 ¾ inches (22.8 x 29.7 cm) CL102794-116 439101-2 @NB-1040 #22
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Follower of John Crome Landscape @AC-NB
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Emmanuel Mané-Katz (French, 1894–1962) “Scholar with a Torah scroll” Watercolor on gouache on gray paper 12” x 9 ½” SIgnwed lower right
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Dutch/Flemish School, ca. 1800 ‘Peasants Dancing Outside an Inn’ Oil on canvas 26 ½ x 32 ½ in. (67.3 x 82.6 cm)
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B. Baroni (Italian, 19th Century) ‘In the Doorway’ Oil on canvas 26 7/8 x 18 ½ inches Signed lower right ‘B. Baroni’
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Diego Velaquez Bacchus – a detail Oil on canvas 16 x 20 ½ in. 40.7 x 52.1 cm CL102794-233 325501-2 @AC-GN
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David Teniers ‘Topers in a Tavern Interior’ oil on white metal 10 3/8 x 12 ½ in. CL102794-244 318702-2 Price:4,500 @AC-NB
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Nineteenth Century Sevres-Style Turquoise Clock. Dimensions: Height 29 inches, Width 19 inches, and 11 inches deep. F-1104
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Théodore van Rysselberghe (Belgian, 1862-1926) “Auto-Portrait a la palette” Oil on paper laid on board 23 5/8” x 18 ½”
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Bernard Buffet (French, 1928-1999) “Nature morte au melon et a l’ananas” Oil on canvas 23.5”x 40” Signed and dated 1989 on the top COA by M. Garnier
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Dog Painting Portrait of a Dog Artist Unknown 10½ x 12 in.
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Donato Creti “Studies of Heads” Pen and brown ink on paper 10 ¾ x 7 ¼ inches @NB-1040 #26 Donato Creti (24 February 1671 – 31 January 1749) was an Italian painter of the Rococo period, active mostly in Bologna. Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni.
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Arthur Fitzwilliam Tait 1819-1905 “Tait’s father” 5 ¼” x 7” Pencil on paper Provenance: Alan R. Tait 08/10/77 Worth 1,000 @AC-NB
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Edwin Howland Blashfield Women Aiding the Less Fortunate 1848-1936 21 ¾” x 17” AC80000 @AC-NB
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Victor Brauner (Rumanian, 1903-1966) “Paysage” Oil on Canvas 7 ½”x 9” Signed bottom left Dated 1953 COA by S. Kinge PROVENANCE: Alexander Iolas, NY Exhibited: New York, Bodley Gallery, Victor Brauner,1961
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French School (19th/20th Century) Lush Landscape Surrounding a Lake. Indistinctly signed lower left Oil on panel. 7 ¼x 14 in. (18.5 x 35.5 cm)
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Charles Robert Leslie (English, 1794-1859) Landscape Oil on canvas 12 x 24 in.
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Giovanni Antonio Pellegrini (Italian, 1675-1741) “The Young Bacchus” Oil on panel 11 x 7 ½ inches (27.9 x 19.2 cm) Giovanni Antonio Pellegrini (29 April 1675 – 2 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano. He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France. He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini. Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works.
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Raphael (Raphael Sanzio da Urbino)(Italian, 1483-1520) “HeligaFamiljen” Oil on canvas 48.4 x 36.6 inches CL102794-32 351002-2 @AL 7/13
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Dunlavy Portrait Former Property of Great Grandson of A. Lincoln Oil on canvas 9 ½ x 13 inches @AC-NB
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Camille Bombois (French, 1883-1970) “Le pecheur aux grands arbres” Oil on canvas 25 ½”x 36 ¼” Signed bottom right COA by D. Vierny PROVENANCE: Dr.Franz Meyer-Mahler, Zurich Perls Galleries, NY EXHIBITED: Basel, Kunsthalle, June-Aug. 1995 #62
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Follower of Jean Marc Nattier (French, 1685-1766) ‘Portrait of a Woman, said to be Madame Le Normant D’Etoiles’ Oil on canvas 32 x 25 ½ in. (81.3 x 64.8 cm)
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Unknown Artist 19th Century “Girl with Yarn” 10 x 8 ½ in.
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Gabriel Metsu ‘The Game Seller’ oil on panel 19 x 16 in. (48.3 x 40.7 cm) CL102794-239 654401-2 @AC-NB