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John Joseph Enneking 1841-1916 Still Life with Fruits Pastel 22” x 18” @AC-NB
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John Edumondo Califano 1862-1946 Landscape Overlooking House and Bridge Oil on wood 8 ½” x 10 5/8” AC3000 @AC-NB
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Edwin Howland Blashfield Women Aiding the Less Fortunate 1848-1936 21 ¾” x 17” AC80000 @AC-NB
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Elizabeth M. Yates b. 1883, Landscape Scene Oil on wood 9 ¼” x 5 ½” @NB
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J.M. Dizikis Seashore Landscape Scene Oil on canvas 18” x 12 ¼” @AC-NB
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American School- Artist: Unknown “An Old canal” 20” x 14 ¼” In 1870 @AC-NB
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John George Brown 1831-1913 Portrait of a Man Oil on canvas 10 ½” x 12 ½” AC12000 AC28000 @AC-NB
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Louis Heinzman (1905-…) American Streetscape Oil on canvas Signed 32 x 24
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George Henry Durrie American, 1820-1863 “John Henry Hackett as Falstaff” Oil on Board PROVENANCE: By descent through the artist’s family Hally L. Durrie, Santa Barbara, the artist’s great grandson Terry DeLapp, Los Angeles Mrs. George Arden, New York LITERATURE M.Y. Hutson, Geroge Henry Durrie, 1820-1863, American Wiinter Landscapist: Renouwned throughCurrier & Ives, Santa Babra, p.55, no. 51, illus. Records and personal diaries indicate that Durrie read Shakespeare and was inspired to paint Falstaff. According to Martha Hudson, “Two portraits of Falstaff are known, both listed in the record book. The 1852 painting (this portrait) is thought to be a portrait of the actor James Hackett portraying Falstaff, a role he made famous in America. Since Hackett performed in New York City as well as on tour, Durrie could easily have seen a performance. Obviously the characterization was effective because the portrait is jovial and abundant in appearance as one could hope for a Falstaff.” 17” x 13 ½” (43 x 34.3 cm)
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American School “A Gentlemen Holding a Book” Oil on canvas 25 ½” x 32 ½” Sotheby’s L.A. 11-17-80 @AC-NB
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A Restored Ormolu Mantel Clock, Second Quarter 19th Century. The circular dial is with Roman numeral characters. Signed, “Le Roy hr. du Roi Palais Royal a Paris.” Height: 12 ¼ inches. CMR1496-2-17 AC6440
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A Clock Set with a Pair of Three-Light Candelabra. Height of Clock: 18 inches Height of Candelabra: 17 ¾ inches AC40000 F-1119
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Sevres-Style Clock Set with Six-Light Candelabra. Clock Height: 27 ½ inches Clock Width: 16 inches Candelabra Height: 27 inches
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A Sevres-Style Clock with a pair of Five-Light Candelabra. 19th Century. Clock dimensions: (a) Height: 22 inches (b) Width: 24 inches Candelabra dimensions: (a) Height: 26 ½ inches (b) Width: 7 inches AC80000 F-1194
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Clock Set Clock Dimensions: Height: 27 inches Width: 19 inches Depth: 6 inches Dimensions for Pair of Urns: Height: 25 ½ inches Width: 9 inches Diameter: 10 inches AC72000 F-1596
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A Napoleon III Gilt and Patinated Bronze Figural Mantel Clock mid 19th Century. Height: 35 inches SN103003-143A AC33600 F-1603
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A Sevres Style Clock with a Pair of Urns. Clock Height: 17 ½ inches Urn Height: 18 ¾ inches AC48000 F-1523
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A French Ormolu and Gilt-Bronze Clock Garniture. Sevres-style painted dial with classic scene signed HUDESINE/ de Bronzes /RUE TURENNE 64 Paris Clock Dimensions: Height 17 ½ inches, Width 12 ¾ inches, and 6 ½ inches deep. Candelabra Dimensions: Height: 17 ½ inches, with 5 lights. F-147
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Sevres-Style Clock Set with Six Lights. Clock Dimensions: Height 27 ½ inches, Width 16 inches, Diameter 11 inches. Candelabra Dimensions: Height 27 inches, with 11 inches Diameter. AC70000 F-1522
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Clock with Twelve-Piece Roman numerals on dial, flanked by two Columns. Dimensions: Height: 17 inches Width: 7 ½ inches Depth: 7 ½ inches AC22000 F-1545
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Mantel Clock with Soldier Figure. Height: 22 inches Width: 17 inches Depth: 6 ¾ inches AC16000 F-1537
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A Gilt Bronze and Porcelain Mantel Clock, circa 1860. The white enamel dial signed RAINGO Fres A PARIS, the movement with bell strike, the case with matt and burnished gilding possibly by Henri Picard, not stamped SO 102802-198 AC29600 F-1247
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A French Ormolu and Champlevé Enamel Garniture with a pair of Four-Light Candelabra AC14000 F-32
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Nineteenth Century Sevres-Style Turquoise Clock. Dimensions: Height 29 inches, Width 19 inches, and 11 inches deep. F-1104
